Objective
This project deals with the radio propaganda that Italy, Great Britain, France and Germany carried out in the Arab world between the mid-1930s and the early 1940s. In particular, it focuses on Radio Bari (1934-43), the first radio station to broadcast in Arabic with the purpose of courting the Arabs and challenging the French and British colonial power.
This topic has attracted scholarly interest but as of yet has not been addressed thoroughly. My research is the first one to tackle this issue in its entirety, with the aim of shedding light on such a neglected page of history.
My project has three main objectives. (I) Reconstructing the main elements of Radio Bari—its structure, its programs, and its main actors—according to two theoretical and historiographical frameworks: the use that the Fascist totalitarian regime made of the instruments of modern propaganda in order to exert its control over the population; the Fascist foreign policy’s employment of a tool of “soft power” aimed at transforming the Mediterranean sea into a mare nostrum and expanding the Italian presence in the Arab world. (II) Exploring Radio Bari as a cultural and transnational experience by examining the Orientalist and anti-Semitic messages in its programs, and by enquiring into what extent it might be considered an example of transnational networking between Europe and the Arab world. (III) Investigating the two phases of the “war of waves”, the first one that took place in 1938-39 and the second one that was waged during WWII.
In terms of methodology, being as my research is at the crossroads of different disciplines—history of international relations, cultural history, colonial history, transnational history, history of media—I will employ an interdisciplinary approach. In terms of sources, in addition to existing literature, my research will be based on extensive unpublished documentation from Italian, Vatican, British, French, Moroccan, Israeli, Egyptian, and American archives.
Fields of science (EuroSciVoc)
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: https://op.europa.eu/en/web/eu-vocabularies/euroscivoc.
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: https://op.europa.eu/en/web/eu-vocabularies/euroscivoc.
- social sciences political sciences political communication
- humanities arts modern and contemporary art radio and television
- social sciences media and communications
- humanities history and archaeology history modern history
- social sciences political sciences political transitions armed conflicts
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Programme(s)
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Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Topic(s)
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Call for proposal
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Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
FP7-PEOPLE-2011-IEF
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Funding Scheme
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Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Coordinator
50014 Fiesole
Italy
The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.