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The Filmmaker in Brazilian Indigenous Communities: the impacts of a new social and political position

Project description

Brazilian indigenous communities take centre stage

Filmmakers in Brazil’s indigenous communities transmit knowledge, document events and challenge stereotypes. Their work has become an integral part of the wider cinematographic culture. The EU-funded TFBIC project will explore the role of audiovisual techniques in establishing and strengthening the position of 'the filmmaker' within indigenous communities in Brazil. The project will collaborate with indigenous filmmakers and investigate three distinct communities in Brazil: the Kuikuro, the Maxakali and the Guajajara, each with its unique history and filmmaking traditions. The study will blend anthropology and film studies to achieve its objectives, with the aim of contributing to the ongoing struggle for land, life and environmental preservation.

Objective

This project combines approaches from anthropology and film studies to investigate how the systematic use of audiovisual equipment and techniques has contributed to the creation and consolidation of the position of ‘the filmmaker’ in Brazilian indigenous communities. Designed in collaboration with indigenous filmmakers, it will study three communities from different parts of Brazil, each with different histories and traditions of filmmaking - the Kuikuro, the Maxakali, and the Guajajara. In undertaking these studies, BFIC proposes an expanded and comparative analysis of the filmmaker's consolidation as a new social-political position that holds great prestige alongside traditional roles like the community leader, the health agent, the shaman, and the teacher. Around 90% of Brazilian indigenous communities now have their own filmmaker. They are responsible for transmitting technical audiovisual knowledge to younger generations; for cultural registration; and for disseminating information to mainstream media. However, it is also undeniable that indigenous production has gone beyond the limits of ‘ethnographic film’ and occupies a place in wider cinematographic culture. The filmmaker is therefore central to the exchange of symbolic production, and their work contributes to subverting and decolonising commonly held visual notions of what it is to be indigenous. The open access journal articles and collaborative short film produced by this project will explore the consolidation of the position of ‘filmmaker’ in detail for the first time. Alongside a range of dissemination activities targeted at academics and an interested general public, it will also hold audiovisual workshops in indigenous villages to directly strengthen ties between the Kuikuro, Maxakali and Guajajara communities. In doing so, BFIC will help to reinforce the struggle of indigenous peoples for the right to land, life and the preservation of the environment.

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Topic(s)

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HORIZON-TMA-MSCA-PF-EF - HORIZON TMA MSCA Postdoctoral Fellowships - European Fellowships

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Call for proposal

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(opens in new window) HORIZON-MSCA-2022-PF-01

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Coordinator

ECOLE DES HAUTES ETUDES EN SCIENCES SOCIALES
Net EU contribution

Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.

€ 195 914,88
Address
54 BD RASPAIL
75270 Paris
France

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Region
Ile-de-France Ile-de-France Paris
Activity type
Higher or Secondary Education Establishments
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Total cost

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