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Multiculturalism in the work of Aldo and Hannie van Eyck. Rethinking universalist notions in architecture.

Descripción del proyecto

Otra mirada a la arquitectura de posguerra

Los arquitectos neerlandeses Aldo y Hannie van Eyck estuvieron entre los más influyentes de la segunda mitad del siglo XX. Conocidos en los Países Bajos y en todo el mundo por sus notables esfuerzos por renovar la arquitectura moderna de posguerra, se puede observar en su trabajo un híbrido de actitudes universalistas y exóticas. El proyecto financiado con fondos europeos ACU-AHvE estudiará la mezcla de arte moderno y no occidental de los diseños de los van Eyck. Abordará esta cuestión de una manera holística en la que espacio, habitantes, ideas políticas y formas de vivir se unan para dar forma a una noción multicultural de sociedad y arquitectura. Los descubrimientos del proyecto proporcionarán, por primera vez, una mirada crítica de la influencia del «paradigma etnográfico de la década de los sesenta» en la arquitectura de posguerra.

Objetivo

"Today, we live immersed in a new globalized universalism, an increasingly homogeneous planet where architecture remains dominated by mass media, hindering renewal. However, in the aftermath of WWII, the Dutch architects Aldo and Hannie van Eyck already proposed a profound rethinking of the eurocentrism of his time. In their work, one can observe a hybrid of universalist and exoticist attitudes, looking for both continuity and renewal of the pre-war avant-garde and for critique on capitalist and nationalist ideologies of his time. This research aims to scrutinize the blending of non-western and modern art in the Van Eycks’ designs in a holistic way where space, inhabitants, political ideas and ways of living merge to shape a multiculturalist notion of society and architecture. There have been earlier attempts to study Van Eyck’s relation with the vernacular by Strauven (1998) and recently Jaschke (2011) and Rodríguez (2016), but they focused on form relations or lacked the full archival sources to tackle the issue. Recent research (2018) has uncovered an enormous amount of information that will be used to go beyond state-of-the-art. The multidisciplinary nature of the project is strong, since it will develop an innovative qualitative approach to the architect’s oeuvre from his private house, an Anthropology of Architecture, using his full ethnographical art collection, books, travel pictures and conference slides as an entry to document and unpack the ways domesticity, global travels and art collecting intersect and sustain a non-universal view from which architecture was re-conceptualised. Proper measures will be taken to integrate the research into different areas of expertise. The results would constitute the first critical inquiry on the influence of the ""ethnographic paradigm of the 60s"" in postwar architecture, an example of open and inclusive design practices, hence in line with EU global strategies, helping debates in a post-colonial globalised world."

Ámbito científico (EuroSciVoc)

CORDIS clasifica los proyectos con EuroSciVoc, una taxonomía plurilingüe de ámbitos científicos, mediante un proceso semiautomático basado en técnicas de procesamiento del lenguaje natural.

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Coordinador

TECHNISCHE UNIVERSITEIT DELFT
Aportación neta de la UEn
€ 175 572,48
Dirección
STEVINWEG 1
2628 CN Delft
Países Bajos

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Tipo de actividad
Higher or Secondary Education Establishments
Enlaces
Coste total
€ 175 572,48