Descripción del proyecto
Un estudio más detallado sobre el retorno de los bienes culturales
La repatriación de las propiedades culturales robadas o saqueadas a sus países de origen siempre ha sido un asunto controvertido en todo el mundo. El asunto se vuelve aún más complicado si la propiedad no está clara o es controvertida. El proyecto REPATRIATES, financiado por el Consejo Europeo de Investigación, reunirá acciones de investigación a nivel internacional basadas en el arte que respondan a la repatriación, para aprender de los intercambios entre las instituciones austriacas, francesas, alemanas y británicas y las comunidades indígenas interesadas. El equipo del proyecto propondrá formas de avanzar hacia la descolonización de la propiedad cultural, como nuevos modelos de copropiedad. El objetivo general de REPATRIATES es darle voz a la comunidad artística e interesada en los debates sobre repatriación.
Objetivo
What innovations to the repatriation of cultural property can be performed by making new originals? The specific objectives of REPATRIATES are to bring together internationally art-based research actions that respond to repatriation, to learn from exchanges between French, German, Austrian and British institutions and stakeholder indigenous communities. REPATRIATES examines how contested objects - whose ownership may remain unclear - can be concieved and exhibited sensitively. It develops strategies for making artistic responses to this material, to propose ways forward for the decolonization of cultural property. This research aspires to shape a pan-European response to the complex political, historical, and affective dimensions of the repatriation of cultural assets. A casuistic approach is taken to analysing four major European museums’ - the Musée du quai Branly Paris, Humboldt Forum Berlin, Manchester Museum, and Weltmuseum Vienna - approaches to concrete, current repatriation processes. Can different modes of property be learnt from cultures whose emphasis is on reciprocal relationships rather than individual material accumulations? Comparing repatriation processes to Mexico, Australia, Nigeria, Bénin and Namibia, REPATRIATES proposes new models of co-ownership. This is essential to redress historical power imbalances and their display as national heritage. What questions can be asked of repatriated objects, as in what personalities, powers, and performances do they bring with them? REPATRIATES’ over-arching objective is to exemplify artistic and stakeholder community dimensions heretofore underrepresented in repatriation debates. Multiple voices gathered in artistic research and fieldwork, from milieus of museum professionals that may be sceptical of repatriation, and those working in politics, social justice, and academics, together produce REPATRIATES that define the significance and future potential of repatriation.
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Programa(s)
Régimen de financiación
ERC-COG - Consolidator GrantInstitución de acogida
1100 Wien
Austria