Film Colors. An Interdisciplinary Approach.

Publications

Digitalisierung und filmwissenschaftliche Forschung

Author(s): Barbara Flückiger, Anna Bohn
Published in: Bibliothek Forschung und Praxis, 44/3, 2020, Page(s) 454-459, ISSN 1865-7648
Publisher: De Gruyter
DOI: 10.1515/bfp-2020-2049

Color and Expressive Movement. A Computer-Assisted Analysis

Author(s): Barbara Flueckiger
Published in: mediaesthetics – Journal of Poetics of Audiovisual Images, 4, 2021, ISSN 2567-9309
Publisher: Freie Universität Berlin
DOI: 10.17169/mae.2021.86

Die Ästhetik der Zwei-Farben-Verfahren. Historiografische Überlegungen zu Leiblichkeit, Farbe und Film

Author(s): Lameris, Bregt
Published in: Montage AV, 29(2), 2020, Page(s) 57-80, ISSN 0942-4954
Publisher: Schueren
DOI: 10.5167/uzh-200733

Digitale Werkzeuge zur ästhetischen Analyse von Filmfarben

Author(s): Barbara Flueckiger
Published in: Montage AV, 29(1), 2020, Page(s) 157–172, ISSN 0942-4954
Publisher: Schueren
DOI: 10.5167/uzh-189059

Spielformen der Figur/Grund-Interaktion im Farbfilm. Eine typologische Bestimmung

Author(s): Flückiger, Barbara
Published in: Montage AV, 29(2), 2020, Page(s) 81-114, ISSN 0942-4954
Publisher: Schueren
DOI: 10.5167/uzh-199217

Methods and advanced tools for the analysis of film colors in digital humanities

Author(s): Flueckiger, Barbara; Halter, Gaudenz
Published in: Digital Humanities Quarterly, 14(4), 2020, Page(s) 1-37, ISSN 1938-4122
Publisher: Association for Computers and the Humanities
DOI: 10.5167/uzh-197994

The Search for the Lost Colours of Films Albatros

Author(s): Bregt Lameris
Published in: FIAF Journal of Film Preservation, 97.10, 2017, Page(s) 11–16, ISSN 1609-2694
Publisher: FIAF
DOI: 10.5167/uzh-150128

The Arclight Guidebook to Media History and the Digital Humanities by Charles R. Acland, Eric Hoyt

Author(s): Bregt Lameris
Published in: The Moving Image: The Journal of the Association of Moving Image Archivists, 17/2, 2017, Page(s) 140, ISSN 1532-3978
Publisher: University of Minnesota
DOI: 10.5749/movingimage.17.2.0140

A Digital Humanities Approach to Film Colors

Author(s): Barbara Flueckiger
Published in: The Moving Image: The Journal of the Association of Moving Image Archivists, 17/2, 2017, Page(s) 71, ISSN 1532-3978
Publisher: University of Minnesota
DOI: 10.5749/movingimage.17.2.0071

Farben, Texturen, Muster. Oberflächenphänomene des Films

Author(s): Barbara Flueckiger
Published in: Montage AV, 26/2/2017, 2017, Page(s) 202–207, ISSN 0942-4954
Publisher: Schueren Verlag
DOI: 10.5167/uzh-150625

Chromatic callier effect and its repercussions on the digitization of early film colors

Author(s): Trumpy, Giorgio; Flückiger, Barbara
Published in: The Journal of Imaging Science and Technology, 6, 2019, Page(s) 010506-1-010506-11, ISSN 1943-3522
Publisher: Society for Imaging Science and Technology
DOI: 10.5167/uzh-168857

Torn between Chromophobia and Colour Mania: Developments of Early Technicolor

Author(s): Flückiger, Barbara
Published in: Colour Turn, 1/1, 2019, Page(s) VI 1-VI 35., ISSN 0000-0000
Publisher: Universität Tübingen
DOI: 10.5167/uzh-153533

Hallucinating colours – psychedelic film, technology, aesthetics and affect

Author(s): Lameris, Bregt
Published in: Cinéma & Cie, 19(32), 2019, Page(s) 85-97, ISSN 2035-5270
Publisher: Mimesis International
DOI: 10.5167/uzh-183380

VIAN: A Visual Annotation Tool for Film Analysis

Author(s): Gaudenz Halter, Rafael Ballester‐Ripoll, Barbara Flueckiger, Renato Pajarola
Published in: Computer Graphics Forum, 38/3, 2019, Page(s) 119-129, ISSN 0167-7055
Publisher: Blackwell Publishing Inc.
DOI: 10.1111/cgf.13676

