Objective
This project aims to re-construct the experience of cinema-going in black communities of New York during the interwar period. In drawing on a plethora of multidisciplinary resources – personal correspondence, diary entries, cinema records, fan letters, local news stories and articles from historical black press – it will investigate the roles played by cinema, the dominant form of entertainment at the time, in shaping the lives of African-American women in Manhattan. New York is a fruitful site for the investigation of debates of race and mass entertainment because of the high concentration of black migrants and cinemas: 305 film venues operated in Manhattan in 1927, whilst other 39 were planning to open or were under construction. According to US census data, 12 percent of the Manhatanittes were black in 1930.
The study will culminate in the creation of an interactive, digital map of cinema-going, which will allow its users to experience the richness of black movie culture through personalised stories of women who attended movie theatres at the time. Produced in Scalar – with written content supported by visuals such as film posters, cinema programmes and photographs of the location – each geographical location will provide a gateway for the map users to explore the plethora of historical data in a more accessible, narrativised format. The map will be a freely available online tool, which will further advance the work of scholars working across all domains in humanities.
Existing, sparse scholarship on cinema-going in the early film period, concentrates itself with culturally dominant, white audience. In assuming a homogenic demographic, it overlooks the lived experience of African-American women in a racially segregated country. In looking at race and gender specific form of spectatorship, I seek to re-address this scholarly bias. The objective is to uncover how cinema-going became embedded in black communities, as well as in the lives of black individuals.
Fields of science (EuroSciVoc)
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
CORDIS classifies projects with EuroSciVoc, a multilingual taxonomy of fields of science, through a semi-automatic process based on NLP techniques. See: The European Science Vocabulary.
- humanities arts modern and contemporary art cinematography
- humanities arts performing arts dramaturgy
- social sciences sociology demography census
- social sciences sociology demography human migrations
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Programme(s)
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
Multi-annual funding programmes that define the EU’s priorities for research and innovation.
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H2020-EU.1.3. - EXCELLENT SCIENCE - Marie Skłodowska-Curie Actions
MAIN PROGRAMME
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H2020-EU.1.3.2. - Nurturing excellence by means of cross-border and cross-sector mobility
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Topic(s)
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Calls for proposals are divided into topics. A topic defines a specific subject or area for which applicants can submit proposals. The description of a topic comprises its specific scope and the expected impact of the funded project.
Funding Scheme
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.
MSCA-IF-EF-ST - Standard EF
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Call for proposal
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
Procedure for inviting applicants to submit project proposals, with the aim of receiving EU funding.
(opens in new window) H2020-MSCA-IF-2017
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Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.
9000 GENT
Belgium
The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.