Project description
Accessing Europe's musical heritage
Classical music, a cherished gem of Europe's cultural heritage, is being reimagined and revitalised through modern musical performances. Available online in vast repositories, this wealth of musical heritage remains fragmented and inaccessible. This is due to varying data quality, lack of connections between repositories, and the absence of user insights for future learning. In this context, the EU-funded TROMPA project aims to leverage state-of-the-art technology to enrich and democratise access to the classical repertoire in the public domain. Through a user-centred co-creation setup, music enthusiasts, including amateur performers, will collaborate with the technology, providing feedback and annotating data to enhance understanding. TROMPA's open innovation philosophy ensures that derived knowledge will be shared back to the community, benefiting scholars, musicians, and global audiences.
Objective
Classical music is one of the greatest treasures of Europe’s cultural heritage. Although a historical genre, it is continually (re)interpreted and revitalised through musical performance.
Today, most of the classical repertoire is in the public domain; massive numbers of scores and recordings are now available in online community-contributed repositories actively used by scholars and musicians. Technology offers ways to enrich and contextualise this repertoire, so that users might better understand and appreciate it. However, due to varying data quality and scale, this does not happen automatically for public-domain resources. Amidst a deluge of data, relevant associations across repositories and modalities (e.g. from scores to recordings) still have to be made manually, while insights by previous users are not explicitly stored for future users to learn from. It is thus impossible to get comprehensive insight into the full wealth of our musical cultural heritage.
TROMPA will change this by massively enriching and democratising our publicly available musical heritage through a user-centred co-creation setup. For analysing and linking music data at scale, the project will employ and improve state-of-the-art technology. Music-loving citizens (including the large scene of amateur performers) will cooperate with the technology, giving feedback on algorithmic results, and annotating the data according to their personal expertise.
Following an open innovation philosophy, all knowledge derived will be released back to the community in reusable ways. This enables many uses in applications which directly benefit crowd contributors and further audiences. TROMPA will demonstrate this for music scholars, content owners, instrumentalists, choir singers, and music enthusiasts. Via the consortium and associated partners, global audiences can be reached at an unprecedented scale, with potential outreach to millions of users.
Fields of science (EuroSciVoc)
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: https://op.europa.eu/en/web/eu-vocabularies/euroscivoc.
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: https://op.europa.eu/en/web/eu-vocabularies/euroscivoc.
- natural sciences computer and information sciences artificial intelligence machine learning deep learning
- social sciences political sciences political policies civil society
- humanities arts musicology
- humanities philosophy, ethics and religion philosophy
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Programme(s)
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
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H2020-EU.3.6. - SOCIETAL CHALLENGES - Europe In A Changing World - Inclusive, Innovative And Reflective Societies
MAIN PROGRAMME
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H2020-EU.3.6.3.1. - Study European heritage, memory, identity, integration and cultural interaction and translation, including its representations in cultural and scientific collections, archives and museums, to better inform and understand the present by richer interpretations of the past
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Topic(s)
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Funding Scheme
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
RIA - Research and Innovation action
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Call for proposal
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
(opens in new window) H2020-SC6-CULT-COOP-2016-2017
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Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.
08002 Barcelona
Spain
The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.