Fiction, Imagination, and Early Cinema

The film narrator and the early American screenwriting manuals

Autori: Mario Slugan
Pubblicato in: Early Popular Visual Culture, 2019, Pagina/e 1-15, ISSN 1746-0654
Editore: Routledge
DOI: 10.1080/17460654.2019.1623058

Theorizing Fiction in Film Non/Fiction: Some Thoughts on Recent German Film Theory

Autori: Mario Slugan
Pubblicato in: Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe, Numero 8, 2019, ISSN 2365-7758
Editore: Natascha Drubek
DOI: 10.17892/app.2019.0008.161

The Turn-of-the-Century Understanding of ‘Fakes’ in the US and Western Europe

Autori: Mario Slugan
Pubblicato in: Participations: Journal of Audience & Reception Studies, Numero 16.1, 2019, Pagina/e 718-737, ISSN 1749-8716
Editore: Martin Barker & Sue Turnbull

The Role of Imagination in Early Cinema: Fiction and Non-Fiction in Phantom Rides, Travelogues, and Hale’s Tours

Autori: Mario Slugan
Pubblicato in: A Treasure Trove. Friend of the Photoplay – Visionary – Spy? New Trans-Disciplinary Approaches to Hugo Münsterberg’s Life and Ouevre, 2018, Pagina/e 25-46, ISBN 978-3-96023-181-3
Editore: Leipziger Universitatsverlag

Introducing Fiction in Central and Eastern European Film Theory and Practice

Autori: J. Alexander Bareis and Mario Slugan
Pubblicato in: Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe, Numero 8, 2019, ISSN 2365-7758
Editore: Natascha Drubek
DOI: 10.17892/app.2019.0008.169

Fiction in Central and Eastern European Film Theory and Practice. Special Issue of Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe

Autori: J. Alexander Bareis and Mario Slugan
Pubblicato in: Apparatus: Film, Media, & Digital Cultures in Central and Eastern Europe, Numero 8, 2019, ISSN 2365-7758
Editore: Natascha Drubek
DOI: 10.17892/app.2019.0008

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