Visual History of the Holocaust: Rethinking Curation in the Digital Age

Specification paper to ensure standardised and interoperable filmgraphic and archival metadata.

A comprehensive and tested set of recommended digitisation standards which serves as a ‘tool kit’ for cultural institutions to undertake advanced digitisation of film records. Published and disseminated online.

Controlled vocabularies specification

This is a protocol to lay the groundwork for T3.2 to T3.5, including the limits and interconnections between engagement levels.

This paper maps out the concept and infrastructure for a “living archive”, communicating conceptual ideas to WP5.

Binding guide to ethical curation of Holocaust-related materials.

This collects bibliographic data on the scholarly literature dealing with the filmic records of the liberation of Nazi atrocity sites and the original films edited from them.

Author(s): Ulrike Koppermann
Published in: Zeitschrift für Geschichtswissenschaft 67 (2019), 6., 2019, ISSN 0044-2828

Author(s): Ulrike Weckel
Published in: Research in Film and History, Issue Issue 2: Research, Debates and Projects 2.0, 2019, ISSN 2627-5848

Author(s): Ulrike Koppermann
Published in: Journal of Perpetrator Research, Issue 2/2, 2019, Page(s) 101, ISSN 2514-7897
DOI: 10.21039/jpr.2.2.38

Author(s): Daniel Helm, Martin Kampel
Published in: EUROGRAPHICS Workshop on Graphics and Cultural Heritage (2019), 2019, ISSN 2312-6124
DOI: 10.2312/gch.20191344