Digitale Medien und Methoden. Historiographische Analyse von Technologiediskursen

Author(s): Josephine Diecke, Noemi Daugaard
Published in: Zeitschrift für Medienwissenschaft, 2020, ISSN 2296-4126
Publisher: Gesellschaft für Medienwissenschaft

Farbe und Ausdrucksbewegung. Jacques Demys Musicals Les Parapluies de Cherbourg und Les Demoiselles de Rochefort

Author(s): Barbara Flückiger
Published in: Film-Konzepte, 56, 2020, Page(s) 31-42, ISSN 1861-9622
Publisher: edition text+kritik
DOI: 10.5167/uzh-185544

Building a crowdsourcing platform for the analysis of film color

Author(s): Flückiger, Barbara; Halter, Gaudenz
Published in: The Moving Image, 18(1), 2018, Page(s) 80-83, ISSN 1542-4235
Publisher: University of Minnesota Press
DOI: 10.5167/uzh-169281

Digitalisierung des Filmerbes

Author(s): Flückiger, Barbara
Published in: Montage AV, 27(1)153-168., 2018, Page(s) Flückiger, Barbara <javascript:contributorCitation( 'Flückiger, Barbara' );> (2018). Digitalisierung des Filmerbes., ISSN 0942-4954
Publisher: Schüren
DOI: 10.5167/uzh-159753

Lea aus dem Süden. Ethical and practical considerations for digital color transfer

Author(s): Diecke, Josephine; Trumpy, Giorgio; Barbara Flueckiger; Weiss, Martin
Published in: FIAF Journal of Film Preservation, 103, 2020, Page(s) 95-101, ISSN 1609-2694
Publisher: FIAF
DOI: 10.5167/uzh-192008

Teaching the Materiality of Film

Author(s): Lameris, Flueckiger
Published in: The Moving Image: The Journal of the Association of Moving Image Archivists, 19/1, 2019, Page(s) 93, ISSN 1532-3978
Publisher: University of Minnesota
DOI: 10.5749/movingimage.19.1.0093

A multispectral design for a new generation of film scanners

Author(s): Giorgio Trumpy, Jon Y. Hardeberg, Sony George, Barbara Flueckiger
Published in: Optics for Arts, Architecture, and Archaeology VIII, 2021, 2021, Page(s) 34, ISBN 9781510644038
Publisher: SPIE
DOI: 10.1117/12.2592655

Dye purification: an image-processing technique for the digital restoration of chromogenic film

Author(s): Giorgio Trumpy, Barbara Flueckiger
Published in: 2018 Colour and Visual Computing Symposium (CVCS), 1, 2018, Page(s) 1-5, ISBN 978-1-5386-5645-7
Publisher: IEEE
DOI: 10.1109/CVCS.2018.8496726

Cyber-Digitization. Pushing the Borders of Film Restoration’s Ethics

Author(s): Giorgio Trumpy, Josephine, Diecke, Rudolf Gschwind, Barbara Flueckiger
Published in: Electronic Media & Visual Arts, Conference Proceedings, 2018, Page(s) 190–195, ISBN 978-3-88609-817-0
Publisher: Staatliche Museen zu Berlin - Preußischer Kulturbesitz
DOI: 10.5167/uzh-158944

Technikgeschichte des Films

Author(s): Barbara Flueckiger
Published in: Handbuch Filmwissenschaft, 2021, ISBN 978-3-476-02584-5
Publisher: Metzler

Méthodes et outils numériques pour l’analyse avancée des couleurs des films

Author(s): Flückiger, Barbara; Halter, Gaudenz
Published in: Faire image: inscriptions, espaces et formes numériques = What makes an image? Inscriptions, digital spaces and forms, 2020, Page(s) 63-129, ISBN 978-2-37059-012-1
Publisher: Octaviana
DOI: 10.5167/uzh-199220

La Ligue du Noir et Blanc. French Debates on Natural Colour Film and Art Cinema 1926-1927

Author(s): Bregt Lameris
Published in: The Colour Fantastic, 2018, Page(s) 219–235, ISBN 9789-462983014
Publisher: Amsterdam University Press
DOI: 10.5167/uzh-151680

