Objective
This project examines the role of music in Rome in creating, circulating, reinforcing, policing and subverting norms of gender and sexuality. The methods by which sexuality and the erotic are transmitted by music (of any age) are not wholly understood; through this investigation we learn more about the affective nature of music, and how music can be used as a political and cultural tool. The research identifies eroticism in music in secular song, drawing on madrigals as well as a repertory of strophic song that is marginal within the discipline of musicology, and then, with reference to settings of the Song of Songs and to the liturgy of women saints, explores eroticism in sacred music. A key aspect is the examination of how early modern women and men interacted with music and fashioned diverse identities that were distinguished by class, ethnicity, race, region, religion, gender, and sexuality. The project argues that some aspects of the European project originate in early modern history. The project promotes awareness and understanding of diversity in the history of gender and sexualities and responds to European legislation against discrimination. It is vital to make clear the long history of sexual diversity in Europe, and the long history of music’s role in sexualities, as a means to work against discrimination on grounds of sexuality and to support and encourage a healthy attitude to diversity. This project will be carried out in Los Angeles, New York and Cork. The initial stage of data collection and analysis will take 12 months, with the remaining 24 months spent writing and developing a monograph, hosting an international, interdisciplinary conference in Europe and developing advance research training networks.
Fields of science (EuroSciVoc)
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
- humanities history and archaeology history modern history
- social sciences sociology anthropology ethnology
- social sciences sociology social issues social inequalities
- humanities arts musicology
- humanities philosophy, ethics and religion religions
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Programme(s)
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Topic(s)
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Call for proposal
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
FP7-PEOPLE-2009-IOF
See other projects for this call
Funding Scheme
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Coordinator
T12 YN60 Cork
Ireland
The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.