Objective
In psychology and the cognitive sciences, perception is defined as the process of acquiring, interpreting, selecting, and organizing sensory information. The study of phenomena of perception includes essentially natural scientific (i.e. biological, physiological or psychological) and also genuinely philosophical approaches, but also literature comprehends, displays and produces knowledge about perception: it receives and discusses contemporary (theoretical and non-theoretical) discourses about perception. As a manifestation of the aesthetic, it is the place where forms of perception (e.g. of time, space, the self or the world) undergo their formal aesthetic transformation. And it is the medium that is capable of further extending the „aisthetic“ (i.e. perception related) set of tools and thus the spectrum of the perceptible by the development of aesthetic methods. The literary and cultural studies project proposes to investigate the interrelations between perception and the aesthetic developments of literary modernism. In a multi-disciplinary approach, it focuses on the specific discursive production of knowledge about perception and how it is conditioned by epistemological and symbolical, medial, rhetorical and aesthetical preconditions, thereby investigating the commonalities and differences between literary, artistic, and academic ways of cognition and representation. It refers back to a trans-disciplinary concept of aesthetics as a theory of perception which extends the reflection on art by philosophical-epistemological, natural-scientific, cultural-historical, cultural-anthropological, art and media-theoretical findings. It analyzes texts of Central European Modernisms.
Fields of science (EuroSciVoc)
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
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Keywords
Project’s keywords as indicated by the project coordinator. Not to be confused with the EuroSciVoc taxonomy (Fields of science)
Project’s keywords as indicated by the project coordinator. Not to be confused with the EuroSciVoc taxonomy (Fields of science)
Programme(s)
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Topic(s)
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Call for proposal
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
FP7-PEOPLE-2007-2-1-IEF
See other projects for this call
Funding Scheme
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Coordinator
10117 Berlin
Germany
The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.