A Material-Based Approach to the Digitization of Early Film Colors. In: Giovanna Fossati, Victoria Jackson, Bregt Lameris, Elif Rongen, Sarah Street, and Joshua Yumibe (eds.): The Colour Fantastic. Amsterdam: Amsterdam University Press, pp. 237–259 (peer-reviewed)

Author(s): Barbara Flueckiger, Claudy Op den Kamp, David Pfluger
Published in: The Colour Fantastic, 2018, Page(s) 237–259, ISBN 9789-462983014
Publisher: Amsterdam University Press
DOI: 10.5167/uzh-151681

Color and Subjectivity in Film

Author(s): Barbara Flueckiger
Published in: Subjectivity across Media. Interdisciplinary and Transmedial Perspectives., 2016, Page(s) 145–161
Publisher: Routledge
DOI: 10.5167/uzh-126903

Der (Farb-)Stoff, aus dem die Träume sind. Wechselspiele des Materials zwischen Fotografie-, Film- und Modeindustrie

Author(s): Stutz, Olivia Kristina
Published in: Color Mania: Materialität Farbe in Fotografie und Film, 2020, Page(s) 121-131, ISBN 978-3-03778-606-2
Publisher: Lars Müller; Fotomuseum Winterthur
DOI: 10.5167/uzh-183232

Preface

Author(s): Flückiger, Barbara; Hielscher, Eva; Wietlisbach, Nadine
Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 5-7, ISBN 978-3-03778-607-9
Publisher: Lars Müller; Fotomuseum Winterthur
DOI: 10.5167/uzh-183171

Light and shadow. Aesthetics in the chromogenic color film of the 1970s

Author(s): Kost, Joelle
Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 165-178, ISBN 978-3-03778-607-9
Publisher: Lars Müller; Fotomuseum Winterthur
DOI: 10.5167/uzh-183273

Images du monde visionnaire. The representation of hallucinogenic vision in various ranges of color

Author(s): Lameris, Bregt
Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 151-162., ISBN 978-3-03778-607-9
Publisher: Lars Müller; Fotomuseum Winterthur
DOI: 10.5167/uzh-183258

Images du monde visionnaire. Die Darstellung halluzinogener Wahrnehmung in unterschiedlichen Farbpaletten

Author(s): Lameris, Bregt
Published in: Color Mania. Materialität Farbe in Fotografie und Film, 2020, Page(s) 151-162, ISBN 978-3-03778-606-2
Publisher: Lars Müller; Fotomuseum Winterthur
DOI: 10.5167/uzh-183254

Licht und Schatten. Ästhetik im chromogenen Farbfilm der 1970er-Jahre

Author(s): Kost, Joelle
Published in: Color Mania: Materialität Farbe in Fotografie und Film, 2020, Page(s) 165-178, ISBN 978-3-03778-606-2
Publisher: Lars Müller; Fotomuseum Winterthur
DOI: 10.5167/uzh-183265

Die Standardisierung von Filmfarben in den 1940er-Jahren. Technicolor No. IV und Agfacolor

Author(s): Beutler, Michelle
Published in: Color Mania: Materialität Farbe in Fotografie und Film, 2020, Page(s) 197-209, ISBN 978-3-03778-606-2
Publisher: Lars Müller; Fotomuseum Winterthur
DOI: 10.5167/uzh-183283

Standardizing color film. Technicolor no. IV and Agfacolor during the 1940s

Author(s): Beutler, Michelle
Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 197–209, ISBN 978-3-03778-607-9
Publisher: Lars Müller; Fotomuseum Winterthur
DOI: 10.5167/uzh-183284

Avancierte Methoden der computer-gestützten ästhetischen Filmanalyse

Author(s): Flückiger, Barbara
Published in: Digital Humanities. Multimedial & multimodal. Konferenzband 6. Tagung des Verbands Digital Humanities im deutschsprachigen Raum, 2019, Page(s) 13–12, ISBN 978-3-00-062166-6
Publisher: Universitäten zu Mainz und Frankfurt
DOI: 10.5167/uzh-169910

Introduction: Color mania. The material of color in photography and film. Exhibition and publication

Author(s): Hielscher, Eva; Wietlisbach, Nadine
Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 9–14, ISBN 978-3-03778-607-9
Publisher: Lars Müller; Fotomuseum Winterthur
DOI: 10.5167/uzh-183184

Such (dye-)stuff as dreams are made on. Material interactions between the photography, film, and fashion industries

Author(s): Stutz, Olivia Kristina
Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 121-131, ISBN 978-3-03778-607-9
Publisher: Lars Müller; Fotomuseum Winterthur
DOI: 10.5167/uzh-183242

