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An-Iconology: History, Theory, and Practices of Environmental Images

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Der Schnabel des Adlers und die Nase des Menschen. Können wir uns in einen Vogel einfühlen?

Author(s): Andrea Pinotti
Published in: Physiognomien des Lebens - Physiognomik im Spannungsverhältnis zwischen Biopolitik und Ästhetik, 2020, Page(s) 71-90
DOI: 10.1515/9783110665055-005

What Is It Like to Be a Hawk? Inter-specific Empathy in the Age of Immersive Virtual Environments

Author(s): Andrea Pinotti
Published in: Visual Engagements. Image Practices and Falconry, ed. by Yannis Hadjinicolaou, 2020, Page(s) pp. 30-47

IMAGES QUI SE NIENT ELLES-MÊMES Vers une an-iconologie

Author(s): Andrea Pinotti
Published in: Transformations de l'image. Les images et l'ethos de l'existence, Issue 2020, 2020

Dal fuori-cornice al fuori-schermo. La sfida degli ambienti immersive e l'an-icologia

Author(s): Andrea Pinotti
Published in: "I poteri degli schermi - Contributi italiani a un dibattito internazionale"", a cura di Mauro Carbone, Anna Caterina Dalmasso, Jacopo Bodini", Issue 48, 2020, Page(s) pp. 135 - 146


Author(s): Federica Cavaletti, Andrea Pinotti
Published in: Immersi nel futuro. La realtà virtuale, nuova frontiera del cinema e della TV, 2020, Page(s) pp. 141 - 146

Avatars: Shifting Identities in a Genealogical Perspective

Author(s): Andrea Pinotti
Published in: Shifting Interfaces An Anthology of Presence, Empathy, and Agency in 21st-Century Media Arts Edited by Hava Aldouby, Issue 2020, 2020

Towards an-iconology: the image as environment

Author(s): Andrea Pinotti
Published in: Screen, Issue 61/4, 2020, Page(s) 594-603, ISSN 0036-9543
DOI: 10.1093/screen/hjaa060

Virtual Reality and Augmented Reality: New Tools for Art and Politics

Author(s): Elisabetta Modena, Andrea Pinotti, Sofia Pirandello
Published in: Paradigmi. Rivista di critica filosofica, Issue 1/2021 (quarterly), 2021, Page(s) pp. 87-106, ISSN 1120-3404
DOI: 10.30460/100230