Project description
Social and technological history of the crank organ as a proto-digital musical instrument
The crank organ is often seen as outdated and a symbol of the past. However, it has a lot in common with later digital music. The EU-funded NCDM project aspires to reframe the crank organ and other mechanical instruments as proto-digital forms. To do so, it will study the organ’s social history as a window into working-class, poor and itinerant urban musical life, in addition to its technological history as a precursor to modern-day computer music. This work will provide a new perspective on the organ’s place in music history and new insight into the emergence of digital music.
Objective
This interdisciplinary research project proposes a reframing of the crank organ and other mechanical instruments as proto-digital forms, offering a new perspective on the organ’s place in music history and opening up a new understanding of the emergence of digital music in terms of a continuity, rather than as something radically new causing a rupture with the analogue past. Due to be added to UNESCO’s list of Intangible Heritage, the crank organ is often viewed as a signifier for oldness, outdatedness, or the past; a closer look reveals strong commonalities with later digital music. Going beyond the technical level, I will confront these forms of music-making as part of a socioeconomic infrastructure utilising human and natural resources. The crank organ is the concrete shadow of digital music’s more obviously material past, and reintroducing into that history a hand-powered, wooden machine that operates on similar binary principles to electronically reproduced MIDI music can help re-anchor contemporary digital artefacts to their material roots. A massive increase in the accessibility of useable music composition tools with the advent of digital audio technology has correlated with a global division of labour which obscures the physical production of the machines. In terms of sustainability, the rematerializing of chains of production and consumption is an important project at this time. I will explore the social history of the organ as a window onto working-class, poor and itinerant urban musical life, alongside the technological history that sees the programming of these organs as a precursor to modern-day computer music, and demonstrate the intersections of these ideas. This fellowship will be carried out in Utrecht University under the supervision of Prof. Maaike Bleeker, with Dr. Floris Schuiling as a second supervisor, incorporating a 6-month secondment in the Speelklok Museum under the supervision of curator Marieke Lefeber-Morsman.
Fields of science (EuroSciVoc)
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
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Keywords
Project’s keywords as indicated by the project coordinator. Not to be confused with the EuroSciVoc taxonomy (Fields of science)
Project’s keywords as indicated by the project coordinator. Not to be confused with the EuroSciVoc taxonomy (Fields of science)
Programme(s)
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
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H2020-EU.1.3. - EXCELLENT SCIENCE - Marie Skłodowska-Curie Actions
MAIN PROGRAMME
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H2020-EU.1.3.2. - Nurturing excellence by means of cross-border and cross-sector mobility
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Topic(s)
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Funding Scheme
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
MSCA-IF - Marie Skłodowska-Curie Individual Fellowships (IF)
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Call for proposal
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
(opens in new window) H2020-MSCA-IF-2019
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Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.
3584 CS Utrecht
Netherlands
The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.