Publications Peer reviewed articles (20) Digitalisierung und filmwissenschaftliche Forschung Author(s): Barbara Flückiger, Anna Bohn Published in: Bibliothek Forschung und Praxis, Issue 44/3, 2020, Page(s) 454-459, ISSN 1865-7648 Publisher: De Gruyter DOI: 10.1515/bfp-2020-2049 Color and Expressive Movement. A Computer-Assisted Analysis Author(s): Barbara Flueckiger Published in: mediaesthetics – Journal of Poetics of Audiovisual Images, Issue 4, 2021, ISSN 2567-9309 Publisher: Freie Universität Berlin DOI: 10.17169/mae.2021.86 Die Ästhetik der Zwei-Farben-Verfahren. Historiografische Überlegungen zu Leiblichkeit, Farbe und Film Author(s): Lameris, Bregt Published in: Montage AV, Issue 29(2), 2020, Page(s) 57-80, ISSN 0942-4954 Publisher: Schueren DOI: 10.5167/uzh-200733 Digitale Werkzeuge zur ästhetischen Analyse von Filmfarben Author(s): Barbara Flueckiger Published in: Montage AV, Issue 29(1), 2020, Page(s) 157–172, ISSN 0942-4954 Publisher: Schueren DOI: 10.5167/uzh-189059 Spielformen der Figur/Grund-Interaktion im Farbfilm. Eine typologische Bestimmung Author(s): Flückiger, Barbara Published in: Montage AV, Issue 29(2), 2020, Page(s) 81-114, ISSN 0942-4954 Publisher: Schueren DOI: 10.5167/uzh-199217 Methods and advanced tools for the analysis of film colors in digital humanities Author(s): Flueckiger, Barbara; Halter, Gaudenz Published in: Digital Humanities Quarterly, Issue 14(4), 2020, Page(s) 1-37, ISSN 1938-4122 Publisher: Association for Computers and the Humanities DOI: 10.5167/uzh-197994 The Search for the Lost Colours of Films Albatros Author(s): Bregt Lameris Published in: FIAF Journal of Film Preservation, Issue 97.10, 2017, Page(s) 11–16, ISSN 1609-2694 Publisher: FIAF DOI: 10.5167/uzh-150128 The Arclight Guidebook to Media History and the Digital Humanities by Charles R. Acland, Eric Hoyt Author(s): Bregt Lameris Published in: The Moving Image: The Journal of the Association of Moving Image Archivists, Issue 17/2, 2017, Page(s) 140, ISSN 1532-3978 Publisher: University of Minnesota DOI: 10.5749/movingimage.17.2.0140 A Digital Humanities Approach to Film Colors Author(s): Barbara Flueckiger Published in: The Moving Image: The Journal of the Association of Moving Image Archivists, Issue 17/2, 2017, Page(s) 71, ISSN 1532-3978 Publisher: University of Minnesota DOI: 10.5749/movingimage.17.2.0071 Farben, Texturen, Muster. Oberflächenphänomene des Films Author(s): Barbara Flueckiger Published in: Montage AV, Issue 26/2/2017, 2017, Page(s) 202–207, ISSN 0942-4954 Publisher: Schueren Verlag DOI: 10.5167/uzh-150625 Chromatic callier effect and its repercussions on the digitization of early film colors Author(s): Trumpy, Giorgio; Flückiger, Barbara Published in: The Journal of Imaging Science and Technology, Issue 6, 2019, Page(s) 010506-1-010506-11, ISSN 1943-3522 Publisher: Society for Imaging Science and Technology DOI: 10.5167/uzh-168857 Torn between Chromophobia and Colour Mania: Developments of Early Technicolor Author(s): Flückiger, Barbara Published in: Colour Turn, Issue 1/1, 2019, Page(s) VI 1-VI 35., ISSN 0000-0000 Publisher: Universität Tübingen DOI: 10.5167/uzh-153533 Hallucinating colours – psychedelic film, technology, aesthetics and affect Author(s): Lameris, Bregt Published in: Cinéma & Cie, Issue 19(32), 2019, Page(s) 85-97, ISSN 2035-5270 Publisher: Mimesis International DOI: 10.5167/uzh-183380 VIAN: A Visual Annotation Tool for Film Analysis Author(s): Gaudenz Halter, Rafael Ballester‐Ripoll, Barbara Flueckiger, Renato Pajarola Published in: Computer Graphics Forum, Issue 38/3, 2019, Page(s) 119-129, ISSN 0167-7055 