Deliverables
This outlines the concept for curating works collected in D2.3 in a multimodal way using recent technologies.
Based on the interim findings of the project, the Policy Brief will provide policy recommendations related to the call.
Specification paper to ensure standardised and interoperable filmgraphic and archival metadata.
A comprehensive and tested set of recommended digitisation standards which serves as a ‘tool kit’ for cultural institutions to undertake advanced digitisation of film records. Published and disseminated online.
Controlled vocabularies specification
Concept for i-docs that construct (filmic) pathways through the repository.
This is a protocol to lay the groundwork for T3.2 to T3.5, including the limits and interconnections between engagement levels.
This paper maps out the concept and infrastructure for a “living archive”, communicating conceptual ideas to WP5.
The Project Design and Identity Handbook serves as a reference guide and background document for all participants of the project. It provides information on, and guidelines for the use of the project’s corporate identity and its visual elements. It furthermore indicates basic principles for the effective communication of the project.
Binding guide to ethical curation of Holocaust-related materials.
Specification sheet on curatorial standards in defining engagement levels and cooperation between the engagement level teams.
At least 75% of the texts indicated in the literature database, collected as pdf files processed with OCR.
This collects visual works that re-used and re-dramatised the investigated filmic records after 1945.
This collects bibliographic data on the scholarly literature dealing with the filmic records of the liberation of Nazi atrocity sites and the original films edited from them.
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Publications
Author(s): Daniel Helm , Bernhard Pointner, Martin Kampel
Published in: Proceedings of the Joint Austrian Computer Vision and Robotics Workshop 2020, 2020, Page(s) 114-115
DOI: 10.3217/978-3-85125-752-6-26
Author(s): Fabian Schmidt, Alexander Oliver Zöller
Published in: Apparatus. Film, Media and Digital Cultures in Central and Eastern Europe,, Issue no. 12, 2021, Page(s) 1-80, ISSN 2365-7758
DOI: 10.17892/app.2021.00012.223
Author(s): Ulrike Koppermann
Published in: Zeitschrift für Geschichtswissenschaft 67 (2019), 6., 2019, ISSN 0044-2828
Author(s): Ulrike Weckel
Published in: Research in Film and History, Issue Issue 2: Research, Debates and Projects 2.0, 2019, ISSN 2627-5848
Author(s): Ulrike Koppermann
Published in: Journal of Perpetrator Research, Issue 2/2, 2019, Page(s) 101, ISSN 2514-7897
DOI: 10.21039/jpr.2.2.38
Author(s): Daniel Helm, Martin Kampel
Published in: EUROGRAPHICS Workshop on Graphics and Cultural Heritage (2019), 2019, ISSN 2312-6124
DOI: 10.2312/gch.20191344
Author(s): Fabian Schmidt
Published in: Historical Journal of Film, Radio and Television, Issue 40/4, 2020, Page(s) 702-731, ISSN 0143-9685
DOI: 10.1080/01439685.2020.1730033
Author(s): Tobias Ebbrecht-Hartmann
Published in: Media, Culture & Society, 2020, Page(s) 016344372098327, ISSN 0163-4437
DOI: 10.1177/0163443720983276
Author(s): Daniel Helm, Martin Kampel
Published in: Advances in Visual Computing - 15th International Symposium, ISVC 2020, San Diego, CA, USA, October 5–7, 2020, Proceedings, Part I, Issue 12509, 2020, Page(s) 148-159
DOI: 10.1007/978-3-030-64556-4_12
Author(s): Daniel Helm, Martin Kampel
Published in: New Trends in Image Analysis and Processing – ICIAP 2019 - ICIAP International Workshops, BioFor, PatReCH, e-BADLE, DeepRetail, and Industrial Session, Trento, Italy, September 9–10, 2019, Revised Selected Papers, Issue 11808, 2019, Page(s) 137-147
DOI: 10.1007/978-3-030-30754-7_14