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Visual narratives as a window into language and cognition

Project description

Images and language in human communication

Sequences of images have always been considered central in human communication. But it is only recently that scholars have started to examine these visual narratives, recognising that they represent a valuable resource in studying the cognition of sequential meaning-making. Consequently, scholars identified similarities between sequential images and language, leading to inquiries about the similarities between the structure and processing of visual narratives and language. The EU-funded TINTIN project proposes approaching the question using the psychological and linguistic sciences. Since no databases exist for visual narrative systems, the project will establish innovative visual annotation instruments building a collection of 1 500 comics from around the world. Additionally, it will examine whether visual narratives vary in their properties, if such variations influence their comprehension, and whether such variations are connected to verbal languages.

Objective

Drawn sequences of images are a fundamental aspect of human communication, appearing from instruction manuals and educational material to comics. Despite this, only recently have scholars begun to examine these visual narratives, making this an untapped resource to study the cognition of sequential meaning-making. The emerging field analysing this work has implicated similarities between sequential images and language, which raises the question: Just how similar is the structure and processing of visual narratives and language? I propose to explore this query by drawing on interdisciplinary methods from the psychological and linguistic sciences. First, in order to examine the structural properties of visual narratives, we need a large-scale corpus of the type that has benefited language research. Yet, no such databases exist for visual narrative systems. I will thus create innovative visual annotation tools to build a corpus of 1,500 annotated comics from around the world (Stage 1). With such a corpus, I will then ask, do visual narratives differ in their properties around the world, and does such variance influence their comprehension (Stage 2)? Next, we might ask why such variation appears, particularly: might differences between visual narratives be motivated by patterns in spoken languages, thereby implicating cognitive processes across modalities (Stage 3)? Thus, this proposal aims to investigate the domain-specific (Stage 2) and domain-general (Stage 3) properties of visual narratives, particularly in relation to language, by analysing both production (corpus analyses) and comprehension (experimentation). This research will be ground-breaking by challenging our knowledge about the relations between drawing, sequential images, and language. The goal is not simply to create tools to explore a limited set of questions, but to provide resources to jumpstart a budding research field for visual and multimodal communication in the linguistic and cognitive sciences.

Fields of science (EuroSciVoc)

Keywords

Programme(s)

Topic(s)

Funding Scheme

ERC-STG - Starting Grant

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Call for proposal

(opens in new window) ERC-2019-STG

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Host institution

TILBURG UNIVERSITY- UNIVERSITEIT VAN TILBURG
Net EU contribution
€ 1 500 000,00
Address
WARANDELAAN 2
5037 AB Tilburg
Netherlands
Activity type
Higher or Secondary Education Establishments
Links
Total cost
€ 1 500 000,00

Beneficiaries (1)