Publisher: Blackwell Publishing Inc. DOI: 10.1111/cgf.13676 Digitale Medien und Methoden. Historiographische Analyse von Technologiediskursen Author(s): Josephine Diecke, Noemi Daugaard Published in: Zeitschrift für Medienwissenschaft, 2020, ISSN 2296-4126 Publisher: Gesellschaft für Medienwissenschaft Farbe und Ausdrucksbewegung. Jacques Demys Musicals Les Parapluies de Cherbourg und Les Demoiselles de Rochefort Author(s): Barbara Flückiger Published in: Film-Konzepte, Issue 56, 2020, Page(s) 31-42, ISSN 1861-9622 Publisher: edition text+kritik DOI: 10.5167/uzh-185544 Building a crowdsourcing platform for the analysis of film color Author(s): Flückiger, Barbara; Halter, Gaudenz Published in: The Moving Image, Issue 18(1), 2018, Page(s) 80-83, ISSN 1542-4235 Publisher: University of Minnesota Press DOI: 10.5167/uzh-169281 Digitalisierung des Filmerbes Author(s): Flückiger, Barbara Published in: Montage AV, Issue 27(1)153-168., 2018, Page(s) Flückiger, Barbara <javascript:contributorCitation( 'Flückiger, Barbara' );> (2018). Digitalisierung des Filmerbes., ISSN 0942-4954 Publisher: Schüren DOI: 10.5167/uzh-159753 Lea aus dem Süden. Ethical and practical considerations for digital color transfer Author(s): Diecke, Josephine; Trumpy, Giorgio; Barbara Flueckiger; Weiss, Martin Published in: FIAF Journal of Film Preservation, Issue 103, 2020, Page(s) 95-101, ISSN 1609-2694 Publisher: FIAF DOI: 10.5167/uzh-192008 Teaching the Materiality of Film Author(s): Lameris, Flueckiger Published in: The Moving Image: The Journal of the Association of Moving Image Archivists, Issue 19/1, 2019, Page(s) 93, ISSN 1532-3978 Publisher: University of Minnesota DOI: 10.5749/movingimage.19.1.0093 Conference proceedings (3) A multispectral design for a new generation of film scanners Author(s): Giorgio Trumpy, Jon Y. Hardeberg, Sony George, Barbara Flueckiger Published in: Optics for Arts, Architecture, and Archaeology VIII, Issue 2021, 2021, Page(s) 34, ISBN 9781510644038 Publisher: SPIE DOI: 10.1117/12.2592655 Dye purification: an image-processing technique for the digital restoration of chromogenic film Author(s): Giorgio Trumpy, Barbara Flueckiger Published in: 2018 Colour and Visual Computing Symposium (CVCS), Issue 1, 2018, Page(s) 1-5, ISBN 978-1-5386-5645-7 Publisher: IEEE DOI: 10.1109/CVCS.2018.8496726 Cyber-Digitization. Pushing the Borders of Film Restoration’s Ethics Author(s): Giorgio Trumpy, Josephine, Diecke, Rudolf Gschwind, Barbara Flueckiger Published in: Electronic Media & Visual Arts, Conference Proceedings, 2018, Page(s) 190–195, ISBN 978-3-88609-817-0 Publisher: Staatliche Museen zu Berlin - Preußischer Kulturbesitz DOI: 10.5167/uzh-158944 Book chapters (34) Technikgeschichte des Films Author(s): Barbara Flueckiger Published in: Handbuch Filmwissenschaft, 2021, ISBN 978-3-476-02584-5 Publisher: Metzler Méthodes et outils numériques pour l’analyse avancée des couleurs des films Author(s): Flückiger, Barbara; Halter, Gaudenz Published in: Faire image: inscriptions, espaces et formes numériques = What makes an image? Inscriptions, digital spaces and forms, 2020, Page(s) 63-129, ISBN 978-2-37059-012-1 Publisher: Octaviana DOI: 10.5167/uzh-199220 La Ligue du Noir et Blanc. French Debates on Natural Colour Film and Art Cinema 1926-1927 Author(s): Bregt Lameris Published in: The Colour Fantastic, 2018, Page(s) 219–235, ISBN 9789-462983014 Publisher: Amsterdam University Press DOI: 10.5167/uzh-151680 A Material-Based Approach to the Digitization of Early Film Colors. In: Giovanna Fossati, Victoria Jackson, Bregt Lameris, Elif Rongen, Sarah Street, and Joshua