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Film Colors. An Interdisciplinary Approach.

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Publications

The Search for the Lost Colours of Films Albatros

Author(s): Bregt Lameris
Published in: FIAF Journal of Film Preservation, Issue 97.10, 2017, Page(s) 11–16, ISSN 1609-2694
DOI: 10.5167/uzh-150128

The Arclight Guidebook to Media History and the Digital Humanities by Charles R. Acland, Eric Hoyt

Author(s): Bregt Lameris
Published in: The Moving Image: The Journal of the Association of Moving Image Archivists, Issue 17/2, 2017, Page(s) 140, ISSN 1532-3978
DOI: 10.5749/movingimage.17.2.0140

A Digital Humanities Approach to Film Colors

Author(s): Barbara Flueckiger
Published in: The Moving Image: The Journal of the Association of Moving Image Archivists, Issue 17/2, 2017, Page(s) 71, ISSN 1532-3978
DOI: 10.5749/movingimage.17.2.0071

Farben, Texturen, Muster. Oberflächenphänomene des Films

Author(s): Barbara Flueckiger
Published in: Montage AV, Issue 26/2/2017, 2017, Page(s) 202–207, ISSN 0942-4954
DOI: 10.5167/uzh-150625

Chromatic callier effect and its repercussions on the digitization of early film colors

Author(s): Trumpy, Giorgio; Flückiger, Barbara
Published in: The Journal of Imaging Science and Technology, Issue 6, 2019, Page(s) 010506-1-010506-11, ISSN 1943-3522
DOI: 10.5167/uzh-168857

Torn between Chromophobia and Colour Mania: Developments of Early Technicolor

Author(s): Flückiger, Barbara
Published in: Colour Turn, Issue 1/1, 2019, Page(s) VI 1-VI 35., ISSN 0000-0000
DOI: 10.5167/uzh-153533

Hallucinating colours – psychedelic film, technology, aesthetics and affect


Published in: ISSN 2035-5270
DOI: 10.5167/uzh-183380

VIAN: A Visual Annotation Tool for Film Analysis

Author(s): Gaudenz Halter, Rafael Ballester‐Ripoll, Barbara Flueckiger, Renato Pajarola
Published in: Computer Graphics Forum, Issue 38/3, 2019, Page(s) 119-129, ISSN 0167-7055
DOI: 10.1111/cgf.13676

Digitale Medien und Methoden. Historiographische Analyse von Technologiediskursen

Author(s): Josephine Diecke, Noemi Daugaard
Published in: Zeitschrift für Medienwissenschaft, 2020, ISSN 2296-4126

Farbe und Ausdrucksbewegung. Jacques Demys Musicals Les Parapluies de Cherbourg und Les Demoiselles de Rochefort

Author(s): Barbara Flückiger
Published in: Film-Konzepte, Issue 56, 2020, Page(s) 31-42, ISSN 1861-9622
DOI: 10.5167/uzh-185544

Building a crowdsourcing platform for the analysis of film color

Author(s): Flückiger, Barbara; Halter, Gaudenz
Published in: The Moving Image, Issue 18(1), 2018, Page(s) 80-83, ISSN 1542-4235
DOI: 10.5167/uzh-169281

Digitalisierung des Filmerbes


Published in: ISSN 0942-4954
DOI: 10.5167/uzh-159753

La Ligue du Noir et Blanc. French Debates on Natural Colour Film and Art Cinema 1926-1927

Author(s): Bregt Lameris
Published in: The Colour Fantastic, 2018, Page(s) 219–235
DOI: 10.5167/uzh-151680

Color and Subjectivity in Film

Author(s): Barbara Flueckiger
Published in: Subjectivity across Media. Interdisciplinary and Transmedial Perspectives., 2016, Page(s) 145–161
DOI: 10.5167/uzh-126903

Der (Farb-)Stoff, aus dem die Träume sind. Wechselspiele des Materials zwischen Fotografie-, Film- und Modeindustrie

Author(s): Stutz, Olivia Kristina
Published in: Color Mania: Materialität Farbe in Fotografie und Film, 2020, Page(s) 121-131
DOI: 10.5167/uzh-183232

