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Fluid Corpus Manipulation: Creative Research in Musical Mining of Large Sound/Gesture Datasets through Foundational Access to the Latest Advances of Signal Decomposition.

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Publications

Stationary/transient audio separation using convolutional autoencoders

Author(s): Gerard Roma, Owen Green, Pierre Alexandre Tremblay
Published in: 2018, ISSN 2413-6700

A Javascript Library for Flexible Visualization of Audio Descriptors

Author(s): Gerard Roma, Owen Green, Anna Xambó, Pierre Alexandre Tremblay
Published in: 2018

Interdisciplinary Research as Musical Experimentation: A case study in musicianly approaches to sound corpora

Author(s): Owen Green, Pierre Alexandre Tremblay, Gerard Roma
Published in: Proceedings of the Electroacoustic Music Studies Network Conference, 2018
DOI: 10.5281/zenodo.3714536

All the Noises: Hijacking Listening Machines for Performative Research

Author(s): John Bowers, Owen Green
Published in: 2018

Adaptive Mapping of Sound Collections for Data-driven Musical Interfaces.

Author(s): Roma, Gerard ; Green, Owen ; Tremblay, Pierre Alexandre.
Published in: Proceedings of the International Conference on New Interfaces for Musical Expression., 2019, ISSN 2220-4806

Time Scale Modification of Audio Using Non-Negative Matrix Factorization

Author(s): Roma, Gerard ; Green, Owen ; Tremblay, Pierre Alexandre.
Published in: Proceedings of the 22nd International Conference on Digital Audio Effects (DAFx-19), 2019, ISSN 2413-6689

From Collections to Corpora: Exploring Sounds through Fluid Decomposition

Author(s): Tremblay, Pierre Alexandre ; Green, Owen ; Roma, Gerard ; Harker, Alexander.
Published in: International Computer Music Conference Proceedings 2019, 2019, ISSN 2223-3881

Handwaving - Gesture Recognition for Participatory Mobile Music

Author(s): Gerard Roma, Anna Xambó, Jason Freeman
Published in: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences - AM '17, 2017, Page(s) 1-7
DOI: 10.1145/3123514.3123538

The creative process as instrument making: a case study of four electronic musicians.

Author(s): Hart, Jacob
Published in: Proceedings of the Tracking the Creative Process in Music Conference, 2019

Live Repurposing of Sounds: MIR Explorations with Personal and Crowdsourced Databases

Author(s): Anna Xambó, Gerard Roma, Alexander Lerch, Mathieu Barthet, György Fazekas
Published in: 2018, Page(s) 364-369
DOI: 10.5281/zenodo.1302625

Improving Single-Network Single-Channel Separation of Musical Audio with Convolutional Layers

Author(s): Gerard Roma, Owen Green, Pierre Alexandre Tremblay
Published in: Latent Variable Analysis and Signal Separation, Issue 10891, 2018, Page(s) 306-315
DOI: 10.1007/978-3-319-93764-9_29

Turn-taking and Online Chatting in Remote and Co-located Collaborative Music Live Coding

Author(s): Anna Xambó, Gerhard Roma, Pratik Shah, Takahiko Tsuchiya, Jason Freeman, Brian Magerko
Published in: Journal of the Audio Engineering Society, Issue 66/4, 2018, Page(s) 253-266, ISSN 1549-4950
DOI: 10.17743/jaes.2018.0024

User-independent Accelerometer Gesture Recognition for Participatory Mobile Music

Author(s): Gerard Roma, Anna Xambó, Jason Freeman
Published in: Journal of the Audio Engineering Society, Issue 66/6, 2018, Page(s) 430-438, ISSN 1549-4950
DOI: 10.17743/jaes.2018.0026