Yumibe (eds.): The Colour Fantastic. Amsterdam: Amsterdam University Press, pp. 237–259 (peer-reviewed) Author(s): Barbara Flueckiger, Claudy Op den Kamp, David Pfluger Published in: The Colour Fantastic, 2018, Page(s) 237–259, ISBN 9789-462983014 Publisher: Amsterdam University Press DOI: 10.5167/uzh-151681 Color and Subjectivity in Film Author(s): Barbara Flueckiger Published in: Subjectivity across Media. Interdisciplinary and Transmedial Perspectives., 2016, Page(s) 145–161 Publisher: Routledge DOI: 10.5167/uzh-126903 Der (Farb-)Stoff, aus dem die Träume sind. Wechselspiele des Materials zwischen Fotografie-, Film- und Modeindustrie Author(s): Stutz, Olivia Kristina Published in: Color Mania: Materialität Farbe in Fotografie und Film, 2020, Page(s) 121-131, ISBN 978-3-03778-606-2 Publisher: Lars Müller; Fotomuseum Winterthur DOI: 10.5167/uzh-183232 Preface Author(s): Flückiger, Barbara; Hielscher, Eva; Wietlisbach, Nadine Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 5-7, ISBN 978-3-03778-607-9 Publisher: Lars Müller; Fotomuseum Winterthur DOI: 10.5167/uzh-183171 Light and shadow. Aesthetics in the chromogenic color film of the 1970s Author(s): Kost, Joelle Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 165-178, ISBN 978-3-03778-607-9 Publisher: Lars Müller; Fotomuseum Winterthur DOI: 10.5167/uzh-183273 Images du monde visionnaire. The representation of hallucinogenic vision in various ranges of color Author(s): Lameris, Bregt Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 151-162., ISBN 978-3-03778-607-9 Publisher: Lars Müller; Fotomuseum Winterthur DOI: 10.5167/uzh-183258 Images du monde visionnaire. Die Darstellung halluzinogener Wahrnehmung in unterschiedlichen Farbpaletten Author(s): Lameris, Bregt Published in: Color Mania. Materialität Farbe in Fotografie und Film, 2020, Page(s) 151-162, ISBN 978-3-03778-606-2 Publisher: Lars Müller; Fotomuseum Winterthur DOI: 10.5167/uzh-183254 Licht und Schatten. Ästhetik im chromogenen Farbfilm der 1970er-Jahre Author(s): Kost, Joelle Published in: Color Mania: Materialität Farbe in Fotografie und Film, 2020, Page(s) 165-178, ISBN 978-3-03778-606-2 Publisher: Lars Müller; Fotomuseum Winterthur DOI: 10.5167/uzh-183265 Die Standardisierung von Filmfarben in den 1940er-Jahren. Technicolor No. IV und Agfacolor Author(s): Beutler, Michelle Published in: Color Mania: Materialität Farbe in Fotografie und Film, 2020, Page(s) 197-209, ISBN 978-3-03778-606-2 Publisher: Lars Müller; Fotomuseum Winterthur DOI: 10.5167/uzh-183283 Standardizing color film. Technicolor no. IV and Agfacolor during the 1940s Author(s): Beutler, Michelle Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 197–209, ISBN 978-3-03778-607-9 Publisher: Lars Müller; Fotomuseum Winterthur DOI: 10.5167/uzh-183284 Avancierte Methoden der computer-gestützten ästhetischen Filmanalyse Author(s): Flückiger, Barbara Published in: Digital Humanities. Multimedial & multimodal. Konferenzband 6. Tagung des Verbands Digital Humanities im deutschsprachigen Raum, 2019, Page(s) 13–12, ISBN 978-3-00-062166-6 Publisher: Universitäten zu Mainz und Frankfurt DOI: 10.5167/uzh-169910 Introduction: Color mania. The material of color in photography and film. Exhibition and publication Author(s): Hielscher, Eva; Wietlisbach, Nadine Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 9–14, ISBN 978-3-03778-607-9 Publisher: Lars Müller; Fotomuseum Winterthur DOI: 10.5167/uzh-183184 Such (dye-)stuff as dreams are made on. Material interactions between the photography, film, and fashion industries Author(s): Stutz, Olivia