Intelligent Instruments: Understanding 21st-Century AI Through Creative Music Technologies

Informazioni relative al progetto

INTENT

ID dell’accordo di sovvenzione: 101001848

DOI

10.3030/101001848

Data della firma CE 18 Marzo 2021

Data di avvio 1 Settembre 2021

Data di completamento 31 Agosto 2026

Finanziato da

• EXCELLENT SCIENCE - European Research Council (ERC)

Costo totale

€ 1 999 460,00

Contributo UE

€ 1 999 460,00

Coordinato da

HASKOLI ISLANDS
Iceland

CORDIS fornisce collegamenti ai risultati finali pubblici e alle pubblicazioni dei progetti ORIZZONTE.

I link ai risultati e alle pubblicazioni dei progetti del 7° PQ, così come i link ad alcuni tipi di risultati specifici come dataset e software, sono recuperati dinamicamente da .OpenAIRE .

Pubblicazioni

Conference proceedings (32)

Tölvera: Composing With Basal Agencies.

Autori: Jack Armitage; Victor Shepardson; Thor Magnusson
Pubblicato in: Proc. New Interfaces for Musical Expression 2024, Numero 2024, 2024
Editore: NIME 2024 & HKU, Tivoli, Gaudeamus and Sounds Like Touch

Explainable AI in Music Performance: Case Studies from Live Coding and Sound Spatialisation

Autori: Jack Armitage, Nicola Privato, Victor Shepardson, Celeste Betancur Gutierrez
Pubblicato in: NeurIPS 2023, the Thirty-seventh Annual Conference on Neural Information Processing Systems, 2023
Editore: NeurIPS

The Magnetic Score: Somatosensory Inscriptions and Relational Design in the Instrument-Score

Autori: Nicola Privato, Thor Magnusson and Einar Torfi Einarsson
Pubblicato in: 8th International Conference on Technologies for Music Notation and Representation, 2023
Editore: Northeastern University

Studying Subtle and Detailed Digital Lutherie: Motivational Contexts and Technical Needs

Autori: Jack Armitage, Thor Magnusson and Andrew McPherson
Pubblicato in: International Conference on New Interfaces for Musical Expression, 2023
Editore: Biblioteca Vasconcelos and Centro de Cultura Digital

About TIME: Textile Interfaces for Musical Expression

Autori: Sophie Skach; Victor Shepardson; Thor Magnusson
Pubblicato in: Proc. New Interfaces for Musical Expression 2024, Numero 2024, 2024
Editore: NIME 2024 & HKU, Tivoli, Gaudeamus and Sounds Like Touch

Sounding Numbers: The Sonification Object as an Interface in “I am the Ocean”

Autori: Miguel Crozzoli; Thor Magnusson
Pubblicato in: The 29th International Conference on Auditory Display (ICAD 2024), Numero 2024, 2024
Editore: Georgia Tech

Autocoder: a Variational Autoencoder for Spectral Synthesis

Autori: David Brynjar Franzson, Thor Magnusson, and Victor Shepardson
Pubblicato in: Proceedings of International Computer Music Conference, 2022
Editore: University of Limerick

Sardine: a Modular Python Live Coding Environment

Autori: Raphaël Maurice Forment & Jack Armitage
Pubblicato in: 7th International Conference on Live Coding, 2023
Editore: ICLC

Exploring XAI for the Arts

Autori: Nick Bryan-Kinns, Berker Banar, Corey Ford, Courtney N. Reed, Yixiao Zhang, Simon Colton, and Jack Armitage
Pubblicato in: st Workshop on eXplainable AI approaches for debugging and diagnosis at the NeurIPS conference., 2021
Editore: NeurIPS conference

Ritualistic Approach to Sonic Interaction Design: A Poetic Framework for Participatory Sonification

