Intelligent Instruments: Understanding 21st-Century AI Through Creative Music Technologies

Project Information

INTENT

Grant agreement ID: 101001848

DOI

10.3030/101001848

EC signature date 18 March 2021

Start date 1 September 2021

End date 31 August 2026

Funded under

• EXCELLENT SCIENCE - European Research Council (ERC)

Total cost

€ 1 999 460,00

EU contribution

€ 1 999 460,00

Coordinated by

HASKOLI ISLANDS
Iceland

CORDIS provides links to public deliverables and publications of HORIZON projects.

Links to deliverables and publications from FP7 projects, as well as links to some specific result types such as dataset and software, are dynamically retrieved from OpenAIRE .

Publications

Conference proceedings (32)

Tölvera: Composing With Basal Agencies.

Author(s): Jack Armitage; Victor Shepardson; Thor Magnusson
Published in: Proc. New Interfaces for Musical Expression 2024, Issue 2024, 2024
Publisher: NIME 2024 & HKU, Tivoli, Gaudeamus and Sounds Like Touch

Explainable AI in Music Performance: Case Studies from Live Coding and Sound Spatialisation

Author(s): Jack Armitage, Nicola Privato, Victor Shepardson, Celeste Betancur Gutierrez
Published in: NeurIPS 2023, the Thirty-seventh Annual Conference on Neural Information Processing Systems, 2023
Publisher: NeurIPS

The Magnetic Score: Somatosensory Inscriptions and Relational Design in the Instrument-Score

Author(s): Nicola Privato, Thor Magnusson and Einar Torfi Einarsson
Published in: 8th International Conference on Technologies for Music Notation and Representation, 2023
Publisher: Northeastern University

Studying Subtle and Detailed Digital Lutherie: Motivational Contexts and Technical Needs

Author(s): Jack Armitage, Thor Magnusson and Andrew McPherson
Published in: International Conference on New Interfaces for Musical Expression, 2023
Publisher: Biblioteca Vasconcelos and Centro de Cultura Digital

About TIME: Textile Interfaces for Musical Expression

Author(s): Sophie Skach; Victor Shepardson; Thor Magnusson
Published in: Proc. New Interfaces for Musical Expression 2024, Issue 2024, 2024
Publisher: NIME 2024 & HKU, Tivoli, Gaudeamus and Sounds Like Touch

Sounding Numbers: The Sonification Object as an Interface in “I am the Ocean”

Author(s): Miguel Crozzoli; Thor Magnusson
Published in: The 29th International Conference on Auditory Display (ICAD 2024), Issue 2024, 2024
Publisher: Georgia Tech

Autocoder: a Variational Autoencoder for Spectral Synthesis

Author(s): David Brynjar Franzson, Thor Magnusson, and Victor Shepardson
Published in: Proceedings of International Computer Music Conference, 2022
Publisher: University of Limerick

Sardine: a Modular Python Live Coding Environment

Author(s): Raphaël Maurice Forment & Jack Armitage
Published in: 7th International Conference on Live Coding, 2023
Publisher: ICLC

Exploring XAI for the Arts

Author(s): Nick Bryan-Kinns, Berker Banar, Corey Ford, Courtney N. Reed, Yixiao Zhang, Simon Colton, and Jack Armitage
Published in: st Workshop on eXplainable AI approaches for debugging and diagnosis at the NeurIPS conference., 2021
Publisher: NeurIPS conference

Ritualistic Approach to Sonic Interaction Design: A Poetic Framework for Participatory Sonification

Author(s): Robin Morabito, Jack Armitage, Thor Magnusson
Published in: Proceedings of 2022 International Conference on Auditory Display (ICAD), 2022
Publisher: Georgia Tech Library
DOI: 10.21785/icad2022.018

Bela-IREE: An Approach to Embedded Machine Learning for Real-Time Music Interaction

Author(s): Ezra Pierce, Victor Shepardson, Jack Armitage, and Thor Magnusson
Published in: AIMC 2023 Proceedings, 2023
Publisher: University of Sussex

Artificial Life in Integrated Interactive Sonification and Visualisation: Initial Experiments with a Python-Based Workflow

Author(s): Jack Armitage; Miguel Crozzoli; Daniel Jones
Published in: ICAD: Proc. International Conference on Auditory Display, Issue 2024, 2024
Publisher: Georgia Tech

A Context-Sensitive Approach to XAI in Music Performance

Author(s): Nicola Privato, Jack Armitage
Published in: The 1st International Workshop on Explainable AI for the Arts (XAIxArts),, Issue ACM Creativity and Cognition (CC), 2023
Publisher: Association for Computing Machinery.
DOI: 10.48550/arxiv.2309.04491

Commingling Artificial Life and Interactive Machine Learning in DiffractiveArtistic Research Practice

Author(s): Jack Armitage; Victor Shepardson; Miguel Crozzoli; Thor Magnusson
Published in: The Proceedings of The 2024 Conference on Artificial Life Conference, Issue 2024, 2024
Publisher: MIT Press

The Living Looper: Rethinking the Musical Loop as a Machine Action-Perception Loop

Author(s): Victor Shepardson and Thor Magnusson
Published in: Proceedings of the International Conference on New Interfaces for Musical Expression, 2023
Publisher: Biblioteca Vasconcelos and Centro de Cultura Digital

Querying the Ghost: AI Hauntography in NIME

Author(s): Nicola Privato; Thor Magnusson
Published in: Proc. New Interfaces for Musical Expression 2024, Issue 2024, 2024
Publisher: NIME 2024 & HKU, Tivoli, Gaudeamus and Sounds Like Touch