Kristina Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 121-131, ISBN 978-3-03778-607-9 Publisher: Lars Müller; Fotomuseum Winterthur DOI: 10.5167/uzh-183242 Obsessions between Orient and Occident. On the construction and imagination of «exotic» worlds in silent film Author(s): Echle, Evelyn Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 101-112, ISBN 978-3-03778-607-9 Publisher: Lars Müller; Fotomuseum Winterthur DOI: 10.5167/uzh-183200 Einleitung: Color Mania. Materialität Farbe in Fotografie und Film. Zur Ausstellung und Publikation Author(s): Hielscher, Eva; Wietlisbach, Nadine Published in: Color Mania: Materialität Farbe in Fotografie und Film, 2020, Page(s) 9-14, ISBN 978-3-03778-607-9 Publisher: Lars Müller; Fotomuseum Winterthur DOI: 10.5167/uzh-183173 Filmfarben. Materialität, Technik, Ästhetik Author(s): Flückiger, Barbara Published in: Color Mania: Materialität Farbe in Fotografie und Film, 2020, Page(s) 17-49, ISBN 978-3-03778-606-2 Publisher: Lars Müller; Fotomuseum Winterthur DOI: 10.5167/uzh-183191 Cinematic worlds in color – technology, aesthetics, analysis Author(s): Flückiger, Barbara Published in: Film Techniques and Technology. Illusion, Reality, Virtuality, Innovation, 2019, Page(s) 11-39, ISBN 979-11-957427-8-3 Publisher: s.n. DOI: 10.5167/uzh-173836 Vorwort Author(s): Flückiger, Barbara; Hielscher, Eva; Wietlisbach, Nadine Published in: Color Mania: Materialität Farbe in Fotografie und Film, 2020, Page(s) 5-7, ISBN 978-3-03778-606-2 Publisher: Lars Müller; Fotomuseum Winterthur DOI: 10.5167/uzh-183147 Obsessionen zwischen Orient und Okzident. Zur Konstruktion und Imagination «exotischer» Welten im Stummfilm Author(s): Echle, Evelyn Published in: Materialität Farbe in Fotografie und Film, 2020, Page(s) 101-112, ISBN 978-3-03778-606-2 Publisher: Lars Müller; Fotomuseum Winterthur DOI: 10.5167/uzh-183197 Technicolor Author(s): Barbara Flückiger Published in: Von den Anfängen des Films bis zum Ende des Zweiten Weltkrieges. Der internationale Film von 1895 bis 1945. Filmgeschichte, Band 1, 2020 Publisher: Schüren Interview: Analoge Farben zu digitalisieren, ist sehr komplex – David Pfluger, Giorgio Trumpy und Martin Weiss im Gespräch mit Simon Spiegel. Author(s): Simon Spiegel Published in: Color Mania: Materialität Farbe in Fotografie und Film., 2020, Page(s) 223-227, ISBN 978-3-03778-607-9 Publisher: Lars Müller; Fotomuseum Winterthur DOI: 10.5167/uzh-180460 Film colors. Materiality, technology, aesthetics Author(s): Flückiger, Barbara Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 17–49, ISBN 978-3-03778-607-9 Publisher: Lars Müller; Fotomuseum Winterthur DOI: 10.5167/uzh-183193 Filmfarben Author(s): Barbara Flückiger Published in: Handbuch Filmtheorie, 2019, Page(s) 1-21, ISBN 978-3-658-09514-7 Publisher: Springer Fachmedien Wiesbaden DOI: 10.1007/978-3-658-13352-8_3-1 Interview: The digitization of analogue colors is extremely complex – David Pfluger, Giorgio Trumpy, and Martin Weiss in conversation with Simon Spiegel Author(s): Simon Spiegel Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 223–227, ISBN 978-3-03778-607-9 Publisher: Lars Müller; Fotomuseum Winterthur DOI: 10.5167/uzh-180565 Den gyldne drøm Author(s): Olivia Kristina Stutz Published in: Le giornate del cinema muto 37, 2018, Page(s) 191–192 Publisher: Giornate del cinema muto DOI: 10.5167/uzh-167756 The Rock Garden Author(s): Noemi Daugaard, Olivia Kristina Stutz Published in: Le giornate del cinema muto 37, 2018, Page(s) 198–199 Publisher: Giornate del cinema muto DOI: 10.5167/uzh-167760 Von Wolkengeweben und atmenden Formen. Künstlerische Erforschung früher