Sound and Materialism in the 19th Century

Operatic Fantasies in Early Nineteenth-Century Psychiatry

Autores: Carmel Raz
Publicado en: Nineteenth-Century Opera and the Scientific Imagination, 2019, Página(s) 63-83, ISBN 9781316275863
Editor: Cambridge University Press
DOI: 10.1017/9781316275863.004

Automata, Physiology and Opera in the Nineteenth Century

Autores: Myles W. Jackson
Publicado en: Nineteenth-Century Opera and the Scientific Imagination, 2019, Página(s) 269-286, ISBN 9781316275863
Editor: Cambridge University Press
DOI: 10.1017/9781316275863.013

The Oxford Handbook of Critical Concepts in Music Theory

Autores: David Trippett
Publicado en: Oxford Handbook of Critical Concepts in Music Theory, 2019, Página(s) 401-440, ISBN 9780190454746
Editor: Oxford University Press
DOI: 10.1093/oxfordhb/9780190454746.013.24

Wagner, Hearing Loss and the Urban Soundscape of Late Nineteenth-Century Germany

Autores: James Deaville
Publicado en: Nineteenth-Century Opera and the Scientific Imagination, 2019, Página(s) 155-172, ISBN 9781316275863
Editor: Cambridge University Press
DOI: 10.1017/9781316275863.008

Electronic Contingencies: Goeyvaerts' Sine Wave Music and the Ideal of Perfect Sound

Autores: Melle Jan Kromhout
Publicado en: Imperfections: Studies in Mistakes, Flaws and Failures, 2021
Editor: Bloomsbury

Human Sounds and the Obscenity of Information

Autores: David Trippett
Publicado en: Rethinking Music through Science and Technology Studies, 2021, ISBN 9780429268830
Editor: Routledge

Unsound Seeds

Autores: Alexander Rehding
Publicado en: Nineteenth-Century Opera and the Scientific Imagination, 2019, Página(s) 303-334, ISBN 9781316275863
Editor: Cambridge University Press
DOI: 10.1017/9781316275863.015

Wagnerian Manipulation - Bayreuth and Nineteenth-Century Sciences of the Mind

Autores: James Kennaway
Publicado en: Nineteenth-Century Opera and the Scientific Imagination, 2019, Página(s) 287-302, ISBN 9781316275863
Editor: Cambridge University Press
DOI: 10.1017/9781316275863.014

Science, Technology and Love in Late Eighteenth-Century Opera

Autores: Deirdre Loughridge
Publicado en: Nineteenth-Century Opera and the Scientific Imagination, 2019, Página(s) 175-198, ISBN 9781316275863
Editor: Cambridge University Press
DOI: 10.1017/9781316275863.009

Pneumotypes - Jean de Reszke’s High Pianissimos and the Occult Sciences of Breathing

Autores: James Q. Davies
Publicado en: Nineteenth-Century Opera and the Scientific Imagination, 2019, Página(s) 21-43, ISBN 9781316275863
Editor: Cambridge University Press
DOI: 10.1017/9781316275863.002

Opera and Hypnosis: Victor Maurel’s Experiments in Suggestion with Verdi’s Otello

Autores: Céline Frigau Manning
Publicado en: Nineteenth-Century Opera and the Scientific Imagination, 2019, Página(s) 84-106, ISBN 9781316275863
Editor: Cambridge University Press
DOI: 10.1017/9781316275863.005

Hearing in the Music of Hector Berlioz

Autores: Julia Kursell
Publicado en: Nineteenth-Century Opera and the Scientific Imagination, 2019, Página(s) 109-133, ISBN 9781316275863
Editor: Cambridge University Press
DOI: 10.1017/9781316275863.006

Vocal Culture in the Age of Laryngoscopy

Autores: Benjamin Steege
Publicado en: Nineteenth-Century Opera and the Scientific Imagination, 2019, Página(s) 44-62, ISBN 9781316275863
Editor: Cambridge University Press
DOI: 10.1017/9781316275863.003

Excelsior as Mass Ornament - The Reproduction of Gesture

Autores: Gavin Williams
Publicado en: Nineteenth-Century Opera and the Scientific Imagination, 2019, Página(s) 251-268, ISBN 9781316275863
Editor: Cambridge University Press
DOI: 10.1017/9781316275863.012

Circuit Listening

Autores: Ellen Lockhart
Publicado en: Nineteenth-Century Opera and the Scientific Imagination, 2019, Página(s) 227-248, ISBN 9781316275863
Editor: Cambridge University Press
DOI: 10.1017/9781316275863.011

Wagner’s Sublime Effects: Bells, Cannon and the Perception of Heavy Sound

Autores: David Trippett
Publicado en: Music and the Sonorous Sublime in European Culture, 1680–1880, 2020, Página(s) 245-72
Editor: Cambridge University Press
DOI: 10.1017/9781108761253.011

Digital voices: Posthumanism and the generation of empathy

Autores: David Trippett
Publicado en: The Cambridge Companion to Music in Digital Culture, Edición 9, 2019, Página(s) 227-248, ISBN 9781107161788
Editor: Cambridge University Press
DOI: 10.1017/9781316676639.023