Obsessions between Orient and Occident. On the construction and imagination of «exotic» worlds in silent film

Author(s): Echle, Evelyn
Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 101-112, ISBN 978-3-03778-607-9
Publisher: Lars Müller; Fotomuseum Winterthur
DOI: 10.5167/uzh-183200

Einleitung: Color Mania. Materialität Farbe in Fotografie und Film. Zur Ausstellung und Publikation

Author(s): Hielscher, Eva; Wietlisbach, Nadine
Published in: Color Mania: Materialität Farbe in Fotografie und Film, 2020, Page(s) 9-14, ISBN 978-3-03778-607-9
Publisher: Lars Müller; Fotomuseum Winterthur
DOI: 10.5167/uzh-183173

Filmfarben. Materialität, Technik, Ästhetik

Author(s): Flückiger, Barbara
Published in: Color Mania: Materialität Farbe in Fotografie und Film, 2020, Page(s) 17-49, ISBN 978-3-03778-606-2
Publisher: Lars Müller; Fotomuseum Winterthur
DOI: 10.5167/uzh-183191

Cinematic worlds in color – technology, aesthetics, analysis

Author(s): Flückiger, Barbara
Published in: Film Techniques and Technology. Illusion, Reality, Virtuality, Innovation, 2019, Page(s) 11-39, ISBN 979-11-957427-8-3
Publisher: s.n.
DOI: 10.5167/uzh-173836

Vorwort

Author(s): Flückiger, Barbara; Hielscher, Eva; Wietlisbach, Nadine
Published in: Color Mania: Materialität Farbe in Fotografie und Film, 2020, Page(s) 5-7, ISBN 978-3-03778-606-2
Publisher: Lars Müller; Fotomuseum Winterthur
DOI: 10.5167/uzh-183147

Obsessionen zwischen Orient und Okzident. Zur Konstruktion und Imagination «exotischer» Welten im Stummfilm

Author(s): Echle, Evelyn
Published in: Materialität Farbe in Fotografie und Film, 2020, Page(s) 101-112, ISBN 978-3-03778-606-2
Publisher: Lars Müller; Fotomuseum Winterthur
DOI: 10.5167/uzh-183197

Technicolor

Author(s): Barbara Flückiger
Published in: Von den Anfängen des Films bis zum Ende des Zweiten Weltkrieges. Der internationale Film von 1895 bis 1945. Filmgeschichte, Band 1, 2020
Publisher: Schüren

Interview: Analoge Farben zu digitalisieren, ist sehr komplex – David Pfluger, Giorgio Trumpy und Martin Weiss im Gespräch mit Simon Spiegel.

Author(s): Simon Spiegel
Published in: Color Mania: Materialität Farbe in Fotografie und Film., 2020, Page(s) 223-227, ISBN 978-3-03778-607-9
Publisher: Lars Müller; Fotomuseum Winterthur
DOI: 10.5167/uzh-180460

Film colors. Materiality, technology, aesthetics

Author(s): Flückiger, Barbara
Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 17–49, ISBN 978-3-03778-607-9
Publisher: Lars Müller; Fotomuseum Winterthur
DOI: 10.5167/uzh-183193

Filmfarben

Author(s): Barbara Flückiger
Published in: Handbuch Filmtheorie, 2019, Page(s) 1-21, ISBN 978-3-658-09514-7
Publisher: Springer Fachmedien Wiesbaden
DOI: 10.1007/978-3-658-13352-8_3-1

Interview: The digitization of analogue colors is extremely complex – David Pfluger, Giorgio Trumpy, and Martin Weiss in conversation with Simon Spiegel

Author(s): Simon Spiegel
Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 223–227, ISBN 978-3-03778-607-9
Publisher: Lars Müller; Fotomuseum Winterthur
DOI: 10.5167/uzh-180565

Den gyldne drøm

Author(s): Olivia Kristina Stutz
Published in: Le giornate del cinema muto 37, 2018, Page(s) 191–192
Publisher: Giornate del cinema muto
DOI: 10.5167/uzh-167756

The Rock Garden

Author(s): Noemi Daugaard, Olivia Kristina Stutz
Published in: Le giornate del cinema muto 37, 2018, Page(s) 198–199
Publisher: Giornate del cinema muto
DOI: 10.5167/uzh-167760

Von Wolkengeweben und atmenden Formen. Künstlerische Erforschung früher Filmfarben und alternative Filmgeschichten bei Alexandra Navratil