Filmfarben und alternative Filmgeschichten bei Alexandra Navratil Author(s): Hielscher, Eva Published in: Color Mania: Materialität Farbe in Fotografie und Film, Issue 3, 2020, Page(s) 113-119, ISBN 978-3-03778-606-2 Publisher: Lars Müller; Fotomuseum Winterhur DOI: 10.5167/uzh-183206 Tales of cloud fabrics and breathing forms. Artistic research into early film colors and alternative film histories in the work of Alexandra Navratil Author(s): Hielscher, Eva Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 113-119, ISBN 978-3-03778-607-9 Publisher: Lars Müller; Fotomuseum Winterthur DOI: 10.5167/uzh-183214 Das Geheimnis der Marquise Author(s): Olivia Kristina Stutz, Isabel Krek, Sebastian Köthe Published in: Le giornate del cinema muto 37, 2018, Page(s) 190 Publisher: Giornate del cinema muto DOI: 10.5167/uzh-167737 For Her, for Him. Advertising in the Silent Era. Author(s): Noemi Daugaard, Olivia Kristina Stutz, Sebastian Köthe Published in: Le giornate del cinema muto 37, 2018, Page(s) 183–186 Publisher: Giornate del cinema muto DOI: 10.5167/uzh-167682 Shattered Provenance in the Digitization of Early Color Films Author(s): Flueckiger, Barbara;Daugaard, Noemi;Stutz, Olivia Kristina;Bernardi, Joanne;Cherchi Usai,Paolo;Williams, Tami;Yumibe, Joshua Published in: Provenance and Early Cinema, 2020, Page(s) 80-90, ISBN 978-0-253-05299-5 Publisher: Indiana University Press Non-peer reviewed articles (4) Editorial: Filmfarben Author(s): Daugaard, Noemi; Lameris, Bregt; Echle, Evelyn Published in: Montage AV, Issue 29(2), 2020, Page(s) 5-10, ISSN 0942-4954 Publisher: Schueren DOI: 10.5167/uzh-198638 Die verlorenen Farben des frühen Films. Author(s): Barbara Flueckiger Published in: Filmbulletin, Issue 12, 2016, Page(s) 6–13, ISSN 0257-7852 Publisher: Stiftung Filmbulletin DOI: 10.5167/uzh-126902 Die Farben des Films Author(s): Flückiger, Barbara Published in: NIKE-Bulletin, Issue 19/1, 2019, Page(s) 52-57, ISSN 1015-2474 Publisher: Nationale Informationsstelle zum Kulturerbe NIKE DOI: 10.5167/uzh-169777 Farbe, Licht, Raum in Blade Runner 2049 Author(s): Flückiger, Barbara Published in: Zeitschrift für Fantastikforschung, Issue 7(1), 2019, Page(s) 6–16, ISSN 2192-0885 Publisher: Gesellschaft für Fantastikforschung DOI: 10.5167/uzh-174730 Other (4) Film Material-Scanner Interaction Author(s): Flueckiger, Barbara; Pfluger, David; Trumpy, Giorgio; Croci, Simone; Aydın, Tunç; Smolic, Aljoscha Published in: 2018, Page(s) 88 pages Publisher: Online DOI: 10.5167/uzh-151114 Digital Tools for the Analysis of Film Colors Author(s): Barbara Flueckiger Published in: Film Colors. An Interdisciplinary Approach,, 2018 Publisher: University of Zurich DOI: 10.5167/uzh-168367 Colorful Copyright Books by George Kleine at the Library of Congress. Author(s): Barbara Flueckiger Published in: 2018 Publisher: University of Zurich DOI: 10.5167/uzh-168361 Investigation of Film Material–Scanner Interaction Author(s): Barbara Flueckiger, David Pfluger, Giorgio Trumpy, Tunç Aydin, Aljoscha Smolic Published in: 2018 Publisher: DIASTOR DOI: 10.5167/uzh-151114 Monographic books (2) Color Mania: The Material of Color in Photography and Film Author(s): Barbara Flückiger, Eva Hielscher, Nadine Wietlisbach Published in: 2020, ISBN 978-3-03778-607-9 Publisher: Lars Müller; Fotomuseum Winterthur Color Mania: Materialität Farbe in Fotografie und Film Author(s): Barbara Flückiger, Eva Hielscher, Nadine Wietlisbach Published in: 2020, ISBN 978-3-03778-606-2 Publisher: Lars Müller; Fotomuseum Winterthur Searching for OpenAIRE data... 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