Publications Peer reviewed articles (3) The film narrator and the early American screenwriting manuals Author(s): Mario Slugan Published in: Early Popular Visual Culture, 2019, Page(s) 1-15, ISSN 1746-0654 Publisher: Routledge DOI: 10.1080/17460654.2019.1623058 Theorizing Fiction in Film Non/Fiction: Some Thoughts on Recent German Film Theory Author(s): Mario Slugan Published in: Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe, Issue 8, 2019, ISSN 2365-7758 Publisher: Natascha Drubek DOI: 10.17892/app.2019.0008.161 The Turn-of-the-Century Understanding of ‘Fakes’ in the US and Western Europe Author(s): Mario Slugan Published in: Participations: Journal of Audience & Reception Studies, Issue 16.1, 2019, Page(s) 718-737, ISSN 1749-8716 Publisher: Martin Barker & Sue Turnbull Book chapters (1) The Role of Imagination in Early Cinema: Fiction and Non-Fiction in Phantom Rides, Travelogues, and Hale’s Tours Author(s): Mario Slugan Published in: A Treasure Trove. Friend of the Photoplay – Visionary – Spy? New Trans-Disciplinary Approaches to Hugo Münsterberg’s Life and Ouevre, 2018, Page(s) 25-46, ISBN 978-3-96023-181-3 Publisher: Leipziger Universitatsverlag Non-peer reviewed articles (1) Introducing Fiction in Central and Eastern European Film Theory and Practice Author(s): J. Alexander Bareis and Mario Slugan Published in: Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe, Issue 8, 2019, ISSN 2365-7758 Publisher: Natascha Drubek DOI: 10.17892/app.2019.0008.169 Other (1) Fiction in Central and Eastern European Film Theory and Practice. Special Issue of Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe Author(s): J. Alexander Bareis and Mario Slugan Published in: Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe, Issue 8, 2019, ISSN 2365-7758 Publisher: Natascha Drubek DOI: 10.17892/app.2019.0008 Searching for OpenAIRE data... There was an error trying to search data from OpenAIRE No results available