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Decorated Paper in the Early-Modern Islamicate World: Aesthetics, Techniques and Meaning in Global Contexts

Project description

Analysing decorated paper in the Islamicate world

Historians have not systematically analysed the techniques and forms of paper decoration in Islamic art. This approach of considering decorative elements as secondary to text and images restricts the understanding of art and the exploration of artistic interactions among various cultures within the Islamicate world, as well as between East Asia and the Middle East. The ERC-funded GLOBAL DECO PAPER project aims to investigate the border and background decoration found in early modern Islamicate arts of the book. It will shed light on lesser-studied artworks that feature decorated paper. These artworks were created in early-modern China, central Asia, Iran, India and the Ottoman Empire. The ultimate goal of the project is to contribute through publications and an interactive database.

Objective

Moving away from Eurocentric art historical to truly global and interdisciplinary approaches, this project aims at re-evaluating the early-modern history of the Islamicate arts of the book from a so-far not considered perspective: the border and background decoration of manuscripts. The manifold forms of paper decoration and their techniques have hitherto not been systematically analysed by historians of Islamic Art, who instead have focussed on manuscripts figurative illustrations. Labelling decorative devices as subordinate to text and images has proven limiting to a full comprehension of art and to the exploration of global artistic contacts between different cultures within the Islamicate world and between East Asia and the Middle East.
Drawing upon previous research initiatives by the PI, this project will bring together scholars from humanities and natural sciences in an interdisciplinary approach to aesthetics, materials, techniques and meaning of decorated paper produced and used in early-modern China, Central Asia, Iran, India and the Ottoman Empire. Favouring objects in the historical centres over well-known materials from collections in the West, this research is designed to further collections in the Middle East and Asia and to bring their understudied artworks under broader scholarly attention through publications and an interactive database.
The project has the potential to significantly re-shape the existing construct of Art History by shifting the attention to high-standard yet systematically ignored artistic production of decorated papers; meticulously investigating local traditions through innovative combinations of material analyses, the study of written sources and hardly applied comparisons with contemporary paper-decoration practices; and focussing on networks of trade, diplomacy and artistic exchange in Asia and the Middle East that paved the way for greatly varied and technically advanced forms of augmented paper decoration.

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Call for proposal

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(opens in new window) ERC-2022-STG

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Host institution

LUDWIG-MAXIMILIANS-UNIVERSITAET MUENCHEN
Net EU contribution

Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.

€ 1 199 997,50
Address
GESCHWISTER SCHOLL PLATZ 1
80539 MUNCHEN
Germany

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Region
Bayern Oberbayern München, Kreisfreie Stadt
Activity type
Higher or Secondary Education Establishments
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Total cost

The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.

€ 1 199 997,50

Beneficiaries (1)

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