Visual History of the Holocaust: Rethinking Curation in the Digital Age

Resultado final

Report on digital curation of popular culture content

This outlines the concept for curating works collected in D2.3 in a multimodal way using recent technologies.

Based on the interim findings of the project, the Policy Brief will provide policy recommendations related to the call.

Specification paper to ensure standardised and interoperable filmgraphic and archival metadata.

A comprehensive and tested set of recommended digitisation standards which serves as a ‘tool kit’ for cultural institutions to undertake advanced digitisation of film records. Published and disseminated online.

Controlled vocabularies specification

Concept: VHH i-docs

Concept for i-docs that construct (filmic) pathways through the repository.

Definition of engagement levels, usage modes, and user types

This is a protocol to lay the groundwork for T3.2 to T3.5, including the limits and interconnections between engagement levels.

Mind map visualising multimodal curating

This paper maps out the concept and infrastructure for a “living archive”, communicating conceptual ideas to WP5.

Project design and identity handbook

The Project Design and Identity Handbook serves as a reference guide and background document for all participants of the project. It provides information on, and guidelines for the use of the project’s corporate identity and its visual elements. It furthermore indicates basic principles for the effective communication of the project.

Ethics Guideline

Binding guide to ethical curation of Holocaust-related materials.

Framework for tool kits, best practice models and future network activities

Specification sheet on curatorial standards in defining engagement levels and cooperation between the engagement level teams.

Digitised collection of text documents related to footage and films

At least 75% of the texts indicated in the literature database, collected as pdf files processed with OCR.

Database of films, artworks and other visual culture products

This collects visual works that re-used and re-dramatised the investigated filmic records after 1945.

Literature database

This collects bibliographic data on the scholarly literature dealing with the filmic records of the liberation of Nazi atrocity sites and the original films edited from them.

Publicaciones

Frame Border Detection for Digitized Historical Footage

Autores: Daniel Helm , Bernhard Pointner, Martin Kampel
Publicado en: Proceedings of the Joint Austrian Computer Vision and Robotics Workshop 2020, 2020, Page(s) 114-115, ISBN 978-3-85125-752-6
Editor: xxx
DOI: 10.3217/978-3-85125-752-6-26

Erweiterte Orte: Überlegungen zur virtuellen Transformation von Gedenkstätte

Autores: Tobias Ebbrecht-Hartmann
Publicado en: Medaon – Magazin für jüdisches Leben in Forschung und Bildung, vol. 15, no. 28, 2021, Page(s) 1-5, ISSN 1866-069X
Editor: xxx

Atrocity Film

Autores: Fabian Schmidt, Alexander Oliver Zöller
Publicado en: Apparatus. Film, Media and Digital Cultures in Central and Eastern Europe,, no. 12, 2021, Page(s) 1-80, ISSN 2365-7758
Editor: xxx
DOI: 10.17892/app.2021.00012.223

Das visuelle Narrativ des Fotoalbums „Umsiedlung der Juden aus Ungarn“. Ein kritischer Blick auf die „Täterperspektive“

Autores: Ulrike Koppermann
Publicado en: Zeitschrift für Geschichtswissenschaft 67 (2019), 6., 2019, ISSN 0044-2828
Editor: Deutscher Verlag der Wissenschaften

Liberated on Film: Images and Narratives of Camp Liberation in Historical Footage and Feature Films

Autores: Ulrike Weckel
Publicado en: Research in Film and History, Issue 2: Research, Debates and Projects 2.0, 2019, ISSN 2627-5848
Editor: Universität Bremen

Challenging the Perpetrators’ Narrative: A Critical Reading of the Photo Album ‘Resettlement of the Jews from Hungary’

Autores: Ulrike Koppermann
Publicado en: Journal of Perpetrator Research, 2/2, 2019, Page(s) 101, ISSN 2514-7897
Editor: Journal of Perpetrator Studies 2.2 (2019), 101–129
DOI: 10.21039/jpr.2.2.38

Video Shot Analysis for Digital Curation and Preservation of Historical Films

Autores: Daniel Helm, Martin Kampel
Publicado en: EUROGRAPHICS Workshop on Graphics and Cultural Heritage (2019), 2019, ISSN 2312-6124
Editor: Eurographics Association
DOI: 10.2312/gch.20191344

The Westerbork Film Revisited: Provenance, the Re-Use of Archive Material and Holocaust Remembrances

Autores: Fabian Schmidt
Publicado en: Historical Journal of Film, Radio and Television, 40/4, 2020, Page(s) 702-731, ISSN 0143-9685
Editor: Carfax Publishing Ltd.
DOI: 10.1080/01439685.2020.1730033

Commemorating from a distance: the digital transformation of Holocaust memory in times of COVID-19

Autores: Tobias Ebbrecht-Hartmann
Publicado en: Media, Culture & Society, 2020, Page(s) 016344372098327, ISSN 0163-4437
Editor: SAGE Publications
DOI: 10.1177/0163443720983276

Overscan Detection in Digitized Analog Films by Precise Sprocket Hole Segmentation

Autores: Daniel Helm, Martin Kampel
Publicado en: Advances in Visual Computing - 15th International Symposium, ISVC 2020, San Diego, CA, USA, October 5–7, 2020, Proceedings, Part I, 12509, 2020, Page(s) 148-159, ISBN 978-3-030-64555-7
Editor: Springer International Publishing
DOI: 10.1007/978-3-030-64556-4_12

Shot Boundary Detection for Automatic Video Analysis of Historical Films

Autores: Daniel Helm, Martin Kampel
Publicado en: New Trends in Image Analysis and Processing – ICIAP 2019 - ICIAP International Workshops, BioFor, PatReCH, e-BADLE, DeepRetail, and Industrial Session, Trento, Italy, September 9–10, 2019, Revised Selected Papers, 11808, 2019, Page(s) 137-147, ISBN 978-3-030-30753-0
Editor: Springer International Publishing
DOI: 10.1007/978-3-030-30754-7_14