Autori: Robin Morabito, Jack Armitage, Thor Magnusson
Pubblicato in: Proceedings of 2022 International Conference on Auditory Display (ICAD), 2022
Editore: Georgia Tech Library
DOI: 10.21785/icad2022.018

Bela-IREE: An Approach to Embedded Machine Learning for Real-Time Music Interaction

Autori: Ezra Pierce, Victor Shepardson, Jack Armitage, and Thor Magnusson
Pubblicato in: AIMC 2023 Proceedings, 2023
Editore: University of Sussex

Artificial Life in Integrated Interactive Sonification and Visualisation: Initial Experiments with a Python-Based Workflow

Autori: Jack Armitage; Miguel Crozzoli; Daniel Jones
Pubblicato in: ICAD: Proc. International Conference on Auditory Display, Numero 2024, 2024
Editore: Georgia Tech

A Context-Sensitive Approach to XAI in Music Performance

Autori: Nicola Privato, Jack Armitage
Pubblicato in: The 1st International Workshop on Explainable AI for the Arts (XAIxArts),, Numero ACM Creativity and Cognition (CC), 2023
Editore: Association for Computing Machinery.
DOI: 10.48550/arxiv.2309.04491

Commingling Artificial Life and Interactive Machine Learning in DiffractiveArtistic Research Practice

Autori: Jack Armitage; Victor Shepardson; Miguel Crozzoli; Thor Magnusson
Pubblicato in: The Proceedings of The 2024 Conference on Artificial Life Conference, Numero 2024, 2024
Editore: MIT Press

The Living Looper: Rethinking the Musical Loop as a Machine Action-Perception Loop

Autori: Victor Shepardson and Thor Magnusson
Pubblicato in: Proceedings of the International Conference on New Interfaces for Musical Expression, 2023
Editore: Biblioteca Vasconcelos and Centro de Cultura Digital

Querying the Ghost: AI Hauntography in NIME

Autori: Nicola Privato; Thor Magnusson
Pubblicato in: Proc. New Interfaces for Musical Expression 2024, Numero 2024, 2024
Editore: NIME 2024 & HKU, Tivoli, Gaudeamus and Sounds Like Touch

A Scale-Based Ontology of Digital Musical Instrument Design

Autori: Jack Armitage, Thor Magnusson and Andrew McPherson
Pubblicato in: Proceedings of the International Conference on New Interfaces for Musical Expression, 2023
Editore: Biblioteca Vasconcelos and Centro de Cultura Digital

Pop Live Coding Encounters: Reflections on Practice

Autori: Sarah Davis; Jack Armitage; Gus Lobban
Pubblicato in: Proceedings of the International Conference on Live Coding, Numero 2024, 2024
Editore: NYU Shanghai
DOI: 10.5281/zenodo.11350025

Real-Time Musical Collaboration With a Probabilistic Model

Autori: Karl Johannsson, Victor Shepardson, Enrique Hurtado, Thor Magnusson, Hannes Högni Vilhjálmsson
Pubblicato in: 2024 International Conference on Content-Based Multimedia Indexing (CBMI), 2025, Pagina/e 1-4
Editore: IEEE
DOI: 10.1109/cbmi62980.2024.10858876

Agential Scores: Exploring Emergent, Self-Organising and Entangled Music Notation

Autori: Jack Armitage and Thor Magnusson
Pubblicato in: 8th International Conference on Technologies for Music Notation and Representation, 2023
Editore: Northeastern University

Reflexions upon Feedback: A Study of Feedback Musicianship Terminology

Autori: Thor Magnusson, Chris Kiefer, and Halldor Ulfarsson
Pubblicato in: Proceedings of 2022 New Interfaces for Musical Expression (NIME) Conference, 2022
Editore: The University of Auckland
DOI: 10.21428/92fbeb44.aa7de712

The A in AIMC

Autori: Thor Magnusson
Pubblicato in: AIMC 2023 Proceedings, Numero August 29, 2023, 2023
Editore: University of Sussex

