The choral life in the cities of Bern and Fribourg in the long nineteenth century

Descripción del proyecto

Comprender el papel de los coros del siglo XIX en la unión de los suizos

Durante el siglo XIX, aparecieron coros por toda Suiza, lo que fomentó un sentido de comunidad y nacionalismo. A pesar de la diversidad de la población, parece que los coros unieron cuatro culturas diferentes de pueblos suizos. Hasta la fecha, no se ha documentado bien la investigación sobre este fenómeno sociopolítico. A través de estudios intensivos de archivos, el proyecto financiado con fondos europeos CLEFNI comparará la repercusión que tuvieron los coros en la vida política y social de las ciudades de Berna y Friburgo. El proyecto dilucidará cómo la música, los acontecimientos históricos y las condiciones sociales contribuyeron a la asimilación cultural en Suiza. En términos más generales, proporcionará información sobre la forma en que las tradiciones culturales pueden conducir a la aceptación multicultural y la integración de las minorías culturales.

Objetivo

During the 19th century, several music and choral societies arose in Europe, giving rise to a choral movement that fostered not only communal singing, but also patriotic feelings. In Switzerland, this movement involved several men’s choirs that had a strong liberal and patriotic character. This patriotism, however, could not be based on cultural, linguistic or ethnic unity, but called for the integration of the four cultures that make up Switzerland. With its songs and festivals, the Swiss choral movement became a crucial element in this integration process. Yet despite its significance, this movement remains largely ignored by recent scholarship. There is a lack of research on the movement as a whole and principally of specific knowledge about the choral life in different places. The cities of Bern and Fribourg for example have different languages, religions and traditions. To what extent did their choral life differ from or resemble one another? By answering this question, CLEFNI aims to understand how choral activities influenced the social and political life in these cities and contributed to the integration of the Swiss peoples. The objective is to better understand the historical circumstances and the specific conditions that allowed integration and multicultural understanding. CLEFNI is designed as an archival research and will critically analyse sources in archives of 19th-century choral societies in terms of their musical, social and political contexts and of their gender dimensions. Findings will then be discussed in view of existing research on the 19th-century choral movement, on musicology and on related disciplines like sociology and history. Considering that multicultural understanding continues to be a challenge in Europe, CLEFNI’s value goes beyond the Swiss borders, providing new knowledge that contributes to understanding how cultural movements like choral singing may lead to multicultural understanding and integration of cultural minorities.