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Music and Late Medieval European Court Cultures: Towards a Trans-Disciplinary and Post-National Cultural Poetics of the Performative Arts

Publications

Manuscript Ivrea, Biblioteca capitolare 115: Introductory Study and Facsimile Edition

Author(s): Karl Kuegle
Published in: Ars nova: nuova serie, Issue 5, 2019, Page(s) xix and 70 pp. + 134 photographic colour plates, ISBN 9788870969887
Publisher: Libreria Musicale Italiana

The Aesthetics of Fragments: Reading Pastedowns in Context or, Late Medieval Bookbinders, Readers, and Their Choices

Author(s): Karl Kuegle
Published in: Disiecta Membra Musicae: Studies in Musical Fragmentology, Issue Studies in Manuscript Cultures 21, 2020, Page(s) 205-237, ISBN 9783110717884
Publisher: De Gruyter

Die Übersetzungen des Mönchs von Salzburg als Lieder Das Fallbeispiel der Mariensequenz Salve mater salvatoris

Author(s): David Murray
Published in: Hymnus, Sequenz, Antiphon - Fallstudien zur volkssprachlichen Aneignung liturgischer Lieder im deutschen Mittelalter, 2019, Page(s) 193-222, ISBN 9783110648799
Publisher: De Gruyter
DOI: 10.1515/9783110648799-008

Ars subtilior in Organ Playing c.1380–1420 - Another Glimpse into a Late Medieval Unwritten Performance Practice

Author(s): David Catalunya
Published in: Kirchenmusikalisches Jahrbuch - 103 und 104 Jahrgang 2019/2020, 2021, Page(s) 113-143, ISBN 9783657760633
Publisher: Brill | Schöningh
DOI: 10.30965/9783657760633_008

‘Competing Ontologies of Musical Improvisation: A Medieval Perspective’

Author(s): Uri Smilansky
Published in: The Routledge Handbook of the Philosophy of Musical Improvisation, 2021
Publisher: Routledge

Polyphony of Function Mixing Text and Music is Guillaume de Machaut 1

Author(s): Uri Smilansky
Published in: Polyphony and the Modern, Issue 2021, 2021, ISBN 9781003129837
Publisher: Taylor and Francis Group (Routledge)

Singing from the Source: Performance Markings in Machaut Manuscript G’

Author(s): Uri Smilansky
Published in: Essays in Honor of Lawrence Earp, 2022, Page(s) 311-334, ISBN 978-2-503-60299-8
Publisher: Brepols
DOI: 10.1484/m.em-eb.5.132709

A Female-Voice Ceremonial from Medieval Castile

Author(s): David Catalunya
Published in: Female-Voice Song and Women’s Musical Agency in the Middle Ages, 2022, Page(s) 68-90, ISBN 9789004517035
Publisher: Brill
DOI: 10.1163/9789004517035

CREATING MS C: AUTHOR, WORKSHOP, COURT

Author(s): Uri Smilansky
Published in: Early Music History, Issue 39, 2020, Page(s) 253-304, ISSN 0261-1279
Publisher: Cambridge University Press
DOI: 10.1017/s0261127920000042

"Review of J.-Y. COPY, ""La revendication bretonne du trône de France (1213-1358)"", Paris, Alain Baudry et Cie, 2016"

Author(s): Christophe Masson
Published in: Sehepunkte : Rezensionsjournal für Geschichtswissenschaften, Issue Sehepunkte 17 (2017), Nr. 12 [15.12.2017], 2017, Page(s) Online, ISSN 1618-6168
Publisher: Sehepunkte.de

The clerical reception of Bernart de Ventadorn's 'Can vei la lauzeta mover' (PC 70, 34)

Author(s): David Murray
Published in: Medium Aevum, Issue 85, 2016, Page(s) 259-277, ISSN 0025-8385
Publisher: Basil Blackwell

Rumour and reputation management in fourteenth-century England: Isabella of France in text and image

Author(s): Laura Slater
Published in: Journal of Medieval History, Issue 47/2, 2021, Page(s) 257-292, ISSN 0304-4181
Publisher: Elsevier BV
DOI: 10.1080/03044181.2021.1891449