Ergodynamics of String Feedback: Control interface design for the halldorophone

Autori: Halldor Ulfarsson, Thor Magnusson and Orfeas Moraitis
Pubblicato in: Proceedingx of the International Conference on New Interfaces for Musical Expression, 2023
Editore: Biblioteca Vasconcelos and Centro de Cultura Digital

Design Process in Visual Programming: Methods for Visual and Temporal Analysis

Autori: Jack Armitage, Thor Magnusson and Andrew McPherson
Pubblicato in: Proceedings of the Sound and Music Computing Conference, 2023
Editore: KMH Royal College of Music

Sonifying the Arctic: A Generative Sound Installation Employing Ecoacoustic Data Sonification

Autori: Miguel Angel Crozzoli; Thor Magnusson
Pubblicato in: Proceedings of the Ubiquitous Music Symposium 2024, 2024, ISBN 978-65-01-18540-8
Editore: University of Saint Joseph

Stacco:Exploring the Embodied Perception of Latent Representations in Neural Synthesis

Autori: Nicola Privato; Victor Shepardson; Giacomo Lepri; Thor Magnusson
Pubblicato in: Proc. New Interfaces for Musical Expression 2024, Numero 2024, 2024
Editore: NIME 2024 & HKU, Tivoli, Gaudeamus and Sounds Like Touch

Embodied Sketching for Neural Synthesis

Autori: Giacomo Lepri, Nicola Privato, Thor Magnusson
Pubblicato in: Audio Mostly 2024 - Explorations in Sonic Cultures, Numero 2024, 2025, Pagina/e 549-551
Editore: ACM
DOI: 10.1145/3678299.3678358

Magnetic Interactions as a Somatosensory Interface

Autori: Nicola Privato, Thor Magnusson and Einar Torfi Einarsson
Pubblicato in: Proceedings of the International Conference on New Interfaces for Musical Expression, 2023
Editore: Biblioteca Vasconcelos and Centro de Cultura Digital

The Proto-Langspil: Launching an Icelandic NIME Research Lab with the Help of a Marginalised Instrument

Autori: Jack Armitage, Thor Magnusson, Victor Shepardson, and Halldor Ulfarsson
Pubblicato in: Proceedings of the International Conference on New Interfaces for Musical Expression, 2022
Editore: The University of Auckland
DOI: 10.21428/92fbeb44.6178f575

AI Hauntology and the Hauntographic Method

Autori: Nicola Privato; Thor Magnusson
Pubblicato in: xCoAx 2024, Numero 12, 2024, Pagina/e 175-189
Editore: xCoAx conference

Sculpting Algorithmic Pattern: Informal and Visuospatial Interaction in Musical Instrument Design

Autori: Jack Armitage, Thor Magnusson and Andrew McPherson
Pubblicato in: Proceedings of the Sound and Music Computing Conference, 2023
Editore: KMH Royal College of Music

Augmenting the Expressivity of the Notochord Generative MIDI Model for Arca’s “The Light Comes in the Name of the Voice” Magnetic Resonator Piano Installation

Autori: Jack Armitage; Victor Shepardson
Pubblicato in: The International Conference on AI and Musical Creativity, Numero 2024, 2024
Editore: University of Oxford

Peer reviewed articles (1)

Editorial: Live Coding Sonic Creativities

Autori: Anna Xambo, Gerard Roma and Thor Magnusson
Pubblicato in: Organised Sound, 2023, ISSN 1355-7718
Editore: Cambridge University Press
DOI: 10.1017/s135577182300047x

Monographic books (1)

Live Coding: A User's Manual

Autori: Alan F. Blackwell; Emma Cocker; Geoff Cox; Alex McLean; Thor Magnusson
Pubblicato in: Software Studies, 2022, ISBN 9780262544818
Editore: MIT Press
DOI: 10.7551/mitpress/13770.001.0001