Project description
A close look at artists protesting racial segregation
To protest an issue, artists and musicians often stage cultural boycotts – from the Palestinian-led BDS (boycott, divestment, sanctions) movement to the #BlackLivesMatter, and fossil fuel divestment campaigns. The confrontational nature of these movements has raised the question of how cultural exchange and political activism interact. The EU-funded Beyond Boycott project will investigate the issue from a historical perspective. The focus will be on the global cultural boycott of apartheid in South Africa between 1954 and 1991. The project will target the hidden histories of Western art music performers who challenged sanctions to perform in the country. It will map the extent of boycott breaking and investigate their contribution to a racial classification system.
Objective
"This project proposes to investigate the relationship between Western art music, cultural boycott, and the making of race in apartheid South Africa. In recent years people around the world have been encouraged to participate in political activism by the Palestinian Boycott, Divestment, and Sanctions (BDS) movement, #BlackLivesMatter, #MeToo, #RhodesMustFall, and numerous fossil fuel divestment campaigns. Artists and musicians, too, have contributed to these movements both as activists and through their work. But in a world where the arts are often celebrated for their capacity to promote peaceful dialogue, the confrontational nature of protest movements has prompted artists, scholars, and activists to ask, ‘How do cultural exchange and political activism intersect?’ ‘Beyond Boycott’ addresses this question from a historical perspective by turning to one of the most important precursors of current boycott movements: the global cultural boycott of apartheid South Africa (c.1954-1991). The proposed project develops a social and cultural history of the South African boycott, focusing especially on the hidden histories of Western art music performers—commonly described as ‘classical’ musicians—who defied sanctions to perform in the country. Through archival research, the project maps the extent of classical musicians’ breaking of the boycott, before asking how these performers interacted with the anti-apartheid movement, and how their appearances in South Africa contributed to a racial classification system that viewed culture as a marker of race. The main research objectives are to trace the extent of musical activity by international performers in defiance of the boycott, and to investigate the apartheid government's use of these performances to develop racial classifications and to advance political objectives. ‘Beyond Boycott’ fosters a new area of interdisciplinary research on the relationship between art music, race, and transnational politics."
Fields of science
Programme(s)
Funding Scheme
MSCA-IF - Marie Skłodowska-Curie Individual Fellowships (IF)Coordinator
WC1E 6BT London
United Kingdom