Skip to main content
Go to the home page of the European Commission (opens in new window)
English English
CORDIS - EU research results
CORDIS
Content archived on 2024-06-18

AESTHETICS OF DECOLONISATION: ARTISTS, MODERNISMS AND NATION-STATES IN INDIA, WEST AND EAST PAKISTAN, 1947-71

Objective

AESTHETICS OF DECOLONISATION will study artists, ideologies, and cultural imaginaries across the split political contexts of India and Pakistan. It will cover the climactic decades of decolonisation, from the exit of British rule and the partition of India and Pakistan in 1947 to a second partition and the War of Liberation in 1971 that splintered East Pakistan from West, forming the current Bangladesh. Retreating from this theatre of border conflict, war, displacement, and genocide, this project will instead foreground cultural governance, and artistic dialogues and negotiations, from the early post-colonial decades. It will focus on the new categories of ‘artist-bureaucrats’ and ‘artist-pedagogues’ from India, East and West Pakistan, and follow their trajectories through postwar global collaborative forums like the UNESCO, the Commonwealth, and post-Bandung Afro-Asian solidarities, and the Rockefeller and Ford Foundations, as well as the art worlds of the Eastern Bloc. It will ask new questions, disclose new archival material, and forge new analytical tools to connect ‘national’ and ‘vernacular’ artistic imaginaries to trans-national debates on universal and partisan art habitually steeped in Cold War rhetoric.
Developing interdisciplinary tools to read, merge, and juxtapose political and cultural modernities during decolonisation, AESTHETICS OF DECOLONISATION will raise the following questions: How can we conceptualise post-colonial art from South Asia as a ‘region’ beyond tense national frontiers? How can the national-vernacular-global triad be activated as a conceptual frame to map alternative geographies of twentieth-century artistic modernisms? How can new ‘non-Western’ art histories historicise the contemporary in Asian Cultural Studies? And finally, how can we develop cross-national analytical models that will connect the distinctly national narratives of post-colonial art from the Global South?

Fields of science (EuroSciVoc)

CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: https://op.europa.eu/en/web/eu-vocabularies/euroscivoc.

You need to log in or register to use this function

Topic(s)

Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.

Call for proposal

Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.

FP7-PEOPLE-2013-CIG
See other projects for this call

Funding Scheme

Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.

MC-CIG - Support for training and career development of researcher (CIG)

Coordinator

UNIVERSITEIT LEIDEN
EU contribution
€ 100 000,00
Address
RAPENBURG 70
2311 EZ Leiden
Netherlands

See on map

Activity type
Higher or Secondary Education Establishments
Links
Total cost

The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.

No data
My booklet 0 0