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Shapes and Meaning. The matt-painted pottery of the North-Lucanian district: culture, identity, symbols and Gender. An interdisciplinary study of a local community in Southern Italy.

Project description

Revisiting the communication systems of the archaic communities of South Italy

The communication systems of societies lacking conventional forms of writing remain understudied. Related research has focused mostly on Greek objects and neglected or sub estimated the importance of material culture of the local communities. The EU-funded SandMan project will research the indigenous ceramic of South Italy between the end of the Iron Age and the Archaic Period, whose decorations reveal their role of vectors of conservation and dissemination of identity and culture-related messages. The project will focus on the means of communication between the communities of southern Italy, through semiotic, archaeometric and typological approaches. SandMan will carry out a comprehensive and innovative study of the ceramics, to understand their symbolic ‘lexicon’ and their role in gender identification and communication.

Objective

"What were the communication systems of ancient societies without writing? Is it possible to use the decorations and symbols painted on the vases like a new Rosetta Stone? Is it possible to reconstruct the language of archaic communities that have disappeared? Objects convey ideas, memories and messages, and the ceramic decorations are certainly one of these vectors, of conservation but also dissemination of identity and cultural messages. Although it has all the potential to represent a privileged means of knowledge, most of its meanings still elude us.
The objective of project SandMan (Shapes and Meaning) is to understand the ways of communication between the archaic communities of southern Italy, free of conventional forms of writing, between the end of Iron Age and the Archaic Period (mid-7th/mid-5th cent. BC).
To achieve this goal, the project will use three different approaches: semiotic, archaeometric, and typological. The research aims to conduct a holistic, thus innovative, study of the symbols of ceramics in order to understand the meanings of this symbolic ""lexicon"", better understand how they were important for gender identification/distinction, how they were used as a way to communicate and how that knowledge was passed on to others. SandMan also proposes a systematic study of the matt-painted vases of southern Italy (to create a precise and reliable typology) and a chemical-physical analyzes, will investigate the fabric of vases with matt-painted decorations for to create a reference database of local workshops.
In general, the studies have always focused on Greek (or Greek-colonial) objects present in the indigenous contexts, relegating the discovery of indigenous ceramics to a secondary position. This research, instead, using a post-colonial approach, will shift the perspective onto the indigenous material culture, for the understanding of certain bidirectional dynamics of exchange and acculturation between Locals and the ""Others"".
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MSCA-IF - Marie Skłodowska-Curie Individual Fellowships (IF)

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Call for proposal

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(opens in new window) H2020-MSCA-IF-2019

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Coordinator

UNIVERSITE RENNES II
Net EU contribution

Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.

€ 184 707,84
Address
PLACE DU RECTEUR HENRI LE MOAL
35043 Rennes Cedex
France

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Activity type
Higher or Secondary Education Establishments
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Total cost

The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.

€ 184 707,84
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