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Icons in Crisis: Exploring Global Iconoclastic Politics in the 21st Century

Project description

Understanding 21st century global iconoclasm

Iconoclasm is the destruction of images by individuals and/or institutions. Why do such acts of iconoclasm retain their social and political relevance today? The ERC-funded ICONS project aims to find out. It will study iconoclasm as a cultural phenomenon across historical and geographical contexts. It will examine iconoclasm as a political expression in modern liberal democracies. This includes the destruction of monuments associated with the fall of the Soviet era, and with racism and colonialism in the West. The project will also consider key aspects of iconoclasm, such as group building, historical truth-seeking, and performative justice for marginalised communities. This project is designed to contribute to our understanding of conflicts in modern societies.

Objective

This research project addresses iconoclasm (the deliberate destruction of images and visual signs) as a transhistorical and transversal cultural phenomenon, carried out by individuals, grass-root movements, or institutions of power across the globe. Whereas previous research established structural similarities between instances of religious and political iconoclasm of the past, this project intends to provide a socio-anthropological analysis of the contemporaneous dimension of iconoclasm, as a form of political expression in modern liberal democracies. Why do acts of iconoclasm continue to be socially and politically meaningful for many actors in different contexts? Perceiving the spectacular destruction of monuments - from those associated with the end of the Soviet era in Eastern Europe to those representing the racist and colonial power in Western societies - as a visual and behavioural manifestation of radical social transformations, the project explores three hypotheses, elucidating the persistence of iconoclasm as a recurrent feature in the modern, globalised world. They are related to three facets of iconoclasm, perceived as a form of immediate group-building (1), as a form of historical truth-seeking (2), and as a form of performative justice-making for underrepresented communities and causes (3), processes that are respectively oriented towards the present (1), the past (2), and the future (3). This project sets out to break new ground in anthropological research by envisioning and crafting a cross-contextual analytical framework that transcends state-of-theart regional and politico-historical divisions. By employing a comparative ethnographic methodology, based on three extended casestudies, interpreting acts of iconoclasm in post-colonial, post-socialist and liberal contexts, this project significantly enhances anthropological interpretations of conflict in contemporary societies.

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Call for proposal

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(opens in new window) ERC-2025-STG

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Host institution

FONDATION POUR L INSTITUT DE HAUTES ETUDES INTERNATIONALES ET DU DEVELOPPEMENT
Net EU contribution

Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.

€ 1 600 139,00
Address
MAISON DE LA PAIX CHEMIN EUGENE RIGOT 2
1202 Geneve
Switzerland

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Region
Schweiz/Suisse/Svizzera Région lémanique Genève
Activity type
Higher or Secondary Education Establishments
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Total cost

The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.

€ 1 600 139,00

Beneficiaries (1)

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