Skip to main content

Slow motion: Transformations of musical time in perception and performance

Searching for OpenAIRE data...

Publications

Disco Time: The Relationship Between Perceived Duration and Tempo in Music

Author(s): David Hammerschmidt, Clemens Wöllner, Justin London, Birgitta Burger
Published in: Music & Science, Issue 4, 2021, Page(s) 205920432098638, ISSN 2059-2043
DOI: 10.1177/2059204320986384

Time perception in human movement: Effects of speed and agency on duration estimation

Author(s): Emma Allingham, David Hammerschmidt, Clemens Wöllner
Published in: Quarterly Journal of Experimental Psychology, 2020, Page(s) 174702182097951, ISSN 1747-0218
DOI: 10.1177/1747021820979518

Tapping to hip-hop: Effects of cognitive load, arousal, and musical meter on time experiences

Author(s): Clemens Wöllner, David Hammerschmidt
Published in: Attention, Perception, & Psychophysics, 2021, ISSN 1943-3921
DOI: 10.3758/s13414-020-02227-4

The impact of music and stretched time on pupillary responses and eye movements in slow-motion film scenes

Author(s): David Hammerschmidt, Clemens Wöllner
Published in: Journal of Eye Movement Research, Issue 11(2):10, 2018, ISSN 1995-8692
DOI: 10.16910/jemr.11.2.10

Slow motion in films and video clips: Music influences perceived duration and emotion, autonomic physiological activation and pupillary responses

Author(s): Clemens Wöllner, David Hammerschmidt, Henning Albrecht
Published in: PLOS ONE, Issue 13/6, 2018, Page(s) e0199161, ISSN 1932-6203
DOI: 10.1371/journal.pone.0199161

Sensorimotor synchronisation with higher metrical levels in music shortens perceived time

Author(s): Hammerschmidt, D., & Wöllner, C.
Published in: Music Perception, Issue 37(4), 2020, Page(s) 263-277, ISSN 0730-7829
DOI: 10.1525/mp.2020.37.4.263

Time as the ink that music is written with: A review of internal clock models and their explanatory power in audiovisual perception

Author(s): Xinyue Wang, Clemens Wöllner
Published in: Jahrbuch Musikpsychologie, Issue 29, 2020, ISSN 2569-5665
DOI: 10.5964/jbdgm.2019v29.67

The challenge of being slow: Effects of tempo, laterality, and experience on dance movement consistency

Author(s): Birgitta Burger, Clemens Wöllner
Published in: Journal of Motor Behavior, 2021, Page(s) 1-14, ISSN 0022-2895
DOI: 10.1080/00222895.2021.1896469

Stretching time in audiovisual media: Influences of playback technology and music on perceived emotion and induced arousal.

Author(s): Wöllner, C. & Hammerschmidt, D.
Published in: Proceedings of SEMPRE MET2018, 2018

Eye movements in film perception: The Impact of emotional music and playback speed.

Author(s): Hammerschmidt, D., & Wöllner, C.
Published in: 15th International Conference on Music Perception and Cognition / 10th Conference of the European Society for the Cognitive Sciences of Music, 2018

Slow motion in films and video clips: The role of music on perceived duration, emotions and eye movements.

Author(s): Wöllner, C., Albrecht, H., Hammerschmidt, D., & Hohagen, J.
Published in: 25th Anniversary Conference of the European Society for the Cognitive Sciences of Music, 2017

Effects of attentional focus on motor skill performance in violin bowing

Author(s): Allingham, E., & Wöllner, C.
Published in: SEMPRE autumn conference ‘Expression, Communication and Learning’, 2019

Using Unimanual and Bimanual Tapping to Explore Synchronisation with Musical Rhythmic Layers.

Author(s): Visi, F., Hammerschmidt, D., & Wöllner, C.
Published in: 15th International Conference on Music Perception and Cognition / 10th Conference of the European Society for the Cognitive Sciences of Music, 2018

Time-Stretching: Über den Zusammenhang von Tempo- und Zeitwahrnehmung beim Musikhören

Author(s): Hammerschmidt, D., Wöllner, C., & London, J.
Published in: Tagungsband der Deutschen Gesellschaft für Musikpsychologie, 2019

How does time fly in inconsistent audiovisual contexts? An exploratory study with a temporal bisection paradigm

Author(s): Wang, X., Wöllner, C., & Shi, Z.
Published in: Tagungsband der Deutschen Gesellschaft für Musikpsychologie, 2019, Page(s) 88-90