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Designed by Nature? Religious Images Produced by Minerals, Plants and Animals in Western Science and Devotion (14th-17th Century)

Project description

Finding sacred images in natural forms

Medieval and early modern Christian scholars were intrigued by sacred images apparently produced by nature — such as, for instance, trees grown into the shape of a crucifix. Supported by the Marie Skłodowska-Curie Actions (MSCA) programme, the NatuRel project aims to explore their reactions to these objects, investigating the global geography and materiality of sacred natural images. Involving research teams at KU Leuven and the University of Fribourg, the project seeks to bridge disciplines, merging art history, religious studies and the history of science. Through webinars, an online exhibition, and the first monograph on this subject, NatuRel promises to deepen our comprehension of nature's role in the shaping of Western culture and to foster interdisciplinary dialogue between sciences and humanities.

Objective

My project spotlights a category of religious images that has hitherto escaped scholarly investigation: sacred representations that were believed to be a product of nature. Objects of this kindsuch as marble slabs whose veining suggested a silhouette of the Virgin, or plants whose shape recalled that of a crucifixgarnered considerable attention in late medieval and early modern Christian culture. Regarded both as divine prodigies to be revered and as natural wonders to be investigated, they were described and reproduced in travel accounts, religious writings, and natural history treatises. Combining sources and methods from art history, religious studies, and the history of science, my research will chart the world-wide geography of these objects, investigate their materiality, and explore their embedding in late medieval and early modern Christian culture. In doing so, it will deepen our understanding of the perception of natural environments and materials in Western culture, and of the evolution of historical ideas concerning the agencies of nature, God and man in the shaping of the physical world.
Two internationally recognized research teams, specializing in the geography and materiality of sacred art (University of Fribourg, Switzerland), and in the relationship of visuality and nature (KU Leuven, Belgium), will host the project during the outgoing and the return phase of a 3-year Global Fellowship. An additional secondment to UC Davis, California, will enable me to develop a crucial stage of my research in collaboration with historians of science. The outputs of the projectincluding webinars, an online exhibition, the first monograph on this subject, and a series of lessons taught at KU Leuvenwill counter the divide between STEM fields and humanities by involving side by side scientists and historians; will strengthen the engagement of art history in ecocriticism; and will promote education on the connection between art and the environment.

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Topic(s)

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HORIZON-TMA-MSCA-PF-GF - HORIZON TMA MSCA Postdoctoral Fellowships - Global Fellowships

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Call for proposal

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(opens in new window) HORIZON-MSCA-2023-PF-01

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Coordinator

KATHOLIEKE UNIVERSITEIT LEUVEN
Net EU contribution

Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.

€ 298 749,12
Address
OUDE MARKT 13
3000 LEUVEN
Belgium

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Region
Vlaams Gewest Prov. Vlaams-Brabant Arr. Leuven
Activity type
Higher or Secondary Education Establishments
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Total cost

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