Synchronization of Physiological Rhythms between Musicians and Audiences in Live Concerts

Project Information

SynchInConcert

Grant agreement ID: 101108755

DOI

10.3030/101108755

Project closed

EC signature date 19 April 2023

Start date 2 October 2023

End date 1 April 2026

Funded under

• Marie Skłodowska-Curie Actions (MSCA)

Total cost

No data

EU contribution

€ 283 438,80

Coordinated by

UNIVERSITETET I OSLO
Norway

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Links to deliverables and publications from FP7 projects, as well as links to some specific result types such as dataset and software, are dynamically retrieved from OpenAIRE .

Deliverables

Data Management Plan (1)

Data Management Plan

The Data Management Plan describes the data management life cycle for all data sets that will be collected, processed or generated by the action. It is a document describing what date will be collected, processed or generated and following what methodology and standards, whether and how this data will be shared and/or made open, and how it will be currated and preserved.

Documents, reports (1)

Communication, Dissemination & Exploitation Plan

The plan describes the planned measures to maximize the impact of the project, including the dissemination and exploitation measures that are planned, and the target group(s) addressed. Regarding communication measures and public engagement strategy, the aim is to inform and reach out to society and show the activities performed, and the use and benefits the project will have for citizens.

Publications

Peer reviewed articles (6)

Self-reported experiences of togetherness in classical music ensembles

Author(s): Sara D’Amario, Laura Bishop
Published in: Psychology of Music, 2025, ISSN 1741-3087
Publisher: SAGE Publications
DOI: 10.1177/03057356251381808

Embodied, Exploratory Listening in the Concert Hall

Author(s): Remy Haswell-Martin; Finn Upham; Simon Høffding; Nanette Nielsen
Published in: Behavioral Sciences, 2025, ISSN 2076-328X
Publisher: MDPI
DOI: 10.3390/BS15050710

Cardiac Coherence among Musicians and Audiences During Orchestra Performances

Author(s): Sara D’Amario, Alexander Refsum Jensenius
Published in: Music & Science, Issue 8, 2025, ISSN 2059-2043
Publisher: SAGE Publications
DOI: 10.1177/20592043251370977

Absorbed Concert Listening: A Qualitative, Phenomenological Inquiry

Author(s): Simon Høffding; Remy Haswell-Martin; Nanette Nielsen
Published in: Philosophies, 2025, ISSN 2409-9287
Publisher: MDPI
DOI: 10.3390/PHILOSOPHIES10020038

Moving together, feeling together: Body coordination, pupil size, and musical togetherness in classical duo performance

Author(s): Bishop Laura, Niemand Anna-Maria, D'Amario Sara and Goebl WernerBishop Laura
Published in: Psychology of Music, 2026, ISSN 1741-3087
Publisher: SAGE Publications
DOI: 10.1177/0305735626143679

Body motion of choral singers

Author(s): Sara D'Amario, Sten Ternström, Werner Goebl, Laura Bishop
Published in: Frontiers in Psychology, Issue 14, 2023, ISSN 1664-1078
Publisher: Frontiers Media SA
DOI: 10.3389/FPSYG.2023.1220904