Project description DEENESFRITPL When conceptual art crosses borders The spotlight is on Latin American artists who fled repressive political regimes in their countries and established themselves in Europe between 1968 and 1979. The EU-funded project COART-INT will study these transnational artists to understand the role of these expatriate artists and their influences in Europe and in the formulation of internationalism. The project will delve into issues of exile, locality versus internationality, mobility and the appearance of the concept of globality. It will base its findings on an analysis of data, oral history and artwork to define the new internationalism of contemporary art. Show the project objective Hide the project objective Objective My proposed project problematizes Conceptual art’s internationalism and its historicization with an innovative study on transnational artists who expatriated from Latin American repressive political regimes to Europe, establishing themselves in Belgium, England and the Netherlands between 1968-1979. The objective is to assert these artists as agents of transcultural processes and their conceptual practices as operating within a dynamic matrix that is at once local and international, deterritorialized and rooted. Through an analysis of unique data collection, oral history and artworks this research aims to fundamentally revise the art historical canon by de-centering the major narrative of Conceptual art of the 1960s and 70s to comprehensively address the prominent roles these artists had on their adopted localities, a Latin American diasporic art world and the formulation of internationalism. By focusing on the interstitial spatial regimes these artists occupied and created, this research effectively redraws the discipline’s original topography and conventional analyses fixed within national paradigms towards a logic of transnationalism fueled by the mobility of agents, objects and practices. In the example of this project, a transnational methodology reassesses regional art histories — Belgian, Dutch, English and Latin American — to capture interregional flows and networks of production. Furthermore, it underscores a present condition in which geographical and cultural borders are increasingly more connected. The topic is timely in regards to the evolving understanding of Conceptual art. More specifically, the issues of exile, mobility, internationalism and localism that figure into this work offer a unique case study into Conceptual art’s role in driving and defining a “global” condition that is relevant today and more specifically art’s “global contemporary”, also referred to as “new internationalism of contemporary art.” Fields of science humanitieshistory and archaeologyhistorynatural sciencesphysical sciencesastronomyplanetary sciencesplanetary geologyhumanitiesartsart historyhumanitiesartsmodern and contemporary art Keywords conceptual art contemporary art neo-avant-garde internationalism Latin America Europe Programme(s) H2020-EU.1.3. - EXCELLENT SCIENCE - Marie Skłodowska-Curie Actions Main Programme H2020-EU.1.3.2. - Nurturing excellence by means of cross-border and cross-sector mobility Topic(s) MSCA-IF-2018 - Individual Fellowships Call for proposal H2020-MSCA-IF-2018 See other projects for this call Funding Scheme MSCA-IF - Marie Skłodowska-Curie Individual Fellowships (IF) Coordinator UNIVERSITEIT VAN AMSTERDAM Net EU contribution € 281 358,72 Address SPUI 21 1012WX Amsterdam Netherlands See on map Region West-Nederland Noord-Holland Groot-Amsterdam Activity type Higher or Secondary Education Establishments Links Contact the organisation Opens in new window Website Opens in new window Participation in EU R&I programmes Opens in new window HORIZON collaboration network Opens in new window Total cost € 281 358,72
