Skip to main content
Go to the home page of the European Commission (opens in new window)
English en
CORDIS - EU research results
CORDIS

Performing Political Memory as Hip Hop Knowledge in Mozambican Rap

Project description

Mozambican history through the hip hop lens

Hip hop’s performed histories represent a challenge for the dominant Mozambican narrations of liberation. The EU-funded POME-RAPMOZ project will focus on rap performance of historical knowledge in three cities in Mozambique (Maputo, Beira and Chimoio) to examine public memory in the country. The project builds on previous research on the ‘counter-remembering’ of Maputo rappers considering non-textual aspects of memory like intertextualities audible in sampling. POME-RAPMOZ will use the theoretical tools of the postcolonial theory, community-engaged ethnographic research, and musical analysis. The research bridges global hip hop studies with political memory studies in southern Africa to examine how rappers and producers formed public memory through performed histories.

Objective

"The Performing Political Memory project will examine public memory in Mozambique, focusing on hip hop's performance of historical knowledge in three cities. The project will build on my previous research on the ""counter- remembering"" of Maputo rappers by widening my regional scope and paying attention to non-textual aspects of memory as intertextualities audible in sampling. Hip hop’s performed histories challenge the dominant narrations of the liberation memory, which political elites reproduce to justify their political and economic power. In my analysis, I use the theoretical tools of postcolonial theory, community-engaged ethnographic research as well as musical analysis. My research cuts across the rarely associated fields of global hip hop studies and political memory studies in southern Africa. The original concept, which bridges these two fields, is the ‘political ancestor’, which I developed in my PhD to understand Maputo rappers’ counter-narratives. Political ancestors are historical figures with a new political significance after their death who are often mobilised in contemporary struggles, including struggles about historical truth that inform present realities that shape how people envision alternative futures. In Maputo, I was able to follow performances by rappers from other provinces that differed in perceptions of the past both from the official and popular memory in Maputo (especially vis-à-vis heroism and dissidence). This observation sparked my interest in undertaking this research project wherein I examine different ways how rappers and producers shape public memory through performed histories in Maputo, Beira and Chimoio. My research takes place in collaboration with ERC-funded CIPHER global Hip Hop research center led by prof. Griffith Rollefson and comprised of world-leading academic, artistic, and community networks. Fellowship will greatly expand my career prospects while CIPHER will be enhanced with my expertise on Mozambican hip hop in its relation to southern African political histories."

Fields of science (EuroSciVoc)

Keywords

Programme(s)

Topic(s)

Funding Scheme

MSCA-IF - Marie Skłodowska-Curie Individual Fellowships (IF)

See all projects funded under this funding scheme

Call for proposal

(opens in new window) H2020-MSCA-IF-2020

See all projects funded under this call

Coordinator

UNIVERSITY COLLEGE CORK - NATIONAL UNIVERSITY OF IRELAND, CORK
Net EU contribution
€ 196 590,72
Address
WESTERN ROAD
T12 YN60 Cork
Ireland
Region
Ireland Southern South-West
Activity type
Higher or Secondary Education Establishments
Links
Total cost
€ 196 590,72