Project description
A closer look at crisis communication
What is the interaction of factual and fictitious crisis communication? How does this trigger fear and deterrence concepts? To answer these questions, the EU-funded CODE project will study crisis communication from the Cold War to the War on Terror and beyond. It will investigate the chain of operations in politics and discuss how media become political. The project will show how both factual and fictitious channels of communication characterise the Cold War as a conflict determined by actual events and political concepts as well as fictions of nuclear war. Today, in fiction, it is the networked hotline that must protect itself from attacks. In real life, digital diplomacy emerges along with the establishment of new media.
Objective
This media-historical project examines crisis communication from the Cold War up to the subsequent War on Terror and beyond. The goal is to investigate how the interaction of the factual and fictitious crisis communication triggered fear and deterrence concepts--and vice versa. Media studies lack an analysis of how media participate in a political actor network. The proposed project is the first contribution that examines the chain of operations in politics in detail and discusses how media become political. First, the researcher seeks to show how both factual and fictitious channels of communication characterize the Cold War as a conflict that is not only determined by actual events and political concepts, but also by fictions of nuclear war. The mutual analysis of the fictitious Red Telephone and of the existing hotline between Washington and Moscow should unfold the interwoven history of Cold War crisis communication. It is proposed that both facts and fictions affect deterrence concepts and fear. Second, the researcher examines the ambivalent function of third parties who intervened in the bipolar structured channel between the USA and the USSR. The objective is to show that disruptive third parties provoke societal self-reflections: While British and French hotlines to the USSR paradoxically strengthened the USA-USSR-channel, fictitious actors such as computers questioned rational actors within the military chain of command and excluded human actors to secure peace or trigger a nuclear war. Third, the researcher investigates the media break after the Cold War and the simultaneous emergence of networked crisis communication and the War on Terror. In fiction, the networked hotline must protect itself from attacks by hackers. In real life, digital diplomacy emerges along with the establishment of new media, such as Twitter. The inherent danger of social media (e.g.,Tweets from D.Trump) is that they could constitute a hyperreality that loses connections to reality.
Fields of science (EuroSciVoc)
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
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Keywords
Project’s keywords as indicated by the project coordinator. Not to be confused with the EuroSciVoc taxonomy (Fields of science)
Project’s keywords as indicated by the project coordinator. Not to be confused with the EuroSciVoc taxonomy (Fields of science)
Programme(s)
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
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H2020-EU.1.3. - EXCELLENT SCIENCE - Marie Skłodowska-Curie Actions
MAIN PROGRAMME
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H2020-EU.1.3.2. - Nurturing excellence by means of cross-border and cross-sector mobility
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Topic(s)
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Funding Scheme
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
MSCA-IF - Marie Skłodowska-Curie Individual Fellowships (IF)
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Call for proposal
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
(opens in new window) H2020-MSCA-IF-2020
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Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.
5230 Odense M
Denmark
The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.