Objective
This project investigates French and Italian comics magazines for adult audiences published between 1968 and 1989, a pivotal period of cultural upheaval, political ferment, and new media ecologies. Still understudied, magazines offer gateways to re-examine the cultural history of their times, working as cultural ecosystems blending comics with editorials, advertising, and borrowings from music, cinema, and literature. In particular, these magazines nurtured the sub- and countercultures that informed the artistic, media, and political imaginaries of the time.
The project has two objectives. First, to return comics magazines as heritage, reconstructing their centrality as (counter)cultural mediators. Second, to analyse their imaginaries, stressing the politics of gendered representation.
The project combines comparative literature, media sociology, and cultural history with DH and AI methods. I will apply Named Entity Recognition (NER) to textual sections to map cultural references across media and borders. I will use multimodal large language models (MLLMs) to detect recurring visual tropes in selected comics, complementing this with close reading. The results will be combined in a linked data structure, allowing text and image findings to be studied together.
The project approaches a complex, contradictory landscape whose impact is still tangible today, reconstructing both the cultural centrality and the legacy of these magazines and the critical shortcomings of their imaginaries. By integrating traditional and digital methods, it aims to cast new light on how magazines mediated the aspirations of 1968, how their countercultural energy was absorbed into the 1980s mainstream, and how gendered visual regimes simultaneously embodied emancipation and reproduced exclusion.
By focusing on comics magazines, it offers a fresh critical genealogy of European cultural history while advancing methodological bridges between media studies, gender studies, and DH/AI methods.
Fields of science (EuroSciVoc)
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
- social sciences sociology
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Project’s keywords as indicated by the project coordinator. Not to be confused with the EuroSciVoc taxonomy (Fields of science)
Project’s keywords as indicated by the project coordinator. Not to be confused with the EuroSciVoc taxonomy (Fields of science)
Programme(s)
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
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HORIZON.1.2 - Marie Skłodowska-Curie Actions (MSCA)
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Topic(s)
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Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Funding Scheme
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
HORIZON-TMA-MSCA-PF-EF - HORIZON TMA MSCA Postdoctoral Fellowships - European Fellowships
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Call for proposal
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Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
(opens in new window) HORIZON-MSCA-2025-PF
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Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.
92001 Nanterre Cedex
France
The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.