The Colours of the Past in Victorian England

‘Gleaming with gold and blue and cinnabar’: William Morris’s colourful revision of the myth of the Golden Fleece.”

Autores: Charlotte Ribeyrol
Publicado en: Polysèmes, 2016, ISSN 2496-4212
Editor: Polysèmes

John Singer Sargent and the fin de siècle Culture of Mauve

Autores: Charlotte Ribeyrol
Publicado en: Visual Culture in Britain, Edición 3 issues a year, 2018, Página(s) 1-21, ISSN 1471-4787
Editor: Visual Culture in Britain
DOI: 10.1080/14714787.2018.1447992

‘Victorian rainbow makers: variations on colour poetics’

Autores: Charlotte Ribeyrol
Publicado en: Angles, 2016, ISSN 2274-2042
Editor: Angles

‘Hellenic utopias: Walter Pater and Pausanias’

Autores: Charlotte Ribeyrol
Publicado en: Pater the Classicist: Classical Scholarship, Reception, and Aestheticism, 2017, Página(s) pp.201-218
Editor: OUP

‘From Galatea to Tanagra: Victorian translations of the controversial colours of Greek sculpture’

Autores: Charlotte Ribeyrol
Publicado en: Hellenomania, 2017, Página(s) pp.175-190
Editor: Routledge

“ ‘A magic web with colours gay’: W.H. Hunt’s chromatic nostalgia’

Autores: Charlotte Ribeyrol and Philippe Walter
Publicado en: The Colours of the Past in Victorian England, 2016, Página(s) pp.19-46
Editor: Peterlang

‘Do we all see colour in the same way ?’

Autores: Charlotte Ribeyrol
Publicado en: OXPLORE, 2018
Editor: OXPLORE

Review of Sara Lyons’s Algernon Swinburne and Walter Pater: Victorian Aestheticism, Doubt and Secularisation

Autores: Charlotte Ribeyrol
Publicado en: Cahiers Victoriens et Edouardiens, 2016
Editor: Cahiers Victoriens et Edouardiens

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