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To be or not to be creative: A neurophysiological investigation of musical creativity through time estimation

Objective

Time flies when we are immersed in creative activities, often causing us to lose track of it. Creativity is a complex phenomenon that thrives at the intersection of novelty and usefulness; a golden ratio where innovative ideas meet real-world value. However, most scientific research to date has studied creativity as a single construct. Additionally, previous research neglected to address how the artists intention enables creativity. NEUROMUSE will bridge both gaps through an in-depth investigation of the relationship between the feeling of time passage and musical creativity. A novel Instructed Musical Creativity Paradigm (IMCP) is introduced, in which musicians are asked to create their own musical improvisations after being instructed to be or not be creative, followed by an assessment of their improvisations by an audience. IMCP uses time estimation to uncover how creativity alters time perception by affecting neurophysiological dynamics. NEUROMUSE proposes a comprehensive multi-method approach combining neurophysiology (electroencephalography, heart rate, skin conductance) and computational modelling, to reveal the key neurocognitive mechanisms behind the generation and aesthetic appreciation of music. NEUROMUSE involves the Multisensory and Temporal Processing Laboratory at Panteion University and the Psychophysiology Laboratory of the University Mental Health Research Institute in Athens (Greece), led by world-recognized experts and equipped will the relevant physiological instruments. NEUROMUSE will provide me with the key skills to enhance my career prospects, by building a competitive profile in an underfunded area like the arts. Thus, I will be better positioned to pursue funding opportunities and establish my own research group in the future. Ultimately, understanding how we generate and perceive art is crucial in a world where creativity is increasingly imperative, driving productivity and innovation in academia and industry.

Fields of science (EuroSciVoc)

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Keywords

Project’s keywords as indicated by the project coordinator. Not to be confused with the EuroSciVoc taxonomy (Fields of science)

Programme(s)

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Topic(s)

Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.

Funding Scheme

Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.

HORIZON-TMA-MSCA-PF-EF - HORIZON TMA MSCA Postdoctoral Fellowships - European Fellowships

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Call for proposal

Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.

(opens in new window) HORIZON-MSCA-2024-PF-01

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Coordinator

PANTEIO PANEPISTIMIO KOINONIKON KAIPOLITIKON EPISTIMON
Net EU contribution

Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.

€ 181 423,68
Address
ODOS SYNGROU 136
176 71 KALLITHEA ATHINA
Greece

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Region
Αττική Aττική Νότιος Τομέας Αθηνών
Activity type
Higher or Secondary Education Establishments
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Total cost

The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.

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