Project description
Playing the soundtrack of our history
How are music, people, places and events from the 17th century connected with our lives today? To highlight the evolution of European musical heritage in space and time, the EU-funded Polifonia project will develop tools to create a vast resource of computational knowledge from musical heritage sources. Themes covered include the transition of music genres across borders, the experiences of music in childhood, and the tracing of musical ideas through musicians’ encounters in history. Ten pilots - spanning topics such as historical bells and organ heritage, to classification of polyphonic notated music - will drive the development of the project's digital ecosystem through a continuous validation of technologies.
Objective
Polifonia implements a digital ecosystem for European Musical Heritage: music objects along with relevant related knowledge about their cultural and historical context, expressed in different languages and styles, and across centuries. The ecosystem will include methods, tools, guidelines, experiences, and creative designs, openly shared according to F.A.I.R. principles. The aim is to provoke a paradigm shift in musical heritage preservation, management, studying, interaction, and exploitation. Ten pilots, spanning from historical bells and organ heritage, classification of polyphonic notated music, to the historical role of music in children's lives, will drive the development of the ecosystem through continuous validation of its technologies. The Web, its standard formats and protocols are used as its reference architecture. Knowledge graphs are the enabling technology for integrating, representing, and interlinking music-related data with heterogeneous and distributed provenance. Dedicated research in Semantic Web, Data Science, Machine Learning, Language Technologies, and Human-Machine Interaction will enable discovery and automatic analysis of massive data, as well as their reuse for research, consumption and promotion. The project is conceived by an interdisciplinary team of passionate researchers and curators: computer scientists, anthropologists and ethnomusicologists, historians of music, linguists, musical heritage archivists, cataloguers and administrators, and creative professionals. They bring real-world use cases to define the ten pilots. The planned dissemination and exploitation actions allow the creation of a stakeholder network since the early stage of the project. Specific initiatives address societal and economic challenges: increased accessibility to musical heritage for people with disabilities; reproducible and sustainable creative designs for promoting musical heritage; increased engagement of young female students in STEM curricula.
Fields of science (EuroSciVoc)
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: https://op.europa.eu/en/web/eu-vocabularies/euroscivoc.
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: https://op.europa.eu/en/web/eu-vocabularies/euroscivoc.
- natural sciences computer and information sciences data science
- humanities history and archaeology history
- natural sciences computer and information sciences knowledge engineering
- natural sciences biological sciences ecology ecosystems
- natural sciences computer and information sciences internet semantic web
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Keywords
Project’s keywords as indicated by the project coordinator. Not to be confused with the EuroSciVoc taxonomy (Fields of science)
Project’s keywords as indicated by the project coordinator. Not to be confused with the EuroSciVoc taxonomy (Fields of science)
Programme(s)
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
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H2020-EU.3.6. - SOCIETAL CHALLENGES - Europe In A Changing World - Inclusive, Innovative And Reflective Societies
MAIN PROGRAMME
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H2020-EU.3.6.2.2. - Explore new forms of innovation, with special emphasis on social innovation and creativity and understanding how all forms of innovation are developed, succeed or fail
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H2020-EU.3.6.3.1. - Study European heritage, memory, identity, integration and cultural interaction and translation, including its representations in cultural and scientific collections, archives and museums, to better inform and understand the present by richer interpretations of the past
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Topic(s)
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Funding Scheme
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
RIA - Research and Innovation action
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Call for proposal
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
(opens in new window) H2020-SC6-TRANSFORMATIONS-2018-2019-2020
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Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.
40126 Bologna
Italy
The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.