Preface

Author(s): Flückiger, Barbara; Hielscher, Eva; Wietlisbach, Nadine
Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 5-7
DOI: 10.5167/uzh-183171

Light and shadow. Aesthetics in the chromogenic color film of the 1970s

Author(s): Kost, Joelle
Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 165-178
DOI: 10.5167/uzh-183273

Images du monde visionnaire. The representation of hallucinogenic vision in various ranges of color

Author(s): Lameris, Bregt
Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 151-162.
DOI: 10.5167/uzh-183258

Images du monde visionnaire. Die Darstellung halluzinogener Wahrnehmung in unterschiedlichen Farbpaletten

Author(s): Lameris, Bregt
Published in: Color Mania. Materialität Farbe in Fotografie und Film, 2020, Page(s) 151-162
DOI: 10.5167/uzh-183254

Licht und Schatten. Ästhetik im chromogenen Farbfilm der 1970er-Jahre

Author(s): Kost, Joelle
Published in: Color Mania: Materialität Farbe in Fotografie und Film, 2020, Page(s) 165-178
DOI: 10.5167/uzh-183265

Die Standardisierung von Filmfarben in den 1940er-Jahren. Technicolor No. IV und Agfacolor

Author(s): Beutler, Michelle
Published in: Color Mania: Materialität Farbe in Fotografie und Film, 2020, Page(s) 197-209
DOI: 10.5167/uzh-183283

Standardizing color film. Technicolor no. IV and Agfacolor during the 1940s

Author(s): Beutler, Michelle
Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 197–209
DOI: 10.5167/uzh-183284

Introduction: Color mania. The material of color in photography and film. Exhibition and publication

Author(s): Hielscher, Eva; Wietlisbach, Nadine
Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 9–14
DOI: 10.5167/uzh-183184

Such (dye-)stuff as dreams are made on. Material interactions between the photography, film, and fashion industries

Author(s): Stutz, Olivia Kristina
Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 121-131
DOI: 10.5167/uzh-183242

Obsessions between Orient and Occident. On the construction and imagination of «exotic» worlds in silent film

Author(s): Echle, Evelyn
Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 101-112
DOI: 10.5167/uzh-183200

Einleitung: Color Mania. Materialität Farbe in Fotografie und Film. Zur Ausstellung und Publikation

Author(s): Hielscher, Eva; Wietlisbach, Nadine
Published in: Color Mania: Materialität Farbe in Fotografie und Film, 2020, Page(s) 9-14
DOI: 10.5167/uzh-183173

Filmfarben. Materialität, Technik, Ästhetik

Author(s): Flückiger, Barbara
Published in: Color Mania: Materialität Farbe in Fotografie und Film, 2020, Page(s) 17-49
DOI: 10.5167/uzh-183191

Cinematic worlds in color – technology, aesthetics, analysis

Author(s): Flückiger, Barbara
Published in: Film Techniques and Technology. Illusion, Reality, Virtuality, Innovation, 2019, Page(s) 11-39
DOI: 10.5167/uzh-173836

Vorwort

Author(s): Flückiger, Barbara; Hielscher, Eva; Wietlisbach, Nadine
Published in: Color Mania: Materialität Farbe in Fotografie und Film, 2020, Page(s) 5-7
DOI: 10.5167/uzh-183147

Obsessionen zwischen Orient und Okzident. Zur Konstruktion und Imagination «exotischer» Welten im Stummfilm

Author(s): Echle, Evelyn
Published in: Materialität Farbe in Fotografie und Film, 2020, Page(s) 101-112
DOI: 10.5167/uzh-183197

Technicolor

Author(s): Barbara Flückiger
Published in: Von den Anfängen des Films bis zum Ende des Zweiten Weltkrieges. Der internationale Film von 1895 bis 1945. Filmgeschichte, Band 1, 2020

Interview: Analoge Farben zu digitalisieren, ist sehr komplex – David Pfluger, Giorgio Trumpy und Martin Weiss im Gespräch mit Simon Spiegel.

