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Lebanon's Art World at Home and Abroad: Trajectories of artists and artworks in/from Lebanon since 1943

Project description

A closer look at Lebanon’s artists

What do we know about the art world of Lebanon – a country defined by its experience of violence and conflict. The EU-funded LAWHA project will shed light on the multi-dimensionality of artists in and from Lebanon who use the forms of painting (Arabic: lawha), sculpture and new media art. Specifically, the project will investigate the forces that have shaped the emergence of a professional field of art in their local, regional and global contexts. Secondly, it will suggest ways to rethink the impact of the political, social and economic environment on the art world and its protagonists. Finally, the project will study how artists are represented in relation to the nation.

Objective

This project takes an ambitious approach to investigating the trajectories of artists and their works in and from Lebanon since its independence in 1943. In the absence of an institutionalised local art history, artists are often stereotyped according to the agendas of labelling institutions. The project proposes a shift of perspective in approaching Lebanons art world by placing emphasis on the multi-dimensionality of artists individual trajectories. It investigates (1) the forces that have shaped the emergence of a professional field of art in their local, regional and global contexts, (2) how to rethink the impact of the political, social and economic environment on the art world and its protagonists, Lebanon often being defined by its experience of violence and conflict, (3) how artists are represented in relation to the nation, and (4) how the trajectories of individuals shape the field. The focus will be on artists in and from Lebanon using the forms of painting (Arabic: lawha), sculpture and new media art. The specificity of Lebanons history after gaining independence from France in 1943 makes it particularly worthwhile to study the power-relations between artists and institutions at home and abroad. The projects objectives are to (1) develop a new approach to rethink artistic production from a cultural-political perspective while placing the trajectory of artists and their works at the centre, (2) re-evaluate the impact of war and migration on a countrys artistic production, (3) build a collaborative digital platform and database (DDP) to create a central and open-access repository and innovative tool for future research and preserving Lebanon's cultural heritage, and (4) to connect the scientific cultures of academic research and museums/art institutions. The projects five thematic clusters and DDP will identify new methods on how to interrelate context and artistic production, serving as a model for revisiting art histories in post-colonial contexts.

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Keywords

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Programme(s)

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Topic(s)

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Funding Scheme

Funding scheme (or “Type of Action”) inside a programme with common features. It specifies: the scope of what is funded; the reimbursement rate; specific evaluation criteria to qualify for funding; and the use of simplified forms of costs like lump sums.

ERC-STG - Starting Grant

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Call for proposal

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(opens in new window) ERC-2019-STG

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Host institution

MAX WEBER STIFTUNG DEUTSCHE GEISTESWISSENSCHAFTLICHE INSTITUTE IM AUSLAND
Net EU contribution

Net EU financial contribution. The sum of money that the participant receives, deducted by the EU contribution to its linked third party. It considers the distribution of the EU financial contribution between direct beneficiaries of the project and other types of participants, like third-party participants.

€ 1 332 236,16
Address
RHEINALLEE 6
53173 Bonn
Germany

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Region
Nordrhein-Westfalen Köln Bonn, Kreisfreie Stadt
Activity type
Research Organisations
Links
Total cost

The total costs incurred by this organisation to participate in the project, including direct and indirect costs. This amount is a subset of the overall project budget.

€ 1 332 236,16

Beneficiaries (2)

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