Objective
Arising in recent years to refer to the collective products of generative AI, the concept of ‘synthetic media’ indexes the rise of a new world in which nothing of what we see or hear online is immune from being fabricated. Through its 60+ year engagement with synthetic sound, music stands to offer unique, historically-grounded insight into synthetic media as culture, thus moving beyond the naive realist and alarmist framing of real vs fake that dominates popular commentary. However, to date synthetic media has been misrecognised: either analysed as part of a disruptive wave of AI appearing from nowhere in the 2010s; or treated as a benign appendix to debates around sampling culture, themselves inherited from nearly a century of criticism on the status of art in the age of mechanical reproduction. SYNCULTURE develops richer, historically-sensitive methods of analysis to understand the cultural implications of synthesis as they cross mathematics, engineering, music, industry, and law. It does this, first, through an ambitious series of case studies that will 1) analyse synthetic media across art and popular styles; 2) develop a new analytical terminology, informed by vernacular discourse; 3) retheorise notions of representation and modelling in synthesis; and 4) develop the theory of synthesis culture for contemporary music. Second, through a novel interdisciplinary and mixed-methodology framework incorporating musicology, digital methods, and practice-research, and experimenting with collaborative methods for representing, interpreting, and deconstructing the terse formalisms of synthesis and signal processing. Termed the ‘slow digital humanities’, it will yield a critical reader on synthesis methods, having implications for both scholarship and pedagogy. With 4 early career, 2 established scholars, and a PI with 15 years experience working between the humanities, engineering, and arts, SYNCULTURE will develop a new critical paradigm for contemporary music.
Fields of science (EuroSciVoc)
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
- social sciences educational sciences pedagogy
- engineering and technology electrical engineering, electronic engineering, information engineering electronic engineering signal processing
- humanities arts musicology
- humanities other humanities library sciences digital humanities
- social sciences law
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Keywords
Project’s keywords as indicated by the project coordinator. Not to be confused with the EuroSciVoc taxonomy (Fields of science)
Project’s keywords as indicated by the project coordinator. Not to be confused with the EuroSciVoc taxonomy (Fields of science)
Programme(s)
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
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HORIZON.1.1 - European Research Council (ERC)
MAIN PROGRAMME
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Topic(s)
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Funding Scheme
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
HORIZON-ERC - HORIZON ERC Grants
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Call for proposal
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
(opens in new window) ERC-2025-COG
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Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.
B15 2TT Birmingham
United Kingdom
The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.