From Distant Sounds to Aeolian Ears - Ernst Kapp’s Auditory Prosthesis

Autores: David Trippett
Publicado en: Nineteenth-Century Opera and the Scientific Imagination, 2019, Página(s) 134-154, ISBN 9781316275863
Editor: Cambridge University Press
DOI: 10.1017/9781316275863.007

"""The fullest fountain of advancing civilization”: experiencing Anthony Trollope’s House of Commons, 1852-1882"

Autores: Edward Gillin
Publicado en: Experiencing Architecture in the Nineteenth Century: buildings and society in the modern age, 2018, ISBN 9781350045941
Editor: Bloombury
DOI: 10.17863/cam.70778

'I Hear a New World.' Moon Metaphors and Media Music.'

Autores: Melle Jan Kromhout
Publicado en: Articulating Media: Genealogy, Interface, Situation, 2021
Editor: Open Humanities Press

Refaçonner l’oreille, prendre en main la voix: le comédien et le phonographe

Autores: Melissa van Drie
Publicado en: Le comédien et l’objet technique, 2019
Editor: Éditions Deuxième Époque

Acts of listening through: towards a history of multiple ears

Autores: Melissa Van Drie
Publicado en: Une Généalogie des grandes oreilles, 2019
Editor: Paris Les Presses du Reel

Technological Phantoms of the Opéra

Autores: Benjamin Walton
Publicado en: Nineteenth-Century Opera and the Scientific Imagination, 2019, Página(s) 199-226, ISBN 9781316275863
Editor: Cambridge University Press
DOI: 10.1017/9781316275863.010

The Politics of Musical Standardization in Nineteenth-Century France and Britain

Autores: Edward Gillin, Fanny Gribenski
Publicado en: Past & Present, Edición 251/1, 2021, Página(s) 153-187, ISSN 0031-2746
Editor: Oxford University Press
DOI: 10.1093/pastj/gtaa007

From Machine to Musical Instrument

Autores: Stephanie Probst
Publicado en: Journal of Musicology, Edición 38/3, 2021, Página(s) 329-363, ISSN 0277-9269
Editor: Imperial Printing Co.
DOI: 10.1525/jm.2021.38.3.329

The Unmusical Ear: Georg Simon Ohm and the Mathematical Analysis of Sound

Autores: Melle Jan Kromhout
Publicado en: Isis, Edición 111/3, 2020, Página(s) 471-492, ISSN 0021-1753
Editor: University of Chicago Press
DOI: 10.1086/710318

Seismology’s acoustic debt: Robert Mallet, Chladni’s figures, and the Victorian science of earthquakes

Autores: Edward J. Gillin
Publicado en: Sound Studies, Edición 6/1, 2020, Página(s) 65-82, ISSN 2055-1940
Editor: Taylor & Francis
DOI: 10.1080/20551940.2019.1678313

An Uncrossable Rubicon: Liszt’s Sardanapalo Revisited

Autores: David Trippett
Publicado en: Journal of the Royal Musical Association, Edición 143/2, 2018, Página(s) 361-432, ISSN 0269-0403
Editor: Oxford University Press
DOI: 10.1080/02690403.2018.1507120

Music and the Transhuman Ear: Ultrasonics, Material Bodies, and the Limits of Sensation

Autores: David Trippett
Publicado en: The Musical Quarterly, Edición 100/2, 2017, Página(s) 199-261, ISSN 0027-4631
Editor: G. Schirmer
DOI: 10.1093/musqtl/gdy001

Science on the Niger: Ventilation and Tropical Disease during the 1841 Niger Expedition

Autores: Edward J Gillin
Publicado en: Social History of Medicine, 2017, ISSN 0951-631X
Editor: Oxford University Press
DOI: 10.1093/shm/hkx073

The Parliament that Science Built: Credibility, Architecture, and Britain’s Palace of Westminster

Autores: Edward J. Gillin
Publicado en: Endeavour, 2018, ISSN 0160-9327
Editor: Elsevier BV
DOI: 10.1016/j.endeavour.2018.07.005

The stethoscope goes digital: Learning through attention, distraction and distortion

Autores: Melissa Van Drie, Anna Harris
Publicado en: Gesnerus, Edición 77/1, 2020, Página(s) 123-148, ISSN 0016-9161
Editor: Schwabe and Co. AG
DOI: 10.24894/gesn-en.2020.77005

Exercising Musical Minds: Phrenology and Music Pedagogy in London circa 1830

Autores: D. Trippett
Publicado en: 19th-Century Music, Edición 39/2, 2015, Página(s) 99-124, ISSN 0148-2076
Editor: University of California Press
DOI: 10.1525/ncm.2015.39.2.99

Mechanics and mathematicians: George Biddell Airy and the social tensions in constructing time at Parliament, 1845–1860

Autores: Edward J. Gillin
Publicado en: History of Science, 2019, Página(s) 007327531987927, ISSN 0073-2753
Editor: Science History Publications Ltd.
DOI: 10.1177/0073275319879279