Author(s): Hielscher, Eva
Published in: Color Mania: Materialität Farbe in Fotografie und Film, 3, 2020, Page(s) 113-119, ISBN 978-3-03778-606-2
Publisher: Lars Müller; Fotomuseum Winterhur
DOI: 10.5167/uzh-183206

Tales of cloud fabrics and breathing forms. Artistic research into early film colors and alternative film histories in the work of Alexandra Navratil

Author(s): Hielscher, Eva
Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 113-119, ISBN 978-3-03778-607-9
Publisher: Lars Müller; Fotomuseum Winterthur
DOI: 10.5167/uzh-183214

Das Geheimnis der Marquise

Author(s): Olivia Kristina Stutz, Isabel Krek, Sebastian Köthe
Published in: Le giornate del cinema muto 37, 2018, Page(s) 190
Publisher: Giornate del cinema muto
DOI: 10.5167/uzh-167737

For Her, for Him. Advertising in the Silent Era.

Author(s): Noemi Daugaard, Olivia Kristina Stutz, Sebastian Köthe
Published in: Le giornate del cinema muto 37, 2018, Page(s) 183–186
Publisher: Giornate del cinema muto
DOI: 10.5167/uzh-167682

Shattered Provenance in the Digitization of Early Color Films

Author(s): Flueckiger, Barbara;Daugaard, Noemi;Stutz, Olivia Kristina;Bernardi, Joanne;Cherchi Usai,Paolo;Williams, Tami;Yumibe, Joshua
Published in: Provenance and Early Cinema, 2020, Page(s) 80-90, ISBN 978-0-253-05299-5
Publisher: Indiana University Press

Editorial: Filmfarben

Author(s): Daugaard, Noemi; Lameris, Bregt; Echle, Evelyn
Published in: Montage AV, 29(2), 2020, Page(s) 5-10, ISSN 0942-4954
Publisher: Schueren
DOI: 10.5167/uzh-198638

Die verlorenen Farben des frühen Films.

Author(s): Barbara Flueckiger
Published in: Filmbulletin, 12, 2016, Page(s) 6–13, ISSN 0257-7852
Publisher: Stiftung Filmbulletin
DOI: 10.5167/uzh-126902

Die Farben des Films

Author(s): Flückiger, Barbara
Published in: NIKE-Bulletin, 19/1, 2019, Page(s) 52-57, ISSN 1015-2474
Publisher: Nationale Informationsstelle zum Kulturerbe NIKE
DOI: 10.5167/uzh-169777

Farbe, Licht, Raum in Blade Runner 2049

Author(s): Flückiger, Barbara
Published in: Zeitschrift für Fantastikforschung, 7(1), 2019, Page(s) 6–16, ISSN 2192-0885
Publisher: Gesellschaft für Fantastikforschung
DOI: 10.5167/uzh-174730

Film Material-Scanner Interaction

Author(s): Flueckiger, Barbara; Pfluger, David; Trumpy, Giorgio; Croci, Simone; Aydın, Tunç; Smolic, Aljoscha
Published in: 2018, Page(s) 88 pages
Publisher: Online
DOI: 10.5167/uzh-151114

Digital Tools for the Analysis of Film Colors

Author(s): Barbara Flueckiger
Published in: Film Colors. An Interdisciplinary Approach,, 2018
Publisher: University of Zurich
DOI: 10.5167/uzh-168367

Colorful Copyright Books by George Kleine at the Library of Congress.

Author(s): Barbara Flueckiger
Published in: 2018
Publisher: University of Zurich
DOI: 10.5167/uzh-168361

Investigation of Film Material–Scanner Interaction

Author(s): Barbara Flueckiger, David Pfluger, Giorgio Trumpy, Tunç Aydin, Aljoscha Smolic
Published in: 2018
Publisher: DIASTOR
DOI: 10.5167/uzh-151114

Color Mania: The Material of Color in Photography and Film

Author(s): Barbara Flückiger, Eva Hielscher, Nadine Wietlisbach
Published in: 2020, ISBN 978-3-03778-607-9
Publisher: Lars Müller; Fotomuseum Winterthur

Color Mania: Materialität Farbe in Fotografie und Film

Author(s): Barbara Flückiger, Eva Hielscher, Nadine Wietlisbach
Published in: 2020, ISBN 978-3-03778-606-2
Publisher: Lars Müller; Fotomuseum Winterthur

Publications

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