Review of Renana Bartal, Gender, Piety, and Production in Fourteenth-Century English Apocalypse Manuscripts

Author(s): Laura Slater
Published in: Peregrinations: Journal of Medieval Art and Architecture, Issue 6, 4, 2018, Page(s) 260-271, ISSN 1554-8678
Publisher: Digital Kenyon

‘Ju, ich jag’: A Three-part Song in the Mönch von Salzburg Corpus in Translingual Perspective

Author(s): David Murray
Published in: Oxford German Studies, Issue 49/1, 2020, Page(s) 1-26, ISSN 0078-7191
Publisher: Maney Publishing
DOI: 10.1080/00787191.2020.1735212

Controlling Voices in Fourteenth-Century Salzburg: Singing and Identity in the ‘Mönch von Salzburg’ Songs

Author(s): David Murray
Published in: Crossref, Issue 3, 2023
Publisher: OUP, Oxford Academic
DOI: 10.1093/ml/gcac062

Die Fragmente Oxford, All Souls 56 und die mensural notierte Mehrstimmigkeit in Köln um 1400. Ein Zwischenbericht

Author(s): Karl Kuegle
Published in: Musik der mittelalterlichen Metropole: Räume, Identitäten und Kontexte der Musik in Köln und Mainz, ca. 900–1400, 2016, Page(s) 301-324
Publisher: Ed. Kolb (Kassel: Merseburger)

The Secular Songs of the Monk of Salzburg

Author(s): David Murray
Published in: Musikleben des Spätmittelalters in der Region Österreich, 2019
Publisher: Universität Wien, Institut für Musikwissenschaft

‘Maximilian’s Chaplains and their Benefices: Memoria and Money.’

Author(s): Grantley McDonald
Published in: Maximilian I. (1459–1519) und Musik. Reale Präsenz vs. virtuelle Kommunikation, ed. Nicole Schwindt., Issue TroJa Jahrbuch für Renaissancemusik 18 (2019), 2022, Page(s) 171–186.
Publisher: Qucosa
DOI: 10.25371/troja.v20193316

‘La Iglesia fracturada: El gran Cisma de Occidente’

Author(s): Christophe Masson
Published in: Desperta Ferro Antigua y Medieval, Issue 48, 2018
Publisher: Desperta Ferro Ediciones

Une cour avignonnaise parmi d’autres ? Chapelles et organisation curiale pontificales face à leurs homologues cardinalices à l’époque du Grand Schisme d’Occident

Author(s): Christophe Masson
Published in: Imago Papae. Le pape en image du Moyen Âge à l’époque contemporaine,, 2020, Page(s) pp141-149
Publisher: Campisano Editore, Picard

Les cours cardinalices d’Avignon entre 1378 et 1403. Des alternatives au modèle pontifical?

Author(s): Christophe Masson
Published in: (Bruxelles, 20-23 mai 2021) Modèles, réseaux et échanges curiaux au Moyen Âge. LIIe Congrès de la SHMESP – XLIIIes rencontres du RMBLF, 2022, Page(s) 293-305
Publisher: Éditions de la Sorbonne

Geistliche Liederdichter zwischen Liturgie und Volkssprache - Übertragungen, Bearbeitungen, Neuschöpfungen in Mittelalter und Früher Neuzeit

Author(s): David Murray
Published in: "‘Ein ""volles Lied"": Übertragung und Klang am Beispiel der geistlichen Lieder des Mönchs von Salzburg’", Issue 5, 2020, Page(s) 63-89, ISBN 9783110666816
Publisher: De Gruyter
DOI: 10.1515/9783110666816

Disiecta Membra Musicae - Studies in Musical Fragmentology

Author(s): David Catalunya
Published in: Polyphonic Music of the Fourteenth Century in Aragon: Reassessing a Panorama of Fragmentary Sources’, Issue Studies in Manuscript Cultures, 21, 2020, Page(s) 117-163, ISBN 9783110717884
Publisher: De Gruyter
DOI: 10.1515/9783110717884

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