Author(s): Simon Spiegel
Published in: Color Mania: Materialität Farbe in Fotografie und Film., 2020, Page(s) 223-227
DOI: 10.5167/uzh-180460

Film colors. Materiality, technology, aesthetics

Author(s): Flückiger, Barbara
Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 17–49
DOI: 10.5167/uzh-183193

Filmfarben

Author(s): Barbara Flückiger
Published in: Handbuch Filmtheorie, 2019, Page(s) 1-21
DOI: 10.1007/978-3-658-13352-8_3-1

Interview: The digitization of analogue colors is extremely complex – David Pfluger, Giorgio Trumpy, and Martin Weiss in conversation with Simon Spiegel

Author(s): Simon Spiegel
Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 223–227
DOI: 10.5167/uzh-180565

Den gyldne drøm

Author(s): Olivia Kristina Stutz
Published in: Le giornate del cinema muto 37, 2018, Page(s) 191–192
DOI: 10.5167/uzh-167756

The Rock Garden

Author(s): Noemi Daugaard, Olivia Kristina Stutz
Published in: Le giornate del cinema muto 37, 2018, Page(s) 198–199
DOI: 10.5167/uzh-167760

Von Wolkengeweben und atmenden Formen. Künstlerische Erforschung früher Filmfarben und alternative Filmgeschichten bei Alexandra Navratil

Author(s): Hielscher, Eva
Published in: Color Mania: Materialität Farbe in Fotografie und Film, Issue 3, 2020, Page(s) 113-119
DOI: 10.5167/uzh-183206

Tales of cloud fabrics and breathing forms. Artistic research into early film colors and alternative film histories in the work of Alexandra Navratil

Author(s): Hielscher, Eva
Published in: Color Mania: The Material of Color in Photography and Film, 2020, Page(s) 113-119
DOI: 10.5167/uzh-183214

Das Geheimnis der Marquise

Author(s): Olivia Kristina Stutz, Isabel Krek, Sebastian Köthe
Published in: Le giornate del cinema muto 37, 2018, Page(s) 190
DOI: 10.5167/uzh-167737

For Her, for Him. Advertising in the Silent Era.

Author(s): Noemi Daugaard, Olivia Kristina Stutz, Sebastian Köthe
Published in: Le giornate del cinema muto 37, 2018, Page(s) 183–186
DOI: 10.5167/uzh-167682

Film Material-Scanner Interaction

Author(s): Flueckiger, Barbara; Pfluger, David; Trumpy, Giorgio; Croci, Simone; Aydın, Tunç; Smolic, Aljoscha
Published in: 2018, Page(s) 88 pages
DOI: 10.5167/uzh-151114

Digital Tools for the Analysis of Film Colors

Author(s): Barbara Flueckiger
Published in: Film Colors. An Interdisciplinary Approach,, 2018
DOI: 10.5167/uzh-168367

Colorful Copyright Books by George Kleine at the Library of Congress.

Author(s): Barbara Flueckiger
Published in: 2018
DOI: 10.5167/uzh-168361

Die verlorenen Farben des frühen Films.

Author(s): Barbara Flueckiger
Published in: Filmbulletin, Issue 12, 2016, Page(s) 6–13, ISSN 0257-7852
DOI: 10.5167/uzh-126902

Die Farben des Films

Author(s): Flückiger, Barbara
Published in: NIKE-Bulletin, Issue 19/1, 2019, Page(s) 52-57, ISSN 1015-2474
DOI: 10.5167/uzh-169777

Farbe, Licht, Raum in Blade Runner 2049

Author(s): Flückiger, Barbara
Published in: Zeitschrift für Fantastikforschung, Issue 7(1), 2019, Page(s) 6–16, ISSN 2192-0885
DOI: 10.5167/uzh-174730

Dye purification: an image-processing technique for the digital restoration of chromogenic film

Author(s): Giorgio Trumpy, Barbara Flueckiger
Published in: 2018 Colour and Visual Computing Symposium (CVCS), Issue 1, 2018, Page(s) 1-5
DOI: 10.1109/CVCS.2018.8496726

Color mania : the material of color in photography and film

Author(s): Barbara Flückiger, Eva Hielscher, Nadine Wietlisbach
Published in: 2020

Color Mania: Materialität Farbe in Fotografie und Film

Author(s): Barbara Flückiger, Eva Hielscher, Nadine Wietlisbach
Published in: 2020