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Polychromy: the meaning of Colour in Roman African statues

CORDIS provides links to public deliverables and publications of HORIZON projects.

Links to deliverables and publications from FP7 projects, as well as links to some specific result types such as dataset and software, are dynamically retrieved from OpenAIRE .

Publications

Ancient Restoration in Roman Polychromy: Detecting Aesthetic Changes? (opens in new window)

Author(s): E. Neri, N. Nasr, D. Strivay
Published in: Heritage, Issue 25719408, 2022, Page(s) 829-848, ISSN 2571-9408
Publisher: MDPI
DOI: 10.3390/heritage5020045

Unveiling the paint stratigraphy and technique of Roman African polychrome statues (opens in new window)

Author(s): E. Neri, M. Alfeld, N. Nasr, L. de Viguerie, Ph. Walter
Published in: Archaeological and Anthropological Sciences, Issue 18669557, 2022, Page(s) 118, ISSN 1866-9557
Publisher: Springer Verlag
DOI: 10.1007/s12520-022-01586-3

Book review: ŞARE AĞTÜRK Tuna, The Painted Tetrarchic Reliefs of Nicomedia: Uncovering the Colourful Life of Diocletian’s Forgotten Capital (Studies in Classical Archaeology, 12), Turnhout, Brepols, 2021, 1 vol. 21 × 28, xx + 198 fig. coul.,

Author(s): E. Neri
Published in: Revue archéologique, Issue 2022, 2022, Page(s) 444-447, ISSN 0035-0737
Publisher: Presses Universitaires de France

Wax finishing in Roman polychrome statuary: Ganosis on the colossal head from Dougga (Tunisia) (opens in new window)

Author(s): E. Neri, C. Bouvier, L. de Viguerie, A. Brunelle, N. Nasr, F. Béjaoui, F. Baratte, P. Walter
Published in: Journal of Cultural Heritage, Issue 12962074, 2021, Page(s) 29-36, ISSN 1296-2074
Publisher: Elsevier Masson
DOI: 10.1016/j.culher.2021.06.013

Le naïskos découvert à Dougga

Author(s): M. Ghaki, Y. Maligorne, C. Damay, E. Neri
Published in: Chroniques d'archéologie maghrébine, Issue 3, 2022, Page(s) 148-155, ISSN 0000-0000
Publisher: Nirvana Editions

Les couleurs retrouvées sur les stèles puniques et romaines et sur les statues romaines de Dougga : un travail en cours

Author(s): E. Neri
Published in: Chroniques d'archéologie maghrébine, Issue 3, 2022, Page(s) 256-259, ISSN 0000-0000
Publisher: Nirvana Editions

Dessiner le regard. Remarques sur le traitement des yeux par les sculpteurs, les peintres et les mosaïstes dans l’art romain

Author(s): E. Neri, E. Morvillez
Published in: Pallas, Issue 12, 2021, ISSN 2272-7639
Publisher: Presses universitaires du Midi

Capitelli corinzieggianti e lesene da S. Aquilino: tipologia, colore e cronologia di alcuni elementi architettonici reimpiegati nel decoro tardoantico

Author(s): F. Sacchi, E. Neri
Published in: La cappella di Sant’Aquilino in San Lorenzo Maggiore a Milano. Storia e restauri (ed. A. Ranaldi), 2021, Page(s) 153-161, ISBN 9788836646531
Publisher: Silvana Editoriale

Les couleurs des portraits de la collection du Musée du Bardo

Author(s): E. Neri
Published in: Les sculptures romaines du Musée du Bardo, vol. 1, 2022, Page(s) 229-249 + 26 records within the corpus
Publisher: Ausonius

Polychroma. The meaning of colours in Roman and Early medieval sculptures

Author(s): E. Neri, D.Strivay
Published in: 2023
Publisher: Springer Nature

Un militaire en Diomède : l’Hadrien controversé de l’odéon de Carthage

Author(s): E. Neri, F. Baratte, F. Béjaoui
Published in: Actes des IIIes rencontres autour de la sculpture romaine (Arles, 8-9 novembre 2020), eds. V. Gaggadis-Robin, G. Briard, 2023
Publisher: Ausonius

Gilded Roman portraits from the Odeon at Carthage

Author(s): E. Neri, F. Baratte, F. Béjaoui
Published in: Color & Space. Interfaces of Ancient Architecture and Sculpture (eds. S. Zink, F. Grosser), 2023
Publisher: DAI

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