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The hysterical body between medical science and theatre (19th-20th century)

Project description

Exploring hysteria in the laboratory and on the stage

The spectacle of the human body, particularly in cases of hysteria, has long fascinated both medical practitioners and theatrical audiences. At the turn of the 19th and 20th centuries, this fascination reached its zenith, blurring the lines between scientific study and artistic interpretation. With the support of the Marie Skłodowska-Curie Actions programme, the HYSTHEAS project explores the portrayal of hysteria in medicine and theatre at the turn of the 19th and 20th centuries. It checks how artistic imaginaries shaped scientific inquiry into hysteria, and how hysterical symptoms influenced theatrical productions. Examining Italian case studies, particularly from the female asylum of San Clemente in Venice, the project compares archival sources with theatrical writings.

Objective

When and why does the exposure of the body become, in itself, spectacularised? HYSTHEAS investigates this question by looking at a specific case study: the body affected by hysteria – the most spectacular of neuroses – and its exposure in two contexts, medicine and theatre, at the turn of the 19th and 20th centuries. How do literary and artistic imaginaries influence the scientific study of hysteria? How do hysterical symptoms, identified in a medical context, influence theatrical productions? The project will examine a selection of Italian case studies. Specifically, I will consult the archive of the female asylum of San Clemente (Venice), focusing on the period from the 1870s to the 1930s.The archival sources will be compared with the theatrical writings on the body and gesture that arose in the same years. The starting point will be the little-studied repertoire of the Italian Grand Guignol, complemented with other scenes that attracted audiences through the spectacularity of the pathological body. The staged, posed body is what connects the exhibition of female bodies suffering from hysteria in the medical sphere with the same exhibition in the theatrical sphere. The pose in itself will be considered a form that straddles fiction and reality, art and life. The iconographic apparatus (photos of medical records, but also images for treatises and drawings for newspaper articles) and writings on the body from the two fields (medicine and theatre) will constitute the materials to be compared.
The project addresses areas of study – history of mental illness and theatre – that have rarely been compared in Italian studies. Above all, the project's impact and reflection on the performing arts is of primary importance. The contemporary performance scene is increasingly opening up to accommodate dramatic compositions written by/for “non-standardised bodies”. HYSTHEAS will shed new light on the body’s exposure in order to overcome the “disease–spectacularisation” nexus.

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HORIZON-TMA-MSCA-PF-EF - HORIZON TMA MSCA Postdoctoral Fellowships - European Fellowships

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Call for proposal

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(opens in new window) HORIZON-MSCA-2022-PF-01

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Coordinator

UNIVERSITA CA' FOSCARI VENEZIA
Net EU contribution

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€ 172 750,08
Address
DORSODURO 3246
30123 VENEZIA
Italy

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Region
Nord-Est Veneto Venezia
Activity type
Higher or Secondary Education Establishments
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Total cost

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