Objective
"This project is aimed at exploring a neglected aspect of the movie industry and of the film creation process: the role played by talent agents and its significance for the making of cultural products. Even though agents often remain unseen participants in the day-to-day functioning of the film industry, they hold a key position. This study will provide a detailed account of their professional activity, analyzing the organizational system they belong to and the interdependence mechanisms connecting them to other participants in the film world, to show how they contribute to the making of artists’ careers and cinematic projects and, ultimately, to the manufacture of ""popular culture."" Exploring agents' perceptions of their work identity, their mission, their distinctive skills will help us to make sense of the occupational models and conventions that currently prevail in that field, in the light of the historical constitution of “agenting” as a profession.
In-depth sociological interviews and in situ observations will constitute the main material of this research. Agents’ activity will be analyzed from a sociological viewpoint, at the intersection of several sub-disciplinary perspectives: the sociologies of profession, economy and culture will provide instruments and resources to elucidate how agents participate in shaping cultural markets, with local as well as more global effects. This case study – targeting one of the world leading film industries – can be used as a paradigmatic example, with which to better understand their dynamics and mutations in other societies.
With this project, I do not only intend to advance European research regarding screen industries, I hope to make a contribution to cultural studies at large, thanks to a close collaboration with top American scholars in the field (at the University of California, Santa Barbara and the University of Southern California)."
Fields of science (EuroSciVoc)
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: https://op.europa.eu/en/web/eu-vocabularies/euroscivoc.
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: https://op.europa.eu/en/web/eu-vocabularies/euroscivoc.
- social sciences sociology
- humanities arts modern and contemporary art cinematography
- natural sciences biological sciences genetics mutation
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Programme(s)
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Topic(s)
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Call for proposal
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
FP7-PEOPLE-2012-IOF
See other projects for this call
Funding Scheme
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Coordinator
75794 PARIS
France
The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.