A Scale-Based Ontology of Digital Musical Instrument Design

Author(s): Jack Armitage, Thor Magnusson and Andrew McPherson
Published in: Proceedings of the International Conference on New Interfaces for Musical Expression, 2023
Publisher: Biblioteca Vasconcelos and Centro de Cultura Digital

Pop Live Coding Encounters: Reflections on Practice

Author(s): Sarah Davis; Jack Armitage; Gus Lobban
Published in: Proceedings of the International Conference on Live Coding, Issue 2024, 2024
Publisher: NYU Shanghai
DOI: 10.5281/zenodo.11350025

Real-Time Musical Collaboration With a Probabilistic Model

Author(s): Karl Johannsson, Victor Shepardson, Enrique Hurtado, Thor Magnusson, Hannes Högni Vilhjálmsson
Published in: 2024 International Conference on Content-Based Multimedia Indexing (CBMI), 2025, Page(s) 1-4
Publisher: IEEE
DOI: 10.1109/cbmi62980.2024.10858876

Agential Scores: Exploring Emergent, Self-Organising and Entangled Music Notation

Author(s): Jack Armitage and Thor Magnusson
Published in: 8th International Conference on Technologies for Music Notation and Representation, 2023
Publisher: Northeastern University

Reflexions upon Feedback: A Study of Feedback Musicianship Terminology

Author(s): Thor Magnusson, Chris Kiefer, and Halldor Ulfarsson
Published in: Proceedings of 2022 New Interfaces for Musical Expression (NIME) Conference, 2022
Publisher: The University of Auckland
DOI: 10.21428/92fbeb44.aa7de712

The A in AIMC

Author(s): Thor Magnusson
Published in: AIMC 2023 Proceedings, Issue August 29, 2023, 2023
Publisher: University of Sussex

Ergodynamics of String Feedback: Control interface design for the halldorophone

Author(s): Halldor Ulfarsson, Thor Magnusson and Orfeas Moraitis
Published in: Proceedingx of the International Conference on New Interfaces for Musical Expression, 2023
Publisher: Biblioteca Vasconcelos and Centro de Cultura Digital

Design Process in Visual Programming: Methods for Visual and Temporal Analysis

Author(s): Jack Armitage, Thor Magnusson and Andrew McPherson
Published in: Proceedings of the Sound and Music Computing Conference, 2023
Publisher: KMH Royal College of Music

Sonifying the Arctic: A Generative Sound Installation Employing Ecoacoustic Data Sonification

Author(s): Miguel Angel Crozzoli; Thor Magnusson
Published in: Proceedings of the Ubiquitous Music Symposium 2024, 2024, ISBN 978-65-01-18540-8
Publisher: University of Saint Joseph

Stacco:Exploring the Embodied Perception of Latent Representations in Neural Synthesis

Author(s): Nicola Privato; Victor Shepardson; Giacomo Lepri; Thor Magnusson
Published in: Proc. New Interfaces for Musical Expression 2024, Issue 2024, 2024
Publisher: NIME 2024 & HKU, Tivoli, Gaudeamus and Sounds Like Touch

Embodied Sketching for Neural Synthesis

Author(s): Giacomo Lepri, Nicola Privato, Thor Magnusson
Published in: Audio Mostly 2024 - Explorations in Sonic Cultures, Issue 2024, 2025, Page(s) 549-551
Publisher: ACM
DOI: 10.1145/3678299.3678358

Magnetic Interactions as a Somatosensory Interface

Author(s): Nicola Privato, Thor Magnusson and Einar Torfi Einarsson
Published in: Proceedings of the International Conference on New Interfaces for Musical Expression, 2023
Publisher: Biblioteca Vasconcelos and Centro de Cultura Digital

The Proto-Langspil: Launching an Icelandic NIME Research Lab with the Help of a Marginalised Instrument

Author(s): Jack Armitage, Thor Magnusson, Victor Shepardson, and Halldor Ulfarsson
Published in: Proceedings of the International Conference on New Interfaces for Musical Expression, 2022
Publisher: The University of Auckland
DOI: 10.21428/92fbeb44.6178f575

AI Hauntology and the Hauntographic Method

Author(s): Nicola Privato; Thor Magnusson
Published in: xCoAx 2024, Issue 12, 2024, Page(s) 175-189
Publisher: xCoAx conference

Sculpting Algorithmic Pattern: Informal and Visuospatial Interaction in Musical Instrument Design

Author(s): Jack Armitage, Thor Magnusson and Andrew McPherson
Published in: Proceedings of the Sound and Music Computing Conference, 2023
Publisher: KMH Royal College of Music

Augmenting the Expressivity of the Notochord Generative MIDI Model for Arca’s “The Light Comes in the Name of the Voice” Magnetic Resonator Piano Installation

Author(s): Jack Armitage; Victor Shepardson
Published in: The International Conference on AI and Musical Creativity, Issue 2024, 2024
Publisher: University of Oxford

Peer reviewed articles (1)

Editorial: Live Coding Sonic Creativities

Author(s): Anna Xambo, Gerard Roma and Thor Magnusson
Published in: Organised Sound, 2023, ISSN 1355-7718
Publisher: Cambridge University Press
DOI: 10.1017/s135577182300047x

Monographic books (1)

Live Coding: A User's Manual

Author(s): Alan F. Blackwell; Emma Cocker; Geoff Cox; Alex McLean; Thor Magnusson
Published in: Software Studies, 2022, ISBN 9780262544818
Publisher: MIT Press
DOI: 10.7551/mitpress/13770.001.0001