Objective
Rock art is one of the most fascinating and widespread cultural manifestations of humankind: it offers a unique and significant visual archive into the social and symbolic worlds of past human societies. Yet, the integration of rock art studies within the archaeological and anthropological domain faces crucial challenges. The complexity of documentation and publication, as well as of dating, have hampered its immense potential as archaeological source. The lack of a theoretically sound interpretive perspective, linking local peculiarities with general overviews has reduced its powerful capacity of transmitting human thoughts and emotions. This is particularly true for the Sahara, where outstanding paintings and engravings are now inaccessible for security reasons, at risk of destruction,
ASArt-DATA aims to provide a flexible tool for the in-depth analysis of the corpus of the Saharan rock art, produced by the pastoral communities ca. 6300-850 BCE. Relying on the complete archive of Acacus and Messak (SW Libya), and on other sets of data, for the first time this Rock Art will be investigated with an original multidisciplinary and systematic approach combining Archaeology, Anthropology, Visual Studies, and Digital Humanities. A cornerstone of ASArt-DATA will be the building of the open access webAtlas of Saharan rock art , properly customized for scientific research, CRM, dissemination and communication. Through the intensive theoretical training in Art iconography, a sound and innovative method of exploration of the artworks will be applied, and codes of representation will be reconnected with their geographical, environmental and archaeological context. The analysis will follow a bottom-up approach, with a main focus on human representation. The actions of ASArt-DATA aspire to strengthen the connection between archaeological and anthropological studies and between academy and society, thanks to the deployment of the underdeveloped potential of Rock Art.
Fields of science (EuroSciVoc)
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
- humanities arts visual arts
- humanities history and archaeology archaeology
- social sciences sociology anthropology social anthropology
- humanities other humanities library sciences digital humanities
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Programme(s)
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
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H2020-EU.1.3. - EXCELLENT SCIENCE - Marie Skłodowska-Curie Actions
MAIN PROGRAMME
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H2020-EU.1.3.2. - Nurturing excellence by means of cross-border and cross-sector mobility
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Topic(s)
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Funding Scheme
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
MSCA-IF-GF - Global Fellowships
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Call for proposal
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
(opens in new window) H2020-MSCA-IF-2017
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Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.
00185 Roma
Italy
The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.