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Conquering Self-Representation: A Collaborative Approach to the Aesthetical-Political Dimension of Amazonian Contemporary Art

Project description

Amazonian contemporary art

The globalisation of art circuits has influenced indigenous contemporary art. Now indigenous artists from the Amazon, in particular from Peru, attract the interest of different scientific disciplines like anthropology, art history and curatorial studies. Amazonian contemporary art proposes novel opportunities to approach the aesthetical-political dimensions of humanities and art. In indigenous Amazon contemporary artists’ life, work, evolution and activism are interconnected. The EU-funded Amazonart project, a Marie Skłodowska-Curie fellowship, will develop theoretical and methodological knowledge that will facilitate our understanding of an artist's connection with global art circuits. Anthropology, art history, curatorial studies as well as museums will benefit from this research.

Objective

This project develops a novel theoretical and methodological approach to understand the work, trajectories and activism of indigenous Amazonian contemporary artists as they enter global art circuits and seeks to produce more suitable curatorial narratives. Over the last decade the field of contemporary art has expanded its boundaries through the integration of art practices from various parts of the globe including indigenous art. A significant scholarship has traced the practices and global articulations of Australian and North American indigenous artists, which have developed a strong circuit of art agents and stimulated readjustments in art historical narratives. Yet the global rise of other vibrant indigenous art practices requires immediate attention. This is the case of Amazonian contemporary art which is mobilising different aesthetics and agendas and proposing novel contributions to the arts and humanities at large. With a focus on Amazonian Peruvian artists, this project develops a novel approach to explore the work, trajectories and activism of indigenous Amazonian contemporary artists as they enter global art circuits. Its aim is to produce the first major study on Amazonian contemporary art that expands the current framework of analysis of art and shamanism to look at artists’ practices, agendas and mobility across the local, urban, national and global arenas and to propose more suitable vocabularies and curatorial narratives. It does this through an innovative collaborative methodology with Amazonian artists responding to their aim of self-representation. This MSCA action draws on my on-going collaborations with Amazonian artists and on my background in the fields of anthropology, museum studies and cultural policies. The participatory and interdisciplinary approach of this research seeks to contribute to dialogues amongst anthropology, art history and curatorial studies and benefit museum practices and policies in addressing indigenous art today.

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MSCA-IF-EF-CAR - CAR – Career Restart panel

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Call for proposal

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(opens in new window) H2020-MSCA-IF-2018

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Coordinator

UNIVERSITY OF ESSEX
Net EU contribution

Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.

€ 224 933,76
Address
WIVENHOE PARK
CO4 3SQ Colchester
United Kingdom

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Region
East of England Essex Essex Haven Gateway
Activity type
Higher or Secondary Education Establishments
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Total cost

The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.

€ 224 933,76
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