Introduction: Ideas and Matter

Autores: David Trippett
Publicado en: 19th-Century Music, Edición 43/2, 2019, Página(s) 63-66, ISSN 0148-2076
Editor: University of California Press
DOI: 10.1525/ncm.2019.43.2.63

Sound as Hermeneutic, or Helmholtz and the Quest for Objective Perception

Autores: David Trippett
Publicado en: 19th-Century Music, Edición 43/2, 2019, Página(s) 99-120, ISSN 0148-2076
Editor: University of California Press
DOI: 10.1525/ncm.2019.43.2.99

“428 Millions of Quadrilles for 5s. 6d.”: John Clinton's Combinatorial Music Machine

Autores: Nikita Braguinski
Publicado en: 19th-Century Music, Edición 43/2, 2019, Página(s) 86-98, ISSN 0148-2076
Editor: University of California Press
DOI: 10.1525/ncm.2019.43.2.86

Tremoring transits: railways, the Royal Observatory and the capitalist challenge to Victorian astronomical science

Autores: EDWARD J. GILLIN
Publicado en: The British Journal for the History of Science, 2019, Página(s) 1-24, ISSN 0007-0874
Editor: Cambridge University Press
DOI: 10.1017/s0007087419000529

From Tone to Tune—Carl Stumpf and the Violin

Autores: Julia Kursell
Publicado en: 19th-Century Music, Edición 43/2, 2019, Página(s) 121-139, ISSN 0148-2076
Editor: University of California Press
DOI: 10.1525/ncm.2019.43.2.121

Music, Melancholia, and Mania: Gaetano Brunetti's Obsessional Symphony

Autores: Peter Pesic
Publicado en: 19th-Century Music, Edición 43/2, 2019, Página(s) 67-85, ISSN 0148-2076
Editor: University of California Press
DOI: 10.1525/ncm.2019.43.2.67

Hearing pastness and presence: the myth of perfect fidelity and the temporality of recorded sound

Autores: Melle Jan Kromhout
Publicado en: Sound Studies, Edición 6/1, 2020, Página(s) 29-44, ISSN 2055-1940
Editor: T and F
DOI: 10.1080/20551940.2020.1713524

“Music Appreciation Through Animation: Percy Scholes's ‘AudioGraphic’ Piano Rolls”

Autores: Stephanie Probst
Publicado en: Society for Music Theory: Videocast Journal, 2021, ISSN 2689-5471
Editor: Society for Music Theory
DOI: 10.30535/smtv.7.1

Pen, Paper, Steel

Autores: Stephanie Probst
Publicado en: Music Theory Online, Edición 26/4, 2020, ISSN 1067-3040
Editor: Society for Music Theory
DOI: 10.30535/mto.26.4.6

Sound Authorities: Scientific and Musical Knowledge in Nineteenth-Century Britain

Autores: Edward Gillin
Publicado en: 2021, ISBN 9780226787770
Editor: Chicago University Press
DOI: 10.17863/cam.77772

The Victorian Palace of Science - Scientific Knowledge and the Building of the Houses of Parliament

Autores: Edward J. Gillin
Publicado en: 2017, ISBN 9781-108303873
Editor: Cambridge University Press
DOI: 10.1017/9781108303873

Nineteenth-Century Opera and the Scientific Imagination

Autores: David Trippet and Benjamin Walton
Publicado en: 2019, Página(s) 134-54, ISBN 9781316275863
Editor: Camnbridge University Press
DOI: 10.1017/9781316275863

Noise Resonance: Technological Sound Reproduction and the Logic of Filtering

Autores: Melle Kromhout
Publicado en: Edición Non-periodic, 2017, Página(s) 1-276, ISBN 978-94-028-0524-6
Editor: Ipskamp Printing / Academisch Proefschrift

Acoustics of Empire: Sound Media, and Power in the Long Nineteenth Century

Autores: Peter McMurray, Priyasha Mukhopadhyay (eds)
Publicado en: 2022, ISBN 9780197553794
Editor: Oxford University Press

The Logic of Filtering. How Noise Shapes the Sound of Recorded Music

Autores: Melle Jan Kromhout
Publicado en: 2021
Editor: Oxford University Press

Sardanapalo, Act 1

Autores: Franz Liszt, David Trippett
Publicado en: New Liszt Edition, Series IX (Vocal works with orchestra or with several instruments) Vol.2., 2020, ISBN 9790080200179
Editor: Editio Musica Budapest (New Liszt Edition, Series IX)

Sardanapalo: Opera fragment in one act (performance edition)

Autores: Franz Liszt, David Trippett
Publicado en: 2020
Editor: Schott

Towards a Materialist History of Music: Histories of Sensation

Autores: David Trippett
Publicado en: Franklin Institute of Humanities, Duke University, Edición Non-periodic, 2017, Página(s) Online, no pages. 7,000wds
Editor: Duke University

The Voyager metaphor: 40 years on

Autores: David Trippett
Publicado en: Sound Studies, Edición 4/1, 2018, Página(s) 96-99, ISSN 2055-1940
Editor: Taylor & Francis Group
DOI: 10.1080/20551940.2018.1505016

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