Visual History of the Holocaust: Rethinking Curation in the Digital Age

Leistungen

Documents, reports (11)

Report on digital curation of popular culture content

This outlines the concept for curating works collected in D2.3 in a multimodal way using recent technologies.

EU Commission Policy Brief

Based on the interim findings of the project, the Policy Brief will provide policy recommendations related to the call.

Metadata integration concept

Specification paper to ensure standardised and interoperable filmgraphic and archival metadata.

Advanced digitisation tool kit

A comprehensive and tested set of recommended digitisation standards which serves as a ‘tool kit’ for cultural institutions to undertake advanced digitisation of film records. Published and disseminated online.

Controlled vocabularies specification

Controlled vocabularies specification

Concept: VHH i-docs

Concept for i-docs that construct (filmic) pathways through the repository.

Definition of engagement levels, usage modes, and user types

This is a protocol to lay the groundwork for T3.2 to T3.5, including the limits and interconnections between engagement levels.

Mind map visualising multimodal curating

This paper maps out the concept and infrastructure for a “living archive”, communicating conceptual ideas to WP5.

Project design and identity handbook

The Project Design and Identity Handbook serves as a reference guide and background document for all participants of the project. It provides information on, and guidelines for the use of the project’s corporate identity and its visual elements. It furthermore indicates basic principles for the effective communication of the project.

Ethics Guideline

Binding guide to ethical curation of Holocaust-related materials.

Framework for tool kits, best practice models and future network activities

Specification sheet on curatorial standards in defining engagement levels and cooperation between the engagement level teams.

Websites, patent fillings, videos etc. (2)

Digitised collection of text documents related to footage and films

At least 75% of the texts indicated in the literature database, collected as pdf files processed with OCR.

Database of films, artworks and other visual culture products

This collects visual works that re-used and re-dramatised the investigated filmic records after 1945.

Other (1)

Literature database

This collects bibliographic data on the scholarly literature dealing with the filmic records of the liberation of Nazi atrocity sites and the original films edited from them.

Veröffentlichungen

Conference proceedings (1)

Frame Border Detection for Digitized Historical Footage

Autoren: Daniel Helm , Bernhard Pointner, Martin Kampel
Veröffentlicht in: Proceedings of the Joint Austrian Computer Vision and Robotics Workshop 2020, 2020, Page(s) 114-115
DOI: 10.3217/978-3-85125-752-6-26

Peer reviewed articles (7)

Atrocity Film

Autoren: Fabian Schmidt, Alexander Oliver Zöller
Veröffentlicht in: Apparatus. Film, Media and Digital Cultures in Central and Eastern Europe,, Issue no. 12, 2021, Page(s) 1-80, ISSN 2365-7758
DOI: 10.17892/app.2021.00012.223

as visuelle Narrativ des Fotoalbums „Umsiedlung der Juden aus Ungarn“. Ein kritischer Blick auf die „Täterperspektive“

Autoren: Ulrike Koppermann
Veröffentlicht in: Zeitschrift für Geschichtswissenschaft 67 (2019), 6., 2019, ISSN 0044-2828

Liberated on Film: Images and Narratives of Camp Liberation in Historical Footage and Feature Films

Autoren: Ulrike Weckel
Veröffentlicht in: Research in Film and History, Issue Issue 2: Research, Debates and Projects 2.0, 2019, ISSN 2627-5848

Challenging the Perpetrators’ Narrative: A Critical Reading of the Photo Album ‘Resettlement of the Jews from Hungary’

Autoren: Ulrike Koppermann
Veröffentlicht in: Journal of Perpetrator Research, Issue 2/2, 2019, Page(s) 101, ISSN 2514-7897
DOI: 10.21039/jpr.2.2.38

Video Shot Analysis for Digital Curation and Preservation of Historical Films

Autoren: Daniel Helm, Martin Kampel
Veröffentlicht in: EUROGRAPHICS Workshop on Graphics and Cultural Heritage (2019), 2019, ISSN 2312-6124
DOI: 10.2312/gch.20191344

The Westerbork Film Revisited: Provenance, the Re-Use of Archive Material and Holocaust Remembrances

Autoren: Fabian Schmidt
Veröffentlicht in: Historical Journal of Film, Radio and Television, Issue 40/4, 2020, Page(s) 702-731, ISSN 0143-9685
DOI: 10.1080/01439685.2020.1730033

Commemorating from a distance: the digital transformation of Holocaust memory in times of COVID-19

Autoren: Tobias Ebbrecht-Hartmann
Veröffentlicht in: Media, Culture & Society, 2020, Page(s) 016344372098327, ISSN 0163-4437
DOI: 10.1177/0163443720983276

Book chapters (2)

Overscan Detection in Digitized Analog Films by Precise Sprocket Hole Segmentation

Autoren: Daniel Helm, Martin Kampel
Veröffentlicht in: Advances in Visual Computing - 15th International Symposium, ISVC 2020, San Diego, CA, USA, October 5–7, 2020, Proceedings, Part I, Issue 12509, 2020, Page(s) 148-159
DOI: 10.1007/978-3-030-64556-4_12

Shot Boundary Detection for Automatic Video Analysis of Historical Films

Autoren: Daniel Helm, Martin Kampel
Veröffentlicht in: New Trends in Image Analysis and Processing – ICIAP 2019 - ICIAP International Workshops, BioFor, PatReCH, e-BADLE, DeepRetail, and Industrial Session, Trento, Italy, September 9–10, 2019, Revised Selected Papers, Issue 11808, 2019, Page(s) 137-147
DOI: 10.1007/978-3-030-30754-7_14