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Fluid Corpus Manipulation: Creative Research in Musical Mining of Large Sound/Gesture Datasets through Foundational Access to the Latest Advances of Signal Decomposition.

CORDIS provides links to public deliverables and publications of HORIZON projects.

Links to deliverables and publications from FP7 projects, as well as links to some specific result types such as dataset and software, are dynamically retrieved from OpenAIRE .

Publications

Digging it: Programmatic Data Mining as Musicking

Author(s): Pierre Alexandre Tremblay; Gerard Roma; Owen Green
Published in: International Computer Music Conference Proceedings, 2021, ISSN 2223-3881
Publisher: Pontificia Universidad Católica de Chile

Graph-Based Audio Looping And Granulation

Author(s): Gerard Roma; Pierre Alexandre Tremblay; Owen Green
Published in: Proceedings of the International Conference on Digital Audio Effects (DAFx), 2021, ISSN 2413-6700
Publisher: ienna University of Music and Performing Arts

Teaching Critical Machine Listening and Machine Learning with FluCoMa

Author(s): Pierre Alexandre Tremblay, Owen Green, James Bradbury, Theodore Moore
Published in: International Computer Music Conference, 2022
Publisher: ICMA

Audio Morphing Using Matrix Decomposition and Optimal Transport

Author(s): Gerard Roma, Owen Green, Pierre Alexandre Tremblay
Published in: Proceedings of the 23rd International Conference on Digital Audio Effects, Issue 23, 2020, Page(s) 147-154, ISSN 2413-6689
Publisher: DAFx

Stationary/transient audio separation using convolutional autoencoders

Author(s): Gerard Roma, Owen Green, Pierre Alexandre Tremblay
Published in: 2018, ISSN 2413-6700
Publisher: DAFx-18

A Javascript Library for Flexible Visualization of Audio Descriptors

Author(s): Gerard Roma, Owen Green, Anna Xambó, Pierre Alexandre Tremblay
Published in: 2018
Publisher: WAC-2018

Interdisciplinary Research as Musical Experimentation: A case study in musicianly approaches to sound corpora

Author(s): Owen Green, Pierre Alexandre Tremblay, Gerard Roma
Published in: Proceedings of the Electroacoustic Music Studies Network Conference, 2018, ISBN 9782-957214419
Publisher: EMS
DOI: 10.5281/zenodo.3714536

All the Noises: Hijacking Listening Machines for Performative Research

Author(s): John Bowers, Owen Green
Published in: 2018
Publisher: NIME-18

Adaptive Mapping of Sound Collections for Data-driven Musical Interfaces.

Author(s): Roma, Gerard ; Green, Owen ; Tremblay, Pierre Alexandre.
Published in: Proceedings of the International Conference on New Interfaces for Musical Expression., 2019, ISSN 2220-4806
Publisher: NIME

Time Scale Modification of Audio Using Non-Negative Matrix Factorization

Author(s): Roma, Gerard ; Green, Owen ; Tremblay, Pierre Alexandre.
Published in: Proceedings of the 22nd International Conference on Digital Audio Effects (DAFx-19), 2019, ISSN 2413-6689
Publisher: dafx

From Collections to Corpora: Exploring Sounds through Fluid Decomposition

Author(s): Tremblay, Pierre Alexandre ; Green, Owen ; Roma, Gerard ; Harker, Alexander.
Published in: International Computer Music Conference Proceedings 2019, 2019, ISSN 2223-3881
Publisher: NYCEMF

Handwaving - Gesture Recognition for Participatory Mobile Music

Author(s): Gerard Roma, Anna Xambó, Jason Freeman
Published in: Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences - AM '17, 2017, Page(s) 1-7, ISBN 9781-450353731
Publisher: ACM Press
DOI: 10.1145/3123514.3123538

The creative process as instrument making: a case study of four electronic musicians.

Author(s): Hart, Jacob
Published in: Proceedings of the Tracking the Creative Process in Music Conference, 2019
Publisher: CESEM

Identifier et analyser les potentialités sonores d'un instrument numérique

Author(s): Jacob Hart
Published in: JIM 2020 - Programme, 2020
Publisher: Université de Strasbourg

The Fluid Corpus Manipulation Project: past, present, future

Author(s): Pierre Alexandre Tremblay
Published in: CHIME Seminar, 2022
Publisher: CHIME Network

Architecture about Dancing: Creating a Cross Environment, Cross Domain Framework for Creative Coding Musicians

Author(s): Owen Green, Pierre Alexandre Tremblay, Theodore Moore, James Bradbury, Jacob Hart, Gerard Roma
Published in: PPIG 2022 – 33rd Annual Workshop (Psychology of Programming Interest Group)., 2022
Publisher: The open University

The Cartography and Cartology of a Performance.

Author(s): Jacob Hart
Published in: 56th Royal Music Association Annual Conference (RMA 2020)., 2020
Publisher: Goldsmith

A Beautiful Mess: Tales of in-between-ness in SMC research.

Author(s): Pierre Alexandre Tremblay
Published in: Sound and Music Conference, 2020
Publisher: University of Torino

Beyond cohabitation: Towards a rich interdisciplinarity in music-technology research

Author(s): Pierre Alexandre Tremblay
Published in: CIRMMT Conference: Le son du futur - Le futur du son, 2022
Publisher: McGill University

Enabling Programmatic Data Mining as Musicking: The Fluid Corpus Manipulation Toolkit

Author(s): Pierre Alexandre Tremblay, Gerard Roma, Owen Green
Published in: Computer Music Journal, Issue 45 (2), 2021, Page(s) 9–23, ISSN 0148-9267
Publisher: MIT Press
DOI: 10.1162/comj_a_00600

A General Framework for Visualization of Sound Collections in Musical Interfaces

Author(s): Gerard Roma; Anna Xambó; Owen Green; Pierre Alexandre Tremblay
Published in: Applied Sciences; Volume 11; Issue 24; Pages: 11926, Issue 1, 2021, ISSN 2076-3417
Publisher: MDPI
DOI: 10.3390/app112411926

Turn-taking and Online Chatting in Remote and Co-located Collaborative Music Live Coding

Author(s): Anna Xambó, Gerhard Roma, Pratik Shah, Takahiko Tsuchiya, Jason Freeman, Brian Magerko
Published in: Journal of the Audio Engineering Society, Issue 66/4, 2018, Page(s) 253-266, ISSN 1549-4950
Publisher: Audio Engineering Society
DOI: 10.17743/jaes.2018.0024

User-independent Accelerometer Gesture Recognition for Participatory Mobile Music

Author(s): Gerard Roma, Anna Xambó, Jason Freeman
Published in: Journal of the Audio Engineering Society, Issue 66/6, 2018, Page(s) 430-438, ISSN 1549-4950
Publisher: Audio Engineering Society
DOI: 10.17743/jaes.2018.0026

Live Repurposing of Sounds: MIR Explorations with Personal and Crowdsourced Databases

Author(s): Anna Xambó, Gerard Roma, Alexander Lerch, Mathieu Barthet, György Fazekas
Published in: 2018, Page(s) 364-369
Publisher: Nime-18
DOI: 10.5281/zenodo.1302625

Improving Single-Network Single-Channel Separation of Musical Audio with Convolutional Layers

Author(s): Gerard Roma, Owen Green, Pierre Alexandre Tremblay
Published in: Latent Variable Analysis and Signal Separation, Issue 10891, 2018, Page(s) 306-315, ISBN 978-3-319-93763-2
Publisher: Springer International Publishing
DOI: 10.1007/978-3-319-93764-9_29

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