Music and Late Medieval European Court Cultures: Towards a Trans-Disciplinary and Post-National Cultural Poetics of the Performative Arts

Project Information

MALMECC

Grant agreement ID: 669190

DOI

10.3030/669190

Project closed

EC signature date 9 September 2015

Start date 1 January 2016

End date 31 December 2020

Funded under

• EXCELLENT SCIENCE - European Research Council (ERC)

Total cost

€ 2 186 400,00

EU contribution

€ 2 186 400,00

Coordinated by

THE CHANCELLOR, MASTERS AND SCHOLARS OF THE UNIVERSITY OF OXFORD
United Kingdom

CORDIS provides links to public deliverables and publications of HORIZON projects.

Links to deliverables and publications from FP7 projects, as well as links to some specific result types such as dataset and software, are dynamically retrieved from OpenAIRE .

Publications

Book chapters (8)

Manuscript Ivrea, Biblioteca capitolare 115: Introductory Study and Facsimile Edition

Author(s): Karl Kuegle
Published in: Ars nova: nuova serie, Issue 5, 2019, Page(s) xix and 70 pp. + 134 photographic colour plates, ISBN 9788870969887
Publisher: Libreria Musicale Italiana

The Aesthetics of Fragments: Reading Pastedowns in Context or, Late Medieval Bookbinders, Readers, and Their Choices

Author(s): Karl Kuegle
Published in: Disiecta Membra Musicae: Studies in Musical Fragmentology, Issue Studies in Manuscript Cultures 21, 2020, Page(s) 205-237, ISBN 9783110717884
Publisher: De Gruyter

Die Übersetzungen des Mönchs von Salzburg als Lieder Das Fallbeispiel der Mariensequenz Salve mater salvatoris

Author(s): David Murray
Published in: Hymnus, Sequenz, Antiphon - Fallstudien zur volkssprachlichen Aneignung liturgischer Lieder im deutschen Mittelalter, 2019, Page(s) 193-222, ISBN 9783110648799
Publisher: De Gruyter
DOI: 10.1515/9783110648799-008

Ars subtilior in Organ Playing c.1380–1420 - Another Glimpse into a Late Medieval Unwritten Performance Practice

Author(s): David Catalunya
Published in: Kirchenmusikalisches Jahrbuch - 103 und 104 Jahrgang 2019/2020, 2021, Page(s) 113-143, ISBN 9783657760633
Publisher: Brill | Schöningh
DOI: 10.30965/9783657760633_008

‘Competing Ontologies of Musical Improvisation: A Medieval Perspective’

Author(s): Uri Smilansky
Published in: The Routledge Handbook of the Philosophy of Musical Improvisation, 2021
Publisher: Routledge

Polyphony of Function Mixing Text and Music is Guillaume de Machaut 1

Author(s): Uri Smilansky
Published in: Polyphony and the Modern, Issue 2021, 2021, ISBN 9781003129837
Publisher: Taylor and Francis Group (Routledge)

Singing from the Source: Performance Markings in Machaut Manuscript G’

Author(s): Uri Smilansky
Published in: Essays in Honor of Lawrence Earp, Issue 70th Anniversary issue, 2022, Page(s) 311-334, ISBN 978-2-503-60299-8
Publisher: Brepols
DOI: 10.1484/m.em-eb.5.132709

A Female-Voice Ceremonial from Medieval Castile

Author(s): David Catalunya
Published in: Female-Voice Song and Women’s Musical Agency in the Middle Ages, 2022, Page(s) 68-90, ISBN 9789004517035
Publisher: Brill
DOI: 10.1163/9789004517035

Peer reviewed articles (6)

CREATING MS C: AUTHOR, WORKSHOP, COURT

Author(s): Uri Smilansky
Published in: Early Music History, Issue 39, 2020, Page(s) 253-304, ISSN 0261-1279
Publisher: Cambridge University Press
DOI: 10.1017/s0261127920000042

"Review of J.-Y. COPY, ""La revendication bretonne du trône de France (1213-1358)"", Paris, Alain Baudry et Cie, 2016"

Author(s): Christophe Masson
Published in: Sehepunkte : Rezensionsjournal für Geschichtswissenschaften, Issue Sehepunkte 17 (2017), Nr. 12 [15.12.2017], 2017, Page(s) Online, ISSN 1618-6168
Publisher: Sehepunkte.de

The clerical reception of Bernart de Ventadorn's 'Can vei la lauzeta mover' (PC 70, 34)

