Objective
The human mind is capable of creativity and innovation unparalleled by any other species. At the same time, human beings elaborate and preserve complex and highly-stable traditions, transmitting them over very long time spans by means of the spoken word and through a variety of technologies, such as writing. How does human cognition give rise to such complex manifestations as oral poetic performance, and how are they affected by the introduction of writing? ORFORCREA investigates the cognitive basis of creativity in verbal art, examining its interplay with both oral tradition and literacy.
How can we approach as intricate a problem as verbal creativity with manageable, but at the same time ecologically valid and culturally situated data? While everyday human speech is extremely complex for analysis and has vast lexical and phraseological resources, the language material in oral traditions is typically organized in narrower terms, with idiomaticity enhanced because of poetic requirements, such as the constraints of the poetic line, rhyme patterns, plots, or themes, as well as form-meaning normativity (validity of a given expression within its poetic tradition). The cognitive study of phrasal and grammatical structures in oral poetic traditions is thus comparable to working in a ‘natural’ lab, where the linguistic material, selected throughout long diachronies and innumerable performances, ideally fits the purpose of examining the creative use of formulaic resources. Thus ORFORCREA targets the essential feature of oral poetic traditions, idiomaticity, seeking to produce insights about the formulaic nature of language in general
Fields of science (EuroSciVoc)
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
- humanities languages and literature linguistics
- natural sciences computer and information sciences databases
- humanities languages and literature literature studies literary theory literary criticism
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Programme(s)
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
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H2020-EU.1.3. - EXCELLENT SCIENCE - Marie Skłodowska-Curie Actions
MAIN PROGRAMME
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H2020-EU.1.3.2. - Nurturing excellence by means of cross-border and cross-sector mobility
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Topic(s)
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Funding Scheme
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
MSCA-IF-EF-ST - Standard EF
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Call for proposal
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
(opens in new window) H2020-MSCA-IF-2016
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Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.
31080 PAMPLONA
Spain
The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.