Sound and Materialism in the 19th Century

Operatic Fantasies in Early Nineteenth-Century Psychiatry

Autorzy: Carmel Raz
Opublikowane w: Nineteenth-Century Opera and the Scientific Imagination, 2019, Strona(/y) 63-83, ISBN 9781316275863
Wydawca: Cambridge University Press
DOI: 10.1017/9781316275863.004

Automata, Physiology and Opera in the Nineteenth Century

Autorzy: Myles W. Jackson
Opublikowane w: Nineteenth-Century Opera and the Scientific Imagination, 2019, Strona(/y) 269-286, ISBN 9781316275863
Wydawca: Cambridge University Press
DOI: 10.1017/9781316275863.013

The Oxford Handbook of Critical Concepts in Music Theory

Autorzy: David Trippett
Opublikowane w: Oxford Handbook of Critical Concepts in Music Theory, 2019, Strona(/y) 401-440, ISBN 9780190454746
Wydawca: Oxford University Press
DOI: 10.1093/oxfordhb/9780190454746.013.24

Wagner, Hearing Loss and the Urban Soundscape of Late Nineteenth-Century Germany

Autorzy: James Deaville
Opublikowane w: Nineteenth-Century Opera and the Scientific Imagination, 2019, Strona(/y) 155-172, ISBN 9781316275863
Wydawca: Cambridge University Press
DOI: 10.1017/9781316275863.008

Electronic Contingencies: Goeyvaerts' Sine Wave Music and the Ideal of Perfect Sound

Autorzy: Melle Jan Kromhout
Opublikowane w: Imperfections: Studies in Mistakes, Flaws and Failures, 2021
Wydawca: Bloomsbury

Human Sounds and the Obscenity of Information

Autorzy: David Trippett
Opublikowane w: Rethinking Music through Science and Technology Studies, 2021, ISBN 9780429268830
Wydawca: Routledge

Unsound Seeds

Autorzy: Alexander Rehding
Opublikowane w: Nineteenth-Century Opera and the Scientific Imagination, 2019, Strona(/y) 303-334, ISBN 9781316275863
Wydawca: Cambridge University Press
DOI: 10.1017/9781316275863.015

Wagnerian Manipulation - Bayreuth and Nineteenth-Century Sciences of the Mind

Autorzy: James Kennaway
Opublikowane w: Nineteenth-Century Opera and the Scientific Imagination, 2019, Strona(/y) 287-302, ISBN 9781316275863
Wydawca: Cambridge University Press
DOI: 10.1017/9781316275863.014

Science, Technology and Love in Late Eighteenth-Century Opera

Autorzy: Deirdre Loughridge
Opublikowane w: Nineteenth-Century Opera and the Scientific Imagination, 2019, Strona(/y) 175-198, ISBN 9781316275863
Wydawca: Cambridge University Press
DOI: 10.1017/9781316275863.009

Pneumotypes - Jean de Reszke’s High Pianissimos and the Occult Sciences of Breathing

Autorzy: James Q. Davies
Opublikowane w: Nineteenth-Century Opera and the Scientific Imagination, 2019, Strona(/y) 21-43, ISBN 9781316275863
Wydawca: Cambridge University Press
DOI: 10.1017/9781316275863.002

Opera and Hypnosis: Victor Maurel’s Experiments in Suggestion with Verdi’s Otello

Autorzy: Céline Frigau Manning
Opublikowane w: Nineteenth-Century Opera and the Scientific Imagination, 2019, Strona(/y) 84-106, ISBN 9781316275863
Wydawca: Cambridge University Press
DOI: 10.1017/9781316275863.005

Hearing in the Music of Hector Berlioz

Autorzy: Julia Kursell
Opublikowane w: Nineteenth-Century Opera and the Scientific Imagination, 2019, Strona(/y) 109-133, ISBN 9781316275863
Wydawca: Cambridge University Press
DOI: 10.1017/9781316275863.006

Vocal Culture in the Age of Laryngoscopy

Autorzy: Benjamin Steege
Opublikowane w: Nineteenth-Century Opera and the Scientific Imagination, 2019, Strona(/y) 44-62, ISBN 9781316275863
Wydawca: Cambridge University Press
DOI: 10.1017/9781316275863.003

