Skip to main content
Aller à la page d’accueil de la Commission européenne (s’ouvre dans une nouvelle fenêtre)
français français
CORDIS - Résultats de la recherche de l’UE
CORDIS
Contenu archivé le 2024-05-14

Harmonised Access & Retrieval for Music-Oriented Networked Information

Objectif

While music has always been an integral component of the traditional library environment, it has not always received the attention it deserves, probably as a result of the complexity of the issues it involves. Difficulties in handling music have been compounded now that it has evolved from scores and printed literature to include recorded music and, more recently, the use of new media and networks for text, sound and images.

The main aim of the HARMONICA initiative is, thereore, to improve access through libraries to music collections of different types, while taking into account the needs of various groups of users in the evolving world of networked information and interactive multimedia.

Libraries, as a key part of the information world, must address all pertinent aspects of information technology. Yet in regard to music, they have perhaps not fully considered which strategies to use for optimal results in IT applications and services. Here, they have been faced with particularly difficult issues raning from copyright to cataloguing and, above all, the varying needs of users groups depending on whether they are professionals (e.g. orchestras and choral groups) or simply users of public library services whose main interest is often leisure or entertainment.

Many players are involved in the area of networked services for music. They include research centres, publishers and related market-oriented suppliers, networking interests, performance rights agencies and standards bodies. Key representatives of these sectors must be identified and possibilities for cooperation must be carefully examined as the need for collaboration in the music sector is far greater than in other areas.

Technical approach

The concerted action is being conducted in two phases. During the first phase which was completed at the begining of October 1997, three studies and a range of concertation activities were used for mapping out the current state of the art and defining priorities. The second phase (26 months) will concentrate on achieving consensus in the priority areas selected as a means of developing an infrastrucutre for further research and development

Task groups have been created to coordinate work on catalogues and collections, on user needs and interface requirements and on networks and digitisation. In addition, conferences and workshops will be held to obtain advice and feedback from other experts on the developments and ideas emerging from the concerted action and related activities

Key issues

The aim of the concerted action is to provide a solid strategic framework for networked access to music and related multimedia services including:
examination of state-of-the-art technology and practice for access to digital music and related multimedia services;
application of existing standards (e.g. ISMN and ISRC);
assessment of emerging standards issues for encoding sheet music (SMDL), digital music (including compression techniques), incorporating music in multimedia products (CD-ROM, etc.) and interfaces with commercial products and services;
exploring networking options (Internet, WWW, ISDN);
user-friendly interfaces (GUIs) for search and retrieval services, integrating related requirements such as the drafting, editing and printing of sheet music, copying/downloading of recorded music;
integrated services giving librarians and end-users access to digitised musical resources (text, sound, sheet music, multimedia, etc.);
cataloguing requirements and integration of music catalogues into OPACs, etc., given the difficulty of documenting items such as tracks in recorded music using the MARC format;
fostering consensus between music publishers, music libraries, rights holders, broadcasters, etc., for sheet music, sound and reference;
consideration of copyright issues and mechanisms for covering copyright fees (and related costs) in networked access.

Impact, users and expected results

Provision of a more robust framework for the development of networked music information services in libraries.

Champ scientifique (EuroSciVoc)

CORDIS classe les projets avec EuroSciVoc, une taxonomie multilingue des domaines scientifiques, grâce à un processus semi-automatique basé sur des techniques TLN. Voir: Le vocabulaire scientifique européen.

Vous devez vous identifier ou vous inscrire pour utiliser cette fonction

Programme(s)

Programmes de financement pluriannuels qui définissent les priorités de l’UE en matière de recherche et d’innovation.

Thème(s)

Les appels à propositions sont divisés en thèmes. Un thème définit un sujet ou un domaine spécifique dans le cadre duquel les candidats peuvent soumettre des propositions. La description d’un thème comprend sa portée spécifique et l’impact attendu du projet financé.

Appel à propositions

Procédure par laquelle les candidats sont invités à soumettre des propositions de projet en vue de bénéficier d’un financement de l’UE.

Données non disponibles

Régime de financement

Régime de financement (ou «type d’action») à l’intérieur d’un programme présentant des caractéristiques communes. Le régime de financement précise le champ d’application de ce qui est financé, le taux de remboursement, les critères d’évaluation spécifiques pour bénéficier du financement et les formes simplifiées de couverture des coûts, telles que les montants forfaitaires.

CON - Coordination of research actions

Coordinateur

SVB
Contribution de l’UE
Aucune donnée
Adresse
Molenpad 2
1016 GM Amsterdam
Pays-Bas

Voir sur la carte

Coût total

Les coûts totaux encourus par l’organisation concernée pour participer au projet, y compris les coûts directs et indirects. Ce montant est un sous-ensemble du budget global du projet.

Aucune donnée
Mon livret 0 0