Author(s): David Murray
Published in: Medium Aevum, Issue 85, 2016, Page(s) 259-277, ISSN 0025-8385
Publisher: Basil Blackwell

Rumour and reputation management in fourteenth-century England: Isabella of France in text and image

Author(s): Laura Slater
Published in: Journal of Medieval History, Issue 47/2, 2021, Page(s) 257-292, ISSN 0304-4181
Publisher: Elsevier BV
DOI: 10.1080/03044181.2021.1891449

Review of Renana Bartal, Gender, Piety, and Production in Fourteenth-Century English Apocalypse Manuscripts

Author(s): Laura Slater
Published in: Peregrinations: Journal of Medieval Art and Architecture, Issue 6, 4, 2018, Page(s) 260-271, ISSN 1554-8678
Publisher: Digital Kenyon

‘Ju, ich jag’: A Three-part Song in the Mönch von Salzburg Corpus in Translingual Perspective

Author(s): David Murray
Published in: Oxford German Studies, Issue 49/1, 2020, Page(s) 1-26, ISSN 0078-7191
Publisher: Maney Publishing
DOI: 10.1080/00787191.2020.1735212

Other (6)

Controlling Voices in Fourteenth-Century Salzburg: Singing and Identity in the ‘Mönch von Salzburg’ Songs

Author(s): David Murray
Published in: Crossref, Issue 3, 2023
Publisher: OUP, Oxford Academic
DOI: 10.1093/ml/gcac062

Die Fragmente Oxford, All Souls 56 und die mensural notierte Mehrstimmigkeit in Köln um 1400. Ein Zwischenbericht

Author(s): Karl Kuegle
Published in: Musik der mittelalterlichen Metropole: Räume, Identitäten und Kontexte der Musik in Köln und Mainz, ca. 900–1400, 2016, Page(s) 301-324
Publisher: Ed. Kolb (Kassel: Merseburger)

The Secular Songs of the Monk of Salzburg

Author(s): David Murray
Published in: Musikleben des Spätmittelalters in der Region Österreich, 2019
Publisher: Universität Wien, Institut für Musikwissenschaft

‘Maximilian’s Chaplains and their Benefices: Memoria and Money.’

Author(s): Grantley McDonald
Published in: Maximilian I. (1459–1519) und Musik. Reale Präsenz vs. virtuelle Kommunikation, ed. Nicole Schwindt., Issue TroJa Jahrbuch für Renaissancemusik 18 (2019), 2022, Page(s) 171–186.
Publisher: Qucosa
DOI: 10.25371/troja.v20193316

‘La Iglesia fracturada: El gran Cisma de Occidente’

Author(s): Christophe Masson
Published in: Desperta Ferro Antigua y Medieval, Issue 48, 2018
Publisher: Desperta Ferro Ediciones

Une cour avignonnaise parmi d’autres ? Chapelles et organisation curiale pontificales face à leurs homologues cardinalices à l’époque du Grand Schisme d’Occident

Author(s): Christophe Masson
Published in: Imago Papae. Le pape en image du Moyen Âge à l’époque contemporaine,, 2020, Page(s) pp141-149
Publisher: Campisano Editore, Picard

Conference proceedings (1)

Les cours cardinalices d’Avignon entre 1378 et 1403. Des alternatives au modèle pontifical?

Author(s): Christophe Masson
Published in: (Bruxelles, 20-23 mai 2021) Modèles, réseaux et échanges curiaux au Moyen Âge. LIIe Congrès de la SHMESP – XLIIIes rencontres du RMBLF, 2022, Page(s) 293-305
Publisher: Éditions de la Sorbonne

Monographic books (2)

Geistliche Liederdichter zwischen Liturgie und Volkssprache - Übertragungen, Bearbeitungen, Neuschöpfungen in Mittelalter und Früher Neuzeit

Author(s): David Murray
Published in: "‘Ein ""volles Lied"": Übertragung und Klang am Beispiel der geistlichen Lieder des Mönchs von Salzburg’", Issue 5, 2020, Page(s) 63-89, ISBN 9783110666816
Publisher: De Gruyter
DOI: 10.1515/9783110666816

Disiecta Membra Musicae - Studies in Musical Fragmentology

Author(s): David Catalunya
Published in: Polyphonic Music of the Fourteenth Century in Aragon: Reassessing a Panorama of Fragmentary Sources’, Issue Studies in Manuscript Cultures, 21, 2020, Page(s) 117-163, ISBN 9783110717884
Publisher: De Gruyter
DOI: 10.1515/9783110717884