Objective
Rome, centre of the Catholic Church and capital of the Papal States, strewn with churches and religious institutions, was also, in the 17th and 18th centuries, the scene of intense conflicts and rivalries between some twenty leading aristocratic families, highly adept at organising musical, theatrical and choreographic performances to display their political sympathies. The artistic life that animated the palaces and country villas of this elite has been far less studied than that of the papal court, the grand theatres or the principal churches of Rome. The PERFORMART project aims to enrich our understanding of the history of performing arts among the Roman nobility between 1644 and 1740 by exploiting the abundant documentation contained in the archives of eleven leading aristocratic families. The present proposal arises from the previous research of the principal investigator in the Orsini-Lante Archives. For the first time, PERFORMART will bring together specialised archivists and historians, all expert in different aspects of this micro-society, in a systematic collaboration between the history of the performing arts, choreographic studies, and art, music, social, and economic history. Via a relational database, this collaboration will bring to light original sources able to elucidate the social and artistic practices of Roman families, the motivations and conditions of patronage, the material framework of artistic productions, the status of the artist and his degree of dependence on his protectors, and, finally, the political, local and international impact of the involvement of these noble families on the artistic life of Rome.
Fields of science (EuroSciVoc)
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
- humanities history and archaeology history
- humanities other humanities library sciences
- humanities arts performing arts dramaturgy
- humanities philosophy, ethics and religion religions christianity
- humanities arts musicology
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Programme(s)
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
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H2020-EU.1.1. - EXCELLENT SCIENCE - European Research Council (ERC)
MAIN PROGRAMME
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Topic(s)
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Funding Scheme
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
ERC-COG - Consolidator Grant
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Call for proposal
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
(opens in new window) ERC-2015-CoG
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Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.
75794 PARIS
France
The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.