Excelsior as Mass Ornament - The Reproduction of Gesture

Autorzy: Gavin Williams
Opublikowane w: Nineteenth-Century Opera and the Scientific Imagination, 2019, Strona(/y) 251-268, ISBN 9781316275863
Wydawca: Cambridge University Press
DOI: 10.1017/9781316275863.012

Circuit Listening

Autorzy: Ellen Lockhart
Opublikowane w: Nineteenth-Century Opera and the Scientific Imagination, 2019, Strona(/y) 227-248, ISBN 9781316275863
Wydawca: Cambridge University Press
DOI: 10.1017/9781316275863.011

Wagner’s Sublime Effects: Bells, Cannon and the Perception of Heavy Sound

Autorzy: David Trippett
Opublikowane w: Music and the Sonorous Sublime in European Culture, 1680–1880, 2020, Strona(/y) 245-72
Wydawca: Cambridge University Press
DOI: 10.1017/9781108761253.011

Digital voices: Posthumanism and the generation of empathy

Autorzy: David Trippett
Opublikowane w: The Cambridge Companion to Music in Digital Culture, Numer 9, 2019, Strona(/y) 227-248, ISBN 9781107161788
Wydawca: Cambridge University Press
DOI: 10.1017/9781316676639.023

From Distant Sounds to Aeolian Ears - Ernst Kapp’s Auditory Prosthesis

Autorzy: David Trippett
Opublikowane w: Nineteenth-Century Opera and the Scientific Imagination, 2019, Strona(/y) 134-154, ISBN 9781316275863
Wydawca: Cambridge University Press
DOI: 10.1017/9781316275863.007

"""The fullest fountain of advancing civilization”: experiencing Anthony Trollope’s House of Commons, 1852-1882"

Autorzy: Edward Gillin
Opublikowane w: Experiencing Architecture in the Nineteenth Century: buildings and society in the modern age, 2018, ISBN 9781350045941
Wydawca: Bloombury
DOI: 10.17863/cam.70778

'I Hear a New World.' Moon Metaphors and Media Music.'

Autorzy: Melle Jan Kromhout
Opublikowane w: Articulating Media: Genealogy, Interface, Situation, 2021
Wydawca: Open Humanities Press

Refaçonner l’oreille, prendre en main la voix: le comédien et le phonographe

Autorzy: Melissa van Drie
Opublikowane w: Le comédien et l’objet technique, 2019
Wydawca: Éditions Deuxième Époque

Acts of listening through: towards a history of multiple ears

Autorzy: Melissa Van Drie
Opublikowane w: Une Généalogie des grandes oreilles, 2019
Wydawca: Paris Les Presses du Reel

Technological Phantoms of the Opéra

Autorzy: Benjamin Walton
Opublikowane w: Nineteenth-Century Opera and the Scientific Imagination, 2019, Strona(/y) 199-226, ISBN 9781316275863
Wydawca: Cambridge University Press
DOI: 10.1017/9781316275863.010

The Politics of Musical Standardization in Nineteenth-Century France and Britain

Autorzy: Edward Gillin, Fanny Gribenski
Opublikowane w: Past & Present, Numer 251/1, 2021, Strona(/y) 153-187, ISSN 0031-2746
Wydawca: Oxford University Press
DOI: 10.1093/pastj/gtaa007

From Machine to Musical Instrument

Autorzy: Stephanie Probst
Opublikowane w: Journal of Musicology, Numer 38/3, 2021, Strona(/y) 329-363, ISSN 0277-9269
Wydawca: Imperial Printing Co.
DOI: 10.1525/jm.2021.38.3.329

The Unmusical Ear: Georg Simon Ohm and the Mathematical Analysis of Sound

Autorzy: Melle Jan Kromhout
Opublikowane w: Isis, Numer 111/3, 2020, Strona(/y) 471-492, ISSN 0021-1753
Wydawca: University of Chicago Press
DOI: 10.1086/710318

Seismology’s acoustic debt: Robert Mallet, Chladni’s figures, and the Victorian science of earthquakes

Autorzy: Edward J. Gillin
Opublikowane w: Sound Studies, Numer 6/1, 2020, Strona(/y) 65-82, ISSN 2055-1940
Wydawca: Taylor & Francis
DOI: 10.1080/20551940.2019.1678313

An Uncrossable Rubicon: Liszt’s Sardanapalo Revisited

Autorzy: David Trippett
Opublikowane w: Journal of the Royal Musical Association, Numer 143/2, 2018, Strona(/y) 361-432, ISSN 0269-0403
Wydawca: Oxford University Press
DOI: 10.1080/02690403.2018.1507120

Music and the Transhuman Ear: Ultrasonics, Material Bodies, and the Limits of Sensation

Autorzy: David Trippett
Opublikowane w: The Musical Quarterly, Numer 100/2, 2017, Strona(/y) 199-261, ISSN 0027-4631
Wydawca: G. Schirmer
DOI: 10.1093/musqtl/gdy001

Science on the Niger: Ventilation and Tropical Disease during the 1841 Niger Expedition

Autorzy: Edward J Gillin
Opublikowane w: Social History of Medicine, 2017, ISSN 0951-631X
Wydawca: Oxford University Press
DOI: 10.1093/shm/hkx073

The Parliament that Science Built: Credibility, Architecture, and Britain’s Palace of Westminster

Autorzy: Edward J. Gillin
Opublikowane w: Endeavour, 2018, ISSN 0160-9327
Wydawca: Elsevier BV
DOI: 10.1016/j.endeavour.2018.07.005

The stethoscope goes digital: Learning through attention, distraction and distortion

Autorzy: Melissa Van Drie, Anna Harris
Opublikowane w: Gesnerus, Numer 77/1, 2020, Strona(/y) 123-148, ISSN 0016-9161
Wydawca: Schwabe and Co. AG
DOI: 10.24894/gesn-en.2020.77005

Exercising Musical Minds: Phrenology and Music Pedagogy in London circa 1830

Autorzy: D. Trippett
Opublikowane w: 19th-Century Music, Numer 39/2, 2015, Strona(/y) 99-124, ISSN 0148-2076
Wydawca: University of California Press
DOI: 10.1525/ncm.2015.39.2.99

Mechanics and mathematicians: George Biddell Airy and the social tensions in constructing time at Parliament, 1845–1860

Autorzy: Edward J. Gillin
Opublikowane w: History of Science, 2019, Strona(/y) 007327531987927, ISSN 0073-2753
Wydawca: Science History Publications Ltd.
DOI: 10.1177/0073275319879279

Introduction: Ideas and Matter

Autorzy: David Trippett
Opublikowane w: 19th-Century Music, Numer 43/2, 2019, Strona(/y) 63-66, ISSN 0148-2076
Wydawca: University of California Press
DOI: 10.1525/ncm.2019.43.2.63

Sound as Hermeneutic, or Helmholtz and the Quest for Objective Perception

Autorzy: David Trippett
Opublikowane w: 19th-Century Music, Numer 43/2, 2019, Strona(/y) 99-120, ISSN 0148-2076
Wydawca: University of California Press
DOI: 10.1525/ncm.2019.43.2.99

“428 Millions of Quadrilles for 5s. 6d.”: John Clinton's Combinatorial Music Machine

Autorzy: Nikita Braguinski
Opublikowane w: 19th-Century Music, Numer 43/2, 2019, Strona(/y) 86-98, ISSN 0148-2076
Wydawca: University of California Press
DOI: 10.1525/ncm.2019.43.2.86

Tremoring transits: railways, the Royal Observatory and the capitalist challenge to Victorian astronomical science

Autorzy: EDWARD J. GILLIN
Opublikowane w: The British Journal for the History of Science, 2019, Strona(/y) 1-24, ISSN 0007-0874
Wydawca: Cambridge University Press
DOI: 10.1017/s0007087419000529

From Tone to Tune—Carl Stumpf and the Violin

Autorzy: Julia Kursell
Opublikowane w: 19th-Century Music, Numer 43/2, 2019, Strona(/y) 121-139, ISSN 0148-2076
Wydawca: University of California Press
DOI: 10.1525/ncm.2019.43.2.121

Music, Melancholia, and Mania: Gaetano Brunetti's Obsessional Symphony

Autorzy: Peter Pesic
Opublikowane w: 19th-Century Music, Numer 43/2, 2019, Strona(/y) 67-85, ISSN 0148-2076
Wydawca: University of California Press
DOI: 10.1525/ncm.2019.43.2.67

Hearing pastness and presence: the myth of perfect fidelity and the temporality of recorded sound

Autorzy: Melle Jan Kromhout
Opublikowane w: Sound Studies, Numer 6/1, 2020, Strona(/y) 29-44, ISSN 2055-1940
Wydawca: T and F
DOI: 10.1080/20551940.2020.1713524

“Music Appreciation Through Animation: Percy Scholes's ‘AudioGraphic’ Piano Rolls”

Autorzy: Stephanie Probst
Opublikowane w: Society for Music Theory: Videocast Journal, 2021, ISSN 2689-5471
Wydawca: Society for Music Theory
DOI: 10.30535/smtv.7.1

Pen, Paper, Steel

Autorzy: Stephanie Probst
Opublikowane w: Music Theory Online, Numer 26/4, 2020, ISSN 1067-3040
Wydawca: Society for Music Theory
DOI: 10.30535/mto.26.4.6

Sound Authorities: Scientific and Musical Knowledge in Nineteenth-Century Britain

Autorzy: Edward Gillin
Opublikowane w: 2021, ISBN 9780226787770
Wydawca: Chicago University Press
DOI: 10.17863/cam.77772

The Victorian Palace of Science - Scientific Knowledge and the Building of the Houses of Parliament

Autorzy: Edward J. Gillin
Opublikowane w: 2017, ISBN 9781-108303873
Wydawca: Cambridge University Press
DOI: 10.1017/9781108303873

Nineteenth-Century Opera and the Scientific Imagination

Autorzy: David Trippet and Benjamin Walton
Opublikowane w: 2019, Strona(/y) 134-54, ISBN 9781316275863
Wydawca: Camnbridge University Press
DOI: 10.1017/9781316275863

Noise Resonance: Technological Sound Reproduction and the Logic of Filtering

Autorzy: Melle Kromhout
Opublikowane w: Numer Non-periodic, 2017, Strona(/y) 1-276, ISBN 978-94-028-0524-6
Wydawca: Ipskamp Printing / Academisch Proefschrift

Acoustics of Empire: Sound Media, and Power in the Long Nineteenth Century

Autorzy: Peter McMurray, Priyasha Mukhopadhyay (eds)
Opublikowane w: 2022, ISBN 9780197553794
Wydawca: Oxford University Press

The Logic of Filtering. How Noise Shapes the Sound of Recorded Music

Autorzy: Melle Jan Kromhout
Opublikowane w: 2021
Wydawca: Oxford University Press

Sardanapalo, Act 1

Autorzy: Franz Liszt, David Trippett
Opublikowane w: New Liszt Edition, Series IX (Vocal works with orchestra or with several instruments) Vol.2., 2020, ISBN 9790080200179
Wydawca: Editio Musica Budapest (New Liszt Edition, Series IX)

Sardanapalo: Opera fragment in one act (performance edition)

Autorzy: Franz Liszt, David Trippett
Opublikowane w: 2020
Wydawca: Schott

Towards a Materialist History of Music: Histories of Sensation

Autorzy: David Trippett
Opublikowane w: Franklin Institute of Humanities, Duke University, Numer Non-periodic, 2017, Strona(/y) Online, no pages. 7,000wds
Wydawca: Duke University

The Voyager metaphor: 40 years on

Autorzy: David Trippett
Opublikowane w: Sound Studies, Numer 4/1, 2018, Strona(/y) 96-99, ISSN 2055-1940
Wydawca: Taylor & Francis Group
DOI: 10.1080/20551940.2018.1505016

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