Revolutionary Opéra-Comique in Scandinavia: Transfer and Repertoire

Project Information

RevolutionaryOpScan

Grant agreement ID: 897978

DOI

10.3030/897978

Project closed

EC signature date 24 February 2020

Start date 1 September 2020

End date 31 March 2024

Funded under

• EXCELLENT SCIENCE - Marie Skłodowska-Curie Actions

Total cost

€ 303 238,08

EU contribution

€ 303 238,08

Coordinated by

NORGES TEKNISK-NATURVITENSKAPELIGE UNIVERSITET NTNU
Norway

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Links to deliverables and publications from FP7 projects, as well as links to some specific result types such as dataset and software, are dynamically retrieved from OpenAIRE .

Publications

Peer reviewed articles (4)

Du Conservatoire au concours du Prix de Rome: l’influence de l’Italie sur l’enseignement musical en France au tournant des xviiie et xixe siècles

Author(s): Maxime Margollé
Published in: Studi francesi, 2023, ISSN 0039-2944
Publisher: Rosenberg & Sellier
DOI: 10.4000/studifrancesi.54857

Popular Opera in Eighteenth-Century France: Music and Entertainment before the Revolution David Charlton Cambridge: Cambridge University Press, 2021 pp. xxiv + 368, ISBN 978 1 316 51584 6

Author(s): Maxime Margollé
Published in: Eighteenth-Century Music, 2023, ISSN 1478-5706
Publisher: Cambridge University Press
DOI: 10.1017/s1478570623000118

Opéra-comique-repertoaret til det franske teaterkompaniet i Stockholm 1781-1792: kontekst, definisjoner og analyser

Author(s): Maxime Margollé
Published in: Musikk og Historie, Issue no. 5, 2022, 2022, Page(s) 48-59, ISSN 2535-7883
Publisher: Senter for Tidligmusikk

Le Cours de contrepoint et de fugue de Cherubini : histoire, enquête et redécouverte du manuscrit autographe

Author(s): Maxime Margollé
Published in: Revue de musicologie, 2023, ISSN 0035-1601
Publisher: Societe Francaise de Musicologie

Other (1)

Autograph Manuscript of Luigi Cherubini’s 'Cours de contrepoint et de fugue' Discovered

Author(s): Maxime Margollé
Published in: 2022
Publisher: RISM

Book chapters (4)

'Succès et réception de l’opéra-comique sous la Révolution et la Première République’

Author(s): Maxime Margollé
Published in: Histoire de l’opéra français, 2021, Page(s) 719-726
Publisher: Fayard

Introduction to English translation- - Luigi Cherubini, Cours de contrepoint et de fugue

Author(s): Maxime Margollé
Published in: Issue Luigi Cherubini, „Cours de contrepoint et de fugue”, 2022
Publisher: The Fryderyk Chopin Institute,
DOI: 10.56693/mt.2022.01.07

Financer l’Opéra-Comique à la fin du XVIIIe siècle, une mission impossible?

Author(s): Maxime Margollé
Published in: Financing Music in Europe from the 18th to the Early 20th Century, 2022
Publisher: Brepols

Monstres et monstruosité à l’opéra-comique pendant la Révolution’

Author(s): Maxime Margollé
Published in: Monstres en musique et autres monstruosités musicales, 2022, Page(s) 147-162
Publisher: Editions Delatour

Monographic books (1)

Luigi Cherubini Cours de contrepoint et de fugue, 1835. English translation-

Author(s): Maxime Margollé (Editor) & Rachelle Chiasson-Taylor & Frauke Jürgensen (Translators)
Published in: 2022
Publisher: NIFC -The Fryderyk Chopin Institute
DOI: 10